After the Quake by Haruki Murakami
Junpei said nothing, and Takatsuki fell into an unusually long silence. Shoulder to shoulder, they walked down the road to the station, heaving white breath into the night.
“In any case,” Junpei said, “you’re an absolute idiot.”
“I have to give you credit,” Takatsuki said. “You’re right on the mark. I don’t deny it. I’m ruining my own life. But I’m telling you, Junpei, I couldn’t help it. There was no way I could put a stop to it. I don’t know any better than you do why it had to happen. There’s no way to justify it, either. It just happened. And if not here and now, something like it would have happened sooner or later.”
Junpei felt he had heard this speech before. “Do you remember what you said to me the night Sala was born? That Sayoko was the greatest woman in the world, that you could never find anyone to take her place.”
“And it’s still true. Nothing has changed where that’s concerned. But that very fact can sometimes make things go bad.”
“I don’t know what you mean by that,” Junpei said.
“And you never will,” Takatsuki said with a shake of the head. He always had the last word.
Two years went by. Sayoko never went back to teaching. Junpei got an editor friend of his to send her a piece to translate, and she carried the job off with a certain flair. She had a gift for languages, and she knew how to write. Her work was fast, careful, and efficient, and the editor was impressed enough to bring her a new piece the following month that involved substantial literary translation. The pay was not very good, but it added to what Takatsuki was sending and helped Sayoko and Sala to live comfortably.
They all went on meeting at least once a week, as they always had. Whenever urgent business kept Takatsuki away, Sayoko, Junpei, and Sala would eat together. The table was quiet without Takatsuki, and the conversation turned to oddly mundane matters. A stranger would have assumed that the three of them were just a typical family.
Junpei went on writing a steady stream of stories, bringing out his fourth collection, Silent Moon, when he turned thirty-five. It received one of the prizes reserved for established writers, and the title story was made into a movie. Junpei also produced a few volumes of music criticism, wrote a book on ornamental gardening, and translated a collection of John Updike’s short stories. All were well received. He had developed his own personal style which enabled him to transform the most deeply reverberating sounds and the subtle gradations of light and color into concise, convincing prose. Securing his position as a writer little by little, he had developed a steady readership, and a fairly stable income.
He continued to think seriously about asking Sayoko to marry him. On more than one occasion, he kept himself awake all night thinking about it, and for a time he was unable to work. But still, he could not make up his mind. The more he thought about it, the more it seemed to him that his relationship with Sayoko had been consistently directed by others. His position was always passive. Takatsuki was the one who had picked the two of them out of his class and created the threesome. Then he had taken Sayoko, married her, fathered a child with her, and divorced her. And now Takatsuki was the one who was urging Junpei to marry her. Junpei loved Sayoko, of course. About that there was no question. And now was the perfect time for him to be united with her. She probably wouldn’t turn him down. But Junpei couldn’t help thinking that things were just a bit too perfect. What was there left for him to decide? And so he went on wondering. And not deciding. And then the earthquake struck.
Junpei was in Barcelona at the time, writing a story for an airline magazine. He returned to his hotel in the evening to find the TV news filled with images of whole city blocks of collapsed buildings and black clouds of smoke. It looked like the aftermath of an air raid. Because the announcer was speaking in Spanish, it took Junpei a while to realize what city he was looking at, but it had to be Kobe. Several familiar-looking sights caught his eye. The expressway through Ashiya had collapsed. “You’re from Kobe, aren’t you?” his photographer asked.
“You’re damn right I am,” Junpei said.
But Junpei did not try to call his parents. The rift was too deep, and had gone on too long for there to be any hope of reconciliation. He flew back to Tokyo and resumed his normal life. He never turned on the television, and hardly looked at a newspaper. Whenever anyone mentioned the earthquake, he would clam up. It was an echo from a past that he had buried long ago. He hadn’t set foot on those streets since his graduation, but still, the sight of the destruction laid bare raw wounds hidden somewhere deep inside him. The lethal, gigantic catastrophe seemed to change certain aspects of his life—quietly, but from the ground up. Junpei felt an entirely new sense of isolation. I have no roots, he thought. I’m not connected to anything.
