Company / Ill Seen Ill Said / Worstward Ho / Stirrings Still by Samuel Beckett

  Would it be reasonable to imagine the hearer as mentally quite inert? Except when he hears. That is when the voice sounds. For what if not it and his breath is there for him to hear? Aha!The crawl. Does he hear the crawl? The fall?What an addition to company were he but to hear the crawl. The fall. The rising to all fours again. The crawl resumed. And wonder to himself what in the world such sounds might signify. Reserve for a duller moment. What if not sound could set his mind in motion? Sight? The temptation is strong to decree there is nothing to see. But too late for the moment. For he sees a change of dark when he opens or shuts his eyes. And he may see the faint light the voice imagined to shed. Rashly imagined. Light infinitely faint it is true since now no more than a mere murmur. Here suddenly seen how his eyes close as soon as the voice sounds. Should they happen to be open at the time. So light as let be faintest light no longer perceived than the time it takes the lid to fall. Taste? The taste in his mouth? Long since dulled. Touch? The thrust of the ground against his bones. All the way from calcaneum to bump of philoprogenitiveness. Might not a notion to stir ruffle his apathy? To turn on his side. On his face. For a change. Let that much of want be conceded. With attendant relief that the days are no more when he could writhe in vain. Smell? His own? Long since dulled. And a barrier to others if any. Such as might have once emitted a rat long dead. Or some other carrion. Yet to be imagined. Unless the crawler smell. Aha! The crawling creator. Might the crawling creator be reasonably imagined to smell? Even fouler than his creature. Stirring now and then to wonder that mind so lost to wonder. To wonder what in the world can be making that alien smell. Whence in the world those wafts of villainous smell. How much more companionable could his creator but smell. Could he but smell his creator. Some sixth sense? Inexplicable premonition of impending ill?Yes or no? No. Pure reason? Beyond experience. God is love. Yes or no? No.

  Can the crawling creator crawling in the same create dark as his creature create while crawling? One of the questions he put to himself as between two crawls he lay. And if the obvious answer were not far to seek the most helpful was another matter. And many crawls were necessary and the like number of prostrations before he could finally make up his imagination on this score. Adding to himself without conviction in the same breath as always that no answer of his was sacred. Come what might the answer he hazarded in the end was no he could not. Crawling in the dark in the way described was too serious a matter and too all-engrossing to permit of any other business were it only the conjuring of something out of nothing. For he had not only as perhaps too hastily imagined to cover the ground in this special way but rectigrade into the bargain to the best of his ability. And furthermore to count as he went adding half foot to half foot and retain in his memory the ever-changing sum of those gone before. And finally to maintain eyes and ears at a high level of alertness for any clue however small to the nature of the place to which imagination perhaps unadvisedly had consigned him. So while in the same breath deploring a fancy so reason-ridden and observing how revocable its flights he could not but answer finally no he could not. Could not conceivably create while crawling in the same create dark as his creature.

  A strand. Evening. Light dying. Soon none left to die. No. No such thing then as no light. Died on to dawn and never died. You stand with your back to the wash. No sound but its. Ever fainter as it slowly ebbs. Till it slowly flows again. You lean on a long staff. Your hands rest on the knob and on them your head. Were your eyes to open they would first see far below in the last rays the skirt of your greatcoat and the uppers of your boots emerging from the sand. Then and it alone till it vanishes the shadow of the staff on the sand. Vanishes from your sight. Moonless starless night. Were your eyes to open dark would lighten.

