After the Quake by Haruki Murakami
Yoshiya’s spirit now lingered in the stillness and clarity of one particular point in time and space. So what if the man was his father, or God, or some stranger who just happened to have lost his right earlobe? It no longer made any difference to him, and this in itself had been a manifestation, a sacrament: should he be singing words of praise?
He climbed the pitcher’s mound and, standing on its worn footrest, stretched himself to his full height. He intertwined his fingers, thrust his arms aloft and, sucking in a lungful of cold night air, looked up once more at the moon. It was huge. Why was the moon so big one day and so small another? Simple plank bleachers ran the length of the first- and third-base lines. Empty, of course: it was the middle of a February night. Three levels of straight plank seats ascended in long, chilly rows. Window-less, gloomy buildings—some kind of warehouses, probably— huddled together beyond the backstop. No light. No sound.
Standing on the mound, Yoshiya swung his arms up, over, and down in large circles. He moved his feet in time with this, forward and to the side. As he went on with these dancelike motions, his body began to warm and to recover the full senses of a living organism. Before long he realized that his headache was all but gone.
Yoshiya’s girlfriend throughout his college years called him “Super-Frog” because he looked like some kind of giant frog when he danced. She loved to dance and would always drag him out to clubs. “Look at you!” she used to say. “I love the way you flap those long arms and legs of yours! You’re like a frog in the rain!”
This hurt the first time she said it, but after he had gone with her long enough, Yoshiya began to enjoy dancing. As he let himself go and moved his body in time to the music, he would come to feel that the natural rhythm inside him was pulsing in perfect unison with the basic rhythm of the world. The ebb and flow of the tide, the dancing of the wind across the plains, the course of the stars through the heavens: he felt certain that these things were by no means occurring in places unrelated to him.
She had never seen a penis as huge as his, his girlfriend used to say, taking hold of it. Didn’t it get in the way when he danced? No, he would tell her: it never got in the way. True, he had a big one. It had always been on the big side, from the time he was a boy. He could not recall that it had ever been of any great advantage to him, though. In fact, several girls had refused to have sex with him because it was too big. In aesthetic terms, it just looked slow and clumsy and stupid. Which is why he always tried to keep it hidden. “Your big wee-wee is a sign,” his mother used to tell him with absolute conviction. “It shows that you’re the child of God.” And he believed it, too. But then one day the craziness of it struck him. All he had ever prayed for was the ability to catch outfield flies, in answer to which God had bestowed upon him a penis that was bigger than anybody else’s. What kind of world came up with such idiotic bargains?
Yoshiya took off his glasses and slipped them into their case. Dancing, huh? Not a bad idea. Not bad at all. He closed his eyes and, feeling the white light of the moon on his skin, began to dance all by himself. He drew his breath deep into his lungs and exhaled just as deeply. Unable to think of a song to match his mood, he danced in time with the stirring of the grass and the flowing of the clouds. Before long, he began to feel that someone, somewhere, was watching him. His whole body—his skin, his bones—told him with absolute certainty that he was in someone’s field of vision. So what? he thought. Let them look if they want to, whoever they are. All God’s children can dance.
He trod the earth and whirled his arms, each graceful movement calling forth the next in smooth, unbroken links, his body tracing diagrammatic patterns and impromptu variations, with invisible rhythms behind and between rhythms. At each crucial point in his dance, he could survey the complex intertwining of these elements. Animals lurked in the forest like trompe l’oeil figures, some of them horrific beasts he had never seen before. He would eventually have to pass through the forest, but he felt no fear. Of course—the forest was inside him, he knew, and it made him who he was. The beasts were ones that he himself possessed.
How long he went on dancing, Yoshiya could not tell. But it was long enough for him to perspire under the arms. And then it struck him what lay buried far down under the earth on which his feet were so firmly planted: the ominous rumbling of the deepest darkness, secret rivers that transported desire, slimy creatures writhing, the lair of earthquakes ready to transform whole cities into mounds of rubble. These, too, were helping to create the rhythm of the earth. He stopped dancing and, catching his breath, stared at the ground beneath his feet as though peering into a bottomless hole.
He thought of his mother far away in that ruined city. What would happen, he wondered, if he could remain his present self and yet turn time backward so as to meet his mother in her youth when her soul was in its deepest state of darkness? No doubt they would plunge as one into the muck of bedlam and devour each other in acts for which they would be dealt the harshest punishment. And what of it? “Punishment”? I was due for punishment long ago. The city should have crumbled to bits around me long ago.
His girlfriend had asked him to marry her when they graduated from college. “I want to be married to you, Super-Frog. I want to live with you and have your child—a boy, with a big thing just like yours.”
“I can’t marry you,” Yoshiya said. “I know I should have told you this, but I’m the son of God. I can’t marry anybody.”
“Is that true?”
“It is. I’m sorry.”
He knelt down and scooped up a handful of sand which he sifted through his fingers back to earth. He did this again and again. The chilly, uneven touch of the soil reminded him of the last time he had held Mr. Tabata’s emaciated hand.