Early on the Sunday morning that they had all planned to take Sala to the zoo to see the bears, Takatsuki called to say that he had to fly to Okinawa. He had managed at last to pry the promise of an hour-long one-on-one interview out of the governor. “Sorry, but you’ll have to go to the zoo without me. I don’t suppose Mr. Bear will be too upset if I don’t make it.”
So Junpei and Sayoko took Sala to the Ueno Zoo. Junpei held Sala in his arms and showed her the bears. She pointed to the biggest, blackest bear and asked, “Is that one Masakichi?”
“No no, that’s not Masakichi,” Junpei said. “Masakichi is smaller than that, and he’s smarter-looking, too. That’s the tough guy, Tonkichi.”
“Tonkichi!” Sala yelled again and again, but the bear paid no attention. Then she looked at Junpei and said, “Tell me a story about Tonkichi.”
“That’s a hard one,” Junpei said. “There aren’t that many interesting stories about Tonkichi. He’s just an ordinary bear. He can’t talk or count money like Masakichi.”
“But I bet you can tell me something good about him. One thing.”
“You’re absolutely right,” Junpei said. “There’s at least one good thing to tell about even the most ordinary bear. Oh yeah, I almost forgot. Well, Tonchiki—”
“Tonkichi!” Sala corrected him with a touch of impatience.
“Ah yes, sorry. Well, Tonkichi had one thing he could do really well, and that was catching salmon. He’d go to the river and crouch down behind a boulder and—snap!—he would grab himself a salmon. You have to be really fast to do something like that. Tonkichi wasn’t the brightest bear on the mountain, but he could catch more salmon than any of the other bears. More than he could ever hope to eat. But he couldn’t go to town to sell his extra salmon, because he didn’t know how to talk.”
“That’s easy,” Sala said. “All he had to do was trade his extra salmon for Masakichi’s extra honey.”
“You’re right,” Junpei said. “And that’s what Tonkichi decided to do. You and he had exactly the same idea. So Tonkichi and Masakichi started trading salmon for honey, and before long they got to know each other really well. Tonkichi realized that Masakichi was not such a stuck-up bear after all, and Masakichi realized that Tonkichi was not just a tough guy. Before they knew it, they were best friends. They talked about everything. They traded know-how. They told each other jokes. Tonkichi worked hard at catching salmon, and Masakichi worked hard at collecting honey. But then one day, like a bolt from the blue, the salmon disappeared from the river.”
“A bolt from the blue?”
“Like a flash of lightning from a clear blue sky,” Sayoko explained. “All of a sudden, without warning.”
“All of a sudden the salmon disappeared?” Sala asked with a somber expression. “But why?”
“Well, all the salmon in the world got together and decided they weren’t going to swim up that river anymore, because a bear named Tonkichi was there, and he was so good at catching salmon. Tonkichi never caught another salmon after that. The best he could do was catch an occasional skinny frog and eat it, but the worst-tasting thing you could ever want to eat is a skinny frog.”
“Poor Tonkichi!” Sala said.
“And that’s how Tonk
“Well, that’s a long, long story,” Junpei said, clearing his throat. “But basically, yes, that’s what happened.”
“Didn’t Masakichi help Tonkichi?” Sala asked.
“He tried, of course. They were best friends, after all. That’s what friends are for. Masakichi shared his honey with Tonkichi—for free! But Tonkichi said, ‘I can’t let you do that. It’d be like taking advantage of you.’ Masakichi said, ‘You don’t have to be such a stranger with me, Tonkichi. If I were in your position, you’d do the same thing for me, I’m sure. You would, wouldn’t you?’ ”
“Sure he would,” Sala said.
“But things didn’t stay that way between them for long,” Sayoko interjected.
