11/22/63 by Stephen King
Thank you for purchasing this Scribner eBook.
Sign up for our newsletter and receive special offers, access to bonus content, and info on the latest new releases and other great eBooks from Scribner and Simon & Schuster.
or visit us online to sign up at
eBookNews.SimonandSchuster.com
SCRIBNER
A Division of Simon & Schuster, Inc.
1230 Avenue of the Americas
New York, NY 10020
www.SimonandSchuster.com
This book is a work of fiction. Any references to historical events, real people, or real
locales are used fictitiously. Other names, characters, places, and incidents are products
of the author's imagination, and any resemblance to actual events or locales or persons,
living or dead, is entirely coincidental.
Copyright (c) 2011 by Stephen King
All rights reserved, including the right to reproduce this book or portions thereof
in any form whatsoever. For information address Scribner Subsidiary Rights Department,
1230 Avenue of the Americas, New York, NY 10020.
First Scribner hardcover edition November 2011
SCRIBNER and design are registered trademarks of The Gale Group, Inc.
used under license by Simon & Schuster, Inc., the publisher of this work.
The Simon & Schuster Speakers Bureau can bring authors to your live event.
For more information or to book an event, contact the Simon & Schuster Speakers Bureau
at 1-866-248-3049 or visit our website at www.simonspeakers.com.
DESIGNED BY ERICH HOBBING
Manufactured in the United States of America
1 3 5 7 9 10 8 6 4 2
Library of Congress Control Number: 2011025874
ISBN 978-1-4516-2728-2 (print)
ISBN 978-1-45162730-5 (eBook) Image credits: pages ix, 7, 351 (left), and 575: Getty; page 97: courtesy of the Lisbon
Historical Society (special thanks to Russ Dorr for research); pages 223 and 749: Corbis;
page 351 (right): courtesy of Steven Meyers and Bob Rowen.
Lyrics from the song "Honky Tonk Women" are used with permission. Words and Music
by MICK JAGGER and KEITH RICHARDS (c) 1969 (Renewed) ABKCO MUSIC, INC.,
85 Fifth Avenue, New York, NY 10003. All Rights Reserved. Used by Permission of
ALFRED MUSIC PUBLISHING CO., INC.
For Zelda
Hey, honey, welcome to the party.
It is virtually not assimilable to our reason that a small lonely man felled a giant in the midst of his limousines, his legions, his throng, and his security. If such a nonentity destroyed the leader of the most powerful nation on earth, then a world of disproportion engulfs us, and we live in a universe that is absurd.
--Norman Mailer If there is love, smallpox scars are as pretty as dimples.
--Japanese proverb Dancing is life.
CONTENTS
PART 1
Watershed Moment
PART 2
The Janitor's Father
PART 3
Living in the Past
PART 4
Sadie and the General
PART 5
11/22/63
PART 6
The Green Card Man
11/22/63
I have never been what you'd call a crying man.
My ex-wife said that my "nonexistent emotional gradient" was the main reason she was leaving me (as if the guy she met in her AA meetings was beside the point). Christy said she supposed she could forgive me not crying at her father's funeral; I had only known him for six years and couldn't understand what a wonderful, giving man he had been (a Mustang convertible as a high school graduation present, for instance). But then, when I didn't cry at my own parents' funerals--they died just two years apart, Dad of stomach cancer and Mom of a thunderclap heart attack while walking on a Florida beach--she began to understand the nonexistent gradient thing. I was "unable to feel my feelings," in AA-speak.
"I have never seen you shed tears," she said, speaking in the flat tones people use when they are expressing the absolute final deal-breaker in a relationship. "Even when you told me I had to go to rehab or you were leaving." This conversation happened about six weeks before she packed her things, drove them across town, and moved in with Mel Thompson. "Boy meets girl on the AA campus"--that's another saying they have in those meetings.
I didn't cry when I saw her off. I didn't cry when I went back inside the little house with the great big mortgage, either. The house where no baby had come, or now ever would. I just lay down on the bed that now belonged to me alone, and put my arm over my eyes, and mourned.
Tearlessly.
But I'm not emotionally blocked. Christy was wrong about that. One day when I was nine, my mother met me at the door when I came home from school. She told me my collie, Rags, had been struck and killed by a truck that hadn't even bothered to stop. I didn't cry when we buried him, although my dad told me nobody would think less of me if I did, but I cried when she told me. Partly because it was my first experience of death; mostly because it had been my responsibility to make sure he was safely penned up in our backyard.
And I cried when Mom's doctor called me and told me what had happened that day on the beach. "I'm sorry, but there was no chance," he said. "Sometimes it's very sudden, and doctors tend to see that as a blessing."
Christy wasn't there--she had to stay late at school that day and meet with a mother who had questions about her son's last report card--but I cried, all right. I went into our little laundry room and took a dirty sheet out of the basket and cried into that. Not for long, but the tears came. I could have told her about them later, but I didn't see the point, partly because she would have thought I was pity-fishing (that's not an AA term, but maybe it should be), and partly because I don't think the ability to bust out bawling pretty much on cue should be a requirement for successful marriage.