“I won’t be alive much longer, Yoshiya,” Mr. Tabata said in a voice that had grown hoarse. Yoshiya began to protest, but Mr. Tabata stopped him with a gentle shake of the head.
“Never mind,” he said. “This life is nothing but a short, painful dream. Thanks to His guidance, I have made it through this far. Before I die, though, there is one thing I have to tell you. It shames me to say it, but I have no choice: I have had lustful thoughts toward your mother any number of times. As you well know, I have a family that I love with all my heart, and your mother is a pure-hearted person, but still, I have had violent cravings for her flesh—cravings that I have never been able to suppress. I want to beg your forgiveness.”
There is no need for you to beg anyone’s forgiveness, Mr. Tabata. You are not the only one who has had lustful thoughts. Even I, her son, have been pursued by terrible obsessions . . . Yoshiya wanted to open himself up in this way, but he knew that all it would accomplish would be to upset Mr. Tabata even more. He took Mr. Tabata’s hand and held it for a very long time, hoping that the thoughts in his breast would communicate themselves from his hand to Mr. Tabata’s. Our hearts are not stones. A stone may disintegrate in time and lose its outward form. But hearts never disintegrate. They have no outward form, and whether good or evil, we can always communicate them to one another. All God’s children can dance. The next day, Mr. Tabata drew his last breath.
Kneeling on the pitcher’s mound, Yoshiya gave himself up to the flow of time. Somewhere in the distance he heard the faint wail of a siren. A gust of wind set the leaves of grass to dancing and celebrated the grass’s song before it died.
“Oh God,” Yoshiya said aloud.
thailand
There was an announcement: Lettuce angel men. We aren’t countering some tah bulence. Please retahn to yah seat at thees time and fasten yah seat belt. Satsuki had been letting her mind wander, and so it took her a while to decipher the Thai steward’s shaky Japanese.
She was hot and sweating. It was like a steam bath, her whole body aflame, her nylons and bra so uncomfortable she wanted to fling everything off and set herself free. She craned her neck to see the other business-class passengers. No, she was obviously the only one suffering from the heat. They were all curled up
Menopause: it had to be the gods’ ironic warning to (or just plain nasty trick on) humanity for having artificially extended the life span, she told herself for the nth time. A mere hundred years ago, the average life span was less than fifty, and any woman who went on living twenty or thirty years past the end of her menstruation was an oddity. The difficulty of continuing to live with tissues for which the ovaries or the thyroid had ceased to secrete the normal supply of hormones; the possible relationship between the postmenopausal decrease in estrogen levels and the incidence of Alzheimer’s: these were not questions worth troubling one’s mind over. Of far more importance to the majority of mankind was the challenge of simply obtaining enough food to eat each day. Had the advancement of medicine, then, done nothing more than to expose, subdivide, and further complicate the problems faced by the human species?
Soon another announcement came over the PA system. In English this time. If there is a doctor on board, please identify yourself to one of the cabin attendants.
A passenger must have taken sick. For a moment Satsuki thought of volunteering, but quickly changed her mind. On the two earlier occasions when she had done so, she had merely had run-ins with practicing physicians who happened to be on the plane. These men had seemed to possess both the poise of a seasoned general commanding troops on the front line and the vision to recognize at a glance that Satsuki was a professional pathologist without combat experience. “That’s all right, Doctor,” she had been told with a cool smile, “I can handle this by myself. You just take it easy.” She had mumbled a stupid excuse and gone back to her seat to watch the rest of some ridiculous movie.
Still, she thought, I might just be the only doctor on this plane. And the patient might be someone with a major problem involving the thyroidal immune system. If that is the case—and the likelihood of such a situation did not seem high—then even I might be of some use. She took a breath and pressed the button for a cabin attendant.
The World Thyroid Conference was a four-day event at the Bangkok Marriott. Actually, it was more like a worldwide family reunion than a conference. All the participants were thyroid specialists, and they all knew each other or were quickly introduced. It was a small world. There would be lectures and panel discussions during the day and private parties at night. Friends would get together to renew old ties, drink Australian wine, share thyroid stories, whisper gossip, update each other on their careers, tell dirty doctor jokes, and sing “Surfer Girl” at karaoke bars.
In Bangkok, Satsuki stayed mainly with her Detroit friends. Those were the ones she felt most comfortable with. She had worked at the university hospital in Detroit for almost ten years, researching the immune function of the thyroid gland. Eventually she had had a falling-out with her securities analyst husband, whose dependency on alcohol had grown worse year by year, in addition to which he had become involved with another woman—someone Satsuki knew well. They separated, and a bitter feud involving lawyers had dragged on for a full year. “The thing that finally did it for me,” her husband claimed, “was that you didn’t want to have children.”
They had finally concluded their divorce settlement three years ago. A few months later, someone smashed the headlights of her Honda Accord in the hospital parking lot and wrote “JAP CAR” on the hood in white letters. She called the police. A big black policeman filled out the damage report and then said to her, “Lady, this is Detroit. Next time buy a Ford Taurus.”