  Crawls and falls. Lies. Lies in the dark with closed eyes resting from his crawl. Recovering. Physically and from his disappointment at having crawled again in vain. Perhaps saying to himself, Why crawl at all?Why not just lie in the dark with closed eyes and give up? Give up all. Have done with all. With bootless crawl and figments comfortless. But if on occasion so disheartened it is seldom for long. For little by little as he lies the craving for company revives. In which to escape from his own. The need to hear that voice again. If only saying again, You are on your back in the dark. Or if only, You first saw the light and cried at the close of the day when in darkness Christ at the ninth hour cried and died. The need eyes closed the better to hear to see that glimmer shed. Or with adjunction of some human weakness to improve the hearer. For example an itch beyond reach of the hand or better still within while the hand immovable. An unscratchable itch. What an addition to company that would be! Or last if not least resort to ask himself what precisely he means when he speaks of himself loosely as lying. Which in other words of all the innumerable ways of lying is likely to prove in the long run the most endearing. If having crawled in the way described he falls it would normally be on his face. Indeed given the degree of his fatigue and discouragement at this point it is hard to see how he could do otherwise. But once fallen and lying on his face there is no reason why he should not turn over on one or other of his sides or on his only back and so lie should any of these three postures offer better company than any of the other three. The supine though most tempting he must finally disallow as being already supplied by the hearer. With regard to the sidelong one glance is enough to dispel them both. Leaving him with no other choice than the prone. But how prone? Prone how? How disposed the legs? The arms? The head? Prone in the dark he strains to see how best he may lie prone. How most companionably.

  See hearer clearer. Which of all the ways of lying supine the least likely in the long run to pall? After long straining eyes closed prone in the dark the following. But first naked or covered? If only with a sheet. Naked. Ghostly in the voice’s glimmer that bonewhite flesh for company. Head resting mainly on occipital bump aforesaid. Legs joined at attention. Feet splayed ninety degrees. Hands invisibly manacled crossed on pubis. Other details as need felt. Leave him at that for the moment.

  Numb with the woes of your kind you raise none the less your head from off your hands and open your eyes. You turn on without moving from your place the light above you. Your eyes light on the watch lying beneath it. But instead of reading the hour of night they follow round and round the second hand now followed and now preceded by its shadow. Hours later it seems to you as follows. At 60 seconds and 30 seconds shadow hidden by hand. From 60 to 30 shadow precedes hand at a distance increasing from zero at 60 to maximum at 15 and thence decreasing to new zero at 30. From 30 to 60 shadow follows hand at a distance increasing from zero at 30 to maximum at 45 and thence decreasing to new zero at 60. Slant light now to dial by moving either to either side and hand hides shadow at two quite different points as for example 50 and 20. Indeed at any two quite different points whatever depending on degree of slant. But however great or small the slant and more or less remote from initial 60 and 30 the new points of zero shadow the space between the two remains one of 30 seconds. The shadow emerges from under hand at any point whatever of its circuit to follow or precede it for the space of 30 seconds. Then disappears infinitely briefly before emerging again to precede or follow it for the space of 30 seconds again. And so on and on. This would seem to be the one constant. For the very distance itself between hand and shadow varies as the degree of slant. But however great or small this distance it invariably waxes and wanes from nothing to a maximum 15 seconds later and to nothing again 15 seconds later again respectively. And so on and on. This would seem to be a second constant. More might have been observed on the subject of this second hand and its shadow in their seemingly endless parallel rotation round and round the dial and other variables and constants brought to light and errors if any corrected in what had seemed so far. But unable to continue you bow your head back to where it was and with closed eyes return to the woes of your kind. Dawn finds you still in this position. The low sun shines on you through the eastern window and flings all along the floor your shad
ow and that of the lamp left lit above you. And those of other objects also.

  What visions in the dark of light! Who exclaims thus? Who asks who exclaims, What visions in the shadeless dark of light and shade! Yet another still? Devising it all for company. What a further addition to company that would be!Yet another still devising it all for company. Quick leave him.

  Somehow at any price to make an end when you could go out no more you sat huddled in the dark. Having covered in your day some twenty-five thousand leagues or roughly thrice the girdle. And never once overstepped a radius of one from home. Home! So sat waiting to be purged the old lutist cause of Dante’s first quarter-