I never saw my dad cry at all, now that I think about it; at his most emotional, he might fetch a heavy sigh or grunt out a few reluctant chuckles--no breast-beating or belly-laughs for William Epping. He was the strong silent type, and for the most part, my mother was the same. So maybe the not-crying-easily thing is genetic. But blocked? Unable to feel my feelings? No, I have never been those things.
Other than when I got the news about Mom, I can only remember one other time when I cried as an adult, and that was when I read the story of the janitor's father. I was sitting alone in the teachers' room at Lisbon High School, working my way through a stack of themes that my Adult English class had written. Down the hall I could hear the thud of basketballs, the blare of the time-out horn, and the shouts of the crowd as the sports-beasts fought: Lisbon Greyhounds versus Jay Tigers.
Who can know when life hangs in the balance, or why?
The subject I'd assigned was "The Day That Changed My Life." Most of the responses were heartfelt but awful: sentimental tales of a kindly aunt who'd taken in a pregnant teenager, an Army buddy who had demonstrated the true meaning of bravery, a chance meeting with a celebrity (Jeopardy! host Alex Trebek, I think it was, but maybe it was Karl Malden). The teachers among you who have picked up an extra three or four thousand a year by taking on a class of adults studying for their General Equivalency Diploma will know what a dispiriting job reading such themes can be. The grading process hardly figures into it, or at least it didn't for me; I passed everybody, because I never had an adult student who did less than try his or her ass off. If you turned in a paper with writing on it, you were guaranteed a hook from Jake Epping of the LHS English Department, and if the writing was organized into actual paragraphs, you got at least a B-minus.
What made the job hard was that the r
It was such hopeless, trudging work I was doing that night, while not far away another high school basketball game wound down toward another final buzzer, world without end, amen. It was not long after Christy got out of rehab, and I suppose if I was thinking anything, it was to hope that I'd come home and find her sober (which I did; she's held onto her sobriety better than she held onto her husband). I remember I had a little headache and was rubbing my temples the way you do when you're trying to keep a little nagger from turning into a big thumper. I remember thinking, Three more of these, just three, and I can get out of here. I can go home, fix myself a big cup of instant cocoa, and dive into the new John Irving novel without these sincere but poorly made things hanging over my head.
There were no violins or warning bells when I pulled the janitor's theme off the top of the stack and set it before me, no sense that my little life was about to change. But we never know, do we? Life turns on a dime.
He had written in cheap ballpoint ink that had blotted the five pages in many places. His handwriting was a looping but legible scrawl, and he must have been bearing down hard, because the words were actually engraved into the cheap notebook pages; if I'd closed my eyes and run my fingertips over the backs of those torn-out sheets, it would have been like reading Braille. There was a little squiggle, like a flourish, at the end of every lower-case y. I remember that with particular clarity.
I remember how his theme started, too. I remember it word for word.
It wasnt a day but a night. The night that change my life was the night my father murdirt my mother and two brothers and hurt me bad. He hurt my sister too, so bad she went into a comah. In three years she died without waking up. Her name was Ellen and I loved her very much. She love to pick flouers and put them in vayses.
Halfway down the first page, my eyes began to sting and I put my trusty red pen down. It was when I got to the part about him crawling under the bed with the blood running in his eyes (it also run down my throat and tasted horible) that I began to cry--Christy would have been so proud. I read all the way to the end without making a single mark, wiping my eyes so the tears wouldn't fall on the pages that had obviously cost him so much effort. Had I thought he was slower than the rest, maybe only half a step above what used to be called "educable retarded"? Well, by God, there was a reason for that, wasn't there? And a reason for the limp, too. It was a miracle that he was alive at all. But he was. A nice man who always had a smile and never raised his voice to the kids. A nice man who had been through hell and was working--humbly and hopefully, as most of them do--to get a high school diploma. Although he would be a janitor for the rest of his life, just a guy in green or brown khakis, either pushing a broom or scraping gum up off the floor with the putty knife he always kept in his back pocket. Maybe once he could have been something different, but one night his life turned on a dime and now he was just a guy in Carhartts that the kids called Hoptoad Harry because of the way he walked.
So I cried. Those were real tears, the kind that come from deep inside. Down the hall, I could hear the Lisbon band strike up their victory song--so the home team had won, and good for them. Later, perhaps, Harry and a couple of his colleagues would roll up the bleachers and sweep away the crap that had been dropped beneath them.
I stroked a big red A on top of his paper. Looked at it for a moment or two, then added a big red +. Because it was good, and because his pain had evoked an emotional reaction in me, his reader. And isn't that what A+ writing is supposed to do? Evoke a response?
As for me, I only wish the former Christy Epping had been correct. I wish I had been emotionally blocked, after all. Because everything that followed--every terrible thing--flowed from those tears.