What with one thing and another, Satsuki became fed up with living in America and decided to return to Japan. She found a position at a university hospital in Tokyo. “You can’t do that,” said a member of her research team from India. “All our years of research are about to bear fruit. We could be nominated for a Nobel Prize—it’s not that crazy,” he pleaded with her to stay, but Satsuki’s mind was made up. Something inside her had snapped.
She stayed on alone at the hotel in Bangkok after the conference ended. “I’ve worked out a vacation for myself after this,” she told her friends. “I’m going to a resort near here for a complete rest—a whole week of nothing but reading, swimming, and drinking nice cold cocktails by the pool.”
“That’s great,” they said. “Everybody needs a breather once in a while—it’s good for your thyroid, too!” With handshakes and hugs and promises to get together again, Satsuki said goodbye to all her friends.
Early the next morning, a limousine pulled up to the hotel entrance as planned. It was an old navy blue Mercedes, as perfect and polished as a jewel and far more beautiful than a new car. It looked like an object from another world, as if it had dropped fully formed from someone’s fantasies. A slim Thai man probably in his early sixties was to be her driver and guide. He wore a heavily starched white short-sleeved shirt, a black silk necktie, and dark sunglasses. His face was tanned, his neck long and slender. Presenting himself to Satsuki, he did not shake her hand but instead brought his hands together and gave a slight, almost Japanese, bow.
“Please call me Nimit. I will have the honor to be your companion for the coming week.”
It was not clear whether “Nimit” was his first or last name. He was, in any case, “Nimit,” and he told her this in a courteous, easy-to-understand English devoid of American casual-ness or British affectation. He had, in fact, no perceptible accent. Satsuki had heard English spoken this way before, but she couldn’t remember where.
“The honor is mine,” she said.
Together, they passed through Bangkok’s vulgar, noisy, polluted streets. The traffic crawled along, people cursed each other, and the sound of car horns tore through the atmosphere like an air-raid siren. Plus, there were elephants lumbering down the street—and not just one or two of them. What were elephants doing in a city like this? she asked Nimit.
“Their owners bring them from the country,” he explained. “They used to use them for logging, but there was not enough work for them to survive that way. They brought their animals to the city to make money doing tricks for tourists. Now there are far too many elephants here, and that makes things very difficult for the city people. Sometimes an elephant will panic and run amok. Just the other day, a great many automobiles were damaged that way. The police try to put a stop to it, of course, but they cannot confiscate the elephants from their keepers. There would be no place to put them if they did, and the cost of feeding them would be enormous. All they can do is leave them alone.”
The car eventually emerged from the city, drove onto an expressway, and headed north. Nimit took a cassette tape from the glove compartment and slipped it into the car stereo, setting the volume low. It was jazz—a tune that Satsuki recognized with some emotion.
“Do you mind turning the volume up?” she asked.
“Yes, Doctor, of course,” Nimit said, making it louder. The tune was “I Can’t Get Started,” in exactly the same performance she had heard so often in the old days.
“Howard McGhee on trumpet, Lester Young on tenor,” she murmured, as if to herself. “JATP.”
Nimit glanced at her in the rearview mirror. “Very impressive, Doctor,” he said. “Do you like jazz?”
“My father was crazy about it,” she said. “He played records for me when I was a little girl, the same ones over and over, and he had me memorize the performers. If I got them right, he’d give me candy. I still remember most of them. But just the old stuff. I don’t know anything about the newer jazz musicians. Lionel Hampton, Bud Powell, Earl Hines, Harry Edison, Buck Clayton . . .”
“He was a doctor, too,” she said. “A pediatrician. He died just after I entered high school.”
“I am sorry to hear that,” Nimit said. “Do you still listen to jazz?”
Satsuki shook her head. “Not really. Not for years. My husband hated jazz. All he liked was opera. We had a great stereo in the house, but he’d give me a sour look if I ever tried putting on anything besides opera. Opera lovers may be the narrowest people in the world. I left my husband, though. I don’t think I’d mind if I never heard another opera again for as long as I live.”
Nimit gave a little nod but said nothing. Hands on the Mercedes steering wheel, he stared silently at the road ahead. His technique with the steering wheel was almost beautiful, the way he would move his hands to exactly the same points on the wheel at exactly the same angle. Now Erroll Garner was playing “I’ll Remember April,” which brought back more memories for Satsuki. Garner’s Concert by the Sea had been one of her father’s favorite records. She closed her eyes and let herself sink into the old memories. Everything had gone well for her until her father died of cancer. Everything—without exception. But then the stage suddenly turned dark, and by the time she noticed that her father had vanished forever from her life, everything was headed in the wrong direction. It was as if a whole new story had started with a whole new plot. Barely a month had passed after her father’s death when her mother sold the big stereo along with his jazz collection.
“Where are you from in Japan, Doctor, if you don’t mind my asking?”