“Things didn’t stay that way between them for long,” Junpei said. “Tonkichi told Masakichi, ‘We’re supposed to be friends. It’s not right for one friend to do all the giving and the other to do all the taking: that’s not real friendship. I’m leaving this mountain now, Masakichi, and I’ll try my luck somewhere else. And if you and I meet up again somewhere, we can be best friends again.’ So they shook hands and parted. But after Tonkichi got down from the mountain, he didn’t know enough to be careful in the outside world, so a hunter caught him in a trap. That was the end of Tonkichi’s freedom. They sent him to the zoo.”
“Poor Tonkichi,” Sala said.
“Couldn’t you have come up with a better ending? Like, everybody lives happily ever after?” Sayoko asked Junpei later.
“I haven’t thought of one yet.”
The three of them had dinner together as usual in Sayoko’s apartment. Humming the “Trout,” Sayoko boiled a pot of spaghetti and defrosted some tomato sauce while Junpei made a salad of green beans and onions. They opened a bottle of red wine and poured Sala a glass of orange juice. When they had finished eating and cleaning up, Junpei read to Sala from another picture book, but when bedtime came, she resisted.
“Please, Mommy, do the bra trick,” she begged.
Sayoko blushed. “Not now,” she said. “We have a guest.”
“No we don’t,” Sala said. “Junpei’s not a guest.”
“What’s this all about?” Junpei asked.
“It’s just a silly game,” Sayoko said.
“Mommy takes her bra off under her clothes, puts it on the table, and puts it back on again. She has to keep one hand on the table. And we time her. She’s great!”
“Sala! ” Sayoko growled, shaking her head. “It’s just a little game we play at home. It’s not meant for anybody else.”
“Sounds like fun to me,” Junpei said.
“Please, Mommy, show Junpei. Just once. If you do it, I’ll go to bed right away.”
“Oh, what’s the use,” Sayoko muttered. She took off her digital watch and handed it to Sala. “Now, you’re not going to give me any more trouble about going to bed, right? OK, get ready to time me when I count to three.”
Sayoko was wearing a baggy black crewneck sweater. She put both hands on the table and counted, “One . . . two . . . three! ” Like a turtle pulling into its shell, she slipped her right hand up inside her sleeve, and then there was a light back-scratching kind of movement. Out came the right hand again, and the left hand went up its sleeve. Sayoko turned her head just a bit, and the left hand came out holding a white bra—a small one with no wires. Without the slightest wasted motion, the hand and bra went back up the sleeve, and the hand came out again. Then the right hand pulled in, poked around at the back, and came out again. The end. Sayoko rested her right hand on her left on the table.
“Twenty-five seconds,” Sala said. “That’s great, Mommy, a new record! Your best time so far was thirty-six seconds.”
Junpei applauded. “Wonderful! Like magic.”
Sala clapped her hands, too. Sayoko stood up and announced, “All right, show time is over. To bed, young lady. You promised.”
Sala kissed Junpei on the cheek and went to bed.
Sayoko stayed with her until her breathing was deep and steady, then rejoined Junpei on the sofa. “I have a confession to make,” she said. “I cheated.”
“Cheated?”
“I didn’t put the bra back on. I just pretended. I slipped it out from under my sweater and dropped it on the floor.”
Junpei laughed. “What a terrible mother!”
“I wanted to make a new record,” she said, narrowing her eyes with a smile. He hadn’t seen her smile in that simple, natural way for a long time. Time wobbled on its axis inside him, like curtains stirring in a breeze. He reached for Sayoko’s shoulder, and her hand took his. They came together on the sofa in a powerful embrace. With complete naturalness, they wrapped their arms around each other and kissed. It was as if nothing had changed since the time they were nineteen. Sayoko’s lips had the same sweet fragrance.
“We should have been like this to begin with,” she whispered after they had moved from the sofa to her bed. “But you didn’t get it. You just didn’t get it. Not till the salmon disappeared from the river.”
They took off their clothes and held each other gently. Their hands groped clumsily, as if they were having sex for the first time in their lives. They took their time, until they knew they were ready, and then at last he entered Sayoko and she drew him in.