PART 1
WATERSHED MOMENT
CHAPTER 1
1
Harry Dunning graduated with flying colors. I went to the little GED ceremony in the LHS gym, at his invitation. He really had no one else, and I was happy to do it.
After the benediction (spoken by Father Bandy, who rarely missed an LHS function), I made my way through the milling friends and relatives to where Harry was standing alone in his billowy black gown, holding his diploma in one hand and his rented mortarboard in the other. I took his hat so I could shake his hand. He grinned, exposing a set of teeth with many gaps and several leaners. But a sunny and engaging grin, for all that.
"Thanks for coming, Mr. Epping. Thanks so much."
"It was my pleasure. And you can call me Jake. It's a little perk I accord to students who are old enough to be my father."
He looked puzzled for a minute, then laughed. "I guess I am, ain't I? Sheesh!" I laughed, too. Lots of people were laughing all around us. And there were tears, of course. What's hard for me comes easily to a great many people.
"And that A-plus! Sheesh! I never got an A-plus in my whole life! Never expected one, either!"
"You deserved it, Harry. So what's the first thing you're going to do as a high school graduate?"
His smile dimmed for a second--this was a prospect he hadn't considered. "I guess I'll go back home. I got a little house I rent on Goddard Street, you know." He raised the diploma, holding it carefully by the fingertips, as if the ink might smear. "I'll frame this and hang it on the wall. Then I guess I'll pour myself a glass of wine and sit on the couch and just admire it until bedtime."
"Sounds like a plan," I said, "but would you like to have a burger and some fries with me first? We could go down to Al's."
I expected a wince at that, but of course I was judging Harry by my colleagues. Not to mention most of the kids we taught; they avoided Al's like the plague and tended to patronize either the Dairy Queen across from the school or the Hi-Hat out on 196, near where the old Lisbon Drive-In used to be.
"That'd be great, Mr. Epping. Thanks!"
"Jake, remember?"
"Jake, you bet."
So I took Harry to Al's, where I was the only faculty regular, and although he actually had a waitress that summer, Al served us himself. As usual, a cigarette (illegal in public eating establishments, but that never stopped Al) smoldered in one corner of his mouth and the eye on that side squinted against the smoke. When he saw the folded-up graduation robe and realized what the occasion was, he insisted on picking up the check (what check there was; the meals at Al's were always remarkably cheap, which had given rise to rumors about the fate of certain stray animals in the vicinity). He also took a picture of us, which he later hung on what he called the Town Wall of Celebrity. Other "celebrities" represented included the late Albert Dunton, founder of Dunton Jewelry; Earl Higgins, a former LHS principal; John Crafts, founder of John Crafts Auto Sales; and, of course, Father Bandy of St. Cyril's. (The Father was paired with Pope John XXIII--the latter not local, but revered by Al Templeton, who called himself "a good Catlick.") The picture Al took that day showed Harry Dunning with a big smile on his face. I was standing next to him, and we were both holding his diploma. His tie was pulled slightly askew. I remember that because it made me think of those little squiggles he put on the ends of his lower-case y's. I remember it all. I remember it very well.
2
Two years later, on the last day of the school year, I was sitting in that very same teachers' room and reading my way through a batch of final essays my American Poetry honors seminar had written. The kids themselves had already left, turned loose for another summer, an
Earlier that day, Harry Dunning had limped up to me after homeroom period (which had been particularly screechy, as all homerooms and study halls tend to be on the last day of school) and offered me his hand.
"I just want to thank you for everything," he said.
I grinned. "You already did that, as I remember."
"Yeah, but this is my last day. I'm retiring. So I wanted to make sure and thank you again."
As I shook his hand, a kid cruising by--no more than a sophomore, judging by the fresh crop of pimples and the serio-comic straggle on his chin that aspired to goateehood--muttered, "Hoptoad Harry, hoppin down the av-a-new."
I grabbed for him, my intention to make him apologize, but Harry stopped me. His smile was easy and unoffended. "Nah, don't bother. I'm used to it. They're just kids."
"That's right," I said. "And it's our job to teach them."
"I know, and you're good at it. But it's not my job to be anybody's whatchacallit--teachable moment. Especially not today. I hope you'll take care of yourself, Mr. Epping." He might be old enough to be my father, but Jake was apparently always going to be beyond him.
"You too, Harry."
"I'll never forget that A-plus. I framed that, too. Got it right up beside my diploma."
"Good for you."
And it was. It was all good. His essay had been primitive art, but every bit as powerful and true as any painting by Grandma Moses. It was certainly better than the stuff I was currently reading. The spelling in the honors essays was mostly correct, and the diction was clear (although my cautious college-bound don't-take-a-chancers had an irritating tendency to fall back on the passive voice), but the writing was pallid. Boring. My honors kids were juniors--Mac Steadman, the department head, awarded the seniors to himself--but they wrote like little old men and little old ladies, all pursey-mouthed and ooo, don't slip on that icy patch, Mildred. In spite of his grammatical lapses and painstaking cursive, Harry Dunning had written like a hero. On one occasion, at least.