None of this seemed real to Junpei. In the half-light, he felt as if he were crossing a deserted bridge that went on and on forever. He moved, and she moved with him. Again and again he wanted to come, but he held back, fearing that, once it happened, the dream would end and everything would vanish.
Then, behind him, he heard a slight creaking sound. The bedroom door was easing open. The light from the hallway took the shape of the door and fell on the rumpled bedclothes. Junpei raised himself and turned to see Sala standing against the light. Sayoko held her breath and moved her hips away, pulling him out. Gathering the sheets to her breast, she used one hand to straighten her hair.
Sala was not crying or screaming. Her right hand gripping the doorknob, she just stood there, looking at the two of them but seeing nothing, her eyes focused on emptiness.
Sayoko called her name.
“The man told me to come here,” Sala said in a flat voice, like someone who has just been ripped out of a dream.
“The man?” Sayoko asked.
“The Earthquake Man. He came and woke me up. He told me to tell you. He said he has the box ready for everybody. He said he’s waiting with the lid open. He said I should tell you that, and you’d understand.”
Sala slept in Sayoko’s bed that night. Junpei stretched out on the living room sofa with a blanket, but he could not sleep. The TV faced the sofa, and for a very long time he stared at the dead screen. They were inside there. They were waiting with the box open. He felt a chill run up his spine, and no matter how long he waited, it would not go away.
He gave up trying to sleep and went to the kitchen. He made himself some coffee and sat at the table to drink it, but he felt something bunched up under one foot. It was Sayoko’s bra. He picked it up and hung it on the back of a chair. It was a simple, lifeless piece of white underwear, not particularly big. It hung over the kitchen chair in the predawn darkness like some anonymous witness who had wandered in from a time long past.
He thought about his early days in college. He could still hear Takatsuki the first time they met in class saying, “Hey, let’s get something to eat,” in that warm way of his, and he could see Takatsuki’s friendly smile that seemed to say, Hey, relax. The world is just going to keep getting better and better. Where did we eat that time? Junpei wondered, and what did we have? He couldn’t remember, though he was sure it was nothing special.
“Why did you choose me to go to lunch with?” Junpei had asked him that day. Takatsuki smiled and tapped his temple with complete confidence. “I have a talent for picking the right friends at the right times in the right place.”
He was right, Junpei thought, setting his coffee mug
As soon as Sayoko woke in the morning, he would ask her to marry him. He was sure now. He couldn’t waste another minute. Taking care not to make a sound, he opened the bedroom door and looked at Sayoko and Sala sleeping bundled in a comforter. Sala lay with her back to Sayoko, whose arm was draped on Sala’s shoulder. He touched Sayoko’s hair where it fell across the pillow, and caressed Sala’s small pink cheek with the tip of his finger. Neither of them stirred. He eased himself down to the carpeted floor by the bed, his back against the wall, to watch over them in their sleep.
Eyes fixed on the hands of the wall clock, Junpei thought about the rest of the story for Sala—the tale of Masakichi and Tonkichi. He had to find a way out. He couldn’t just leave Tonkichi stranded in the zoo. He had to save him. He retraced the story from the beginning. Before long, the vague outline of an idea began to sprout in his head, and, little by little, it took shape.
Tonkichi had the same thought as Sala: he would use the honey that Masakichi had collected to bake honey pies. It didn’t take him long to realize that he had a real talent for making crisp, delicious honey pies. Masakichi took the honey pies to town and sold them to the people there. The people loved Tonkichi’s pies and bought them by the dozen. So Tonkichi and Masakichi never had to separate again: they lived happily ever after in the mountains, best friends forever.
Sala would be sure to love the new ending. And so would Sayoko.
I want to write stories that are different from the ones I’ve written so far, Junpei thought: I want to write about people who dream and wait for the night to end, who long for the light so they can hold the ones they love. But right now I have to stay here and keep watch over this woman and this girl. I will never let anyone—not anyone—try to put them into that crazy box—not even if the sky should fall or the earth crack open with a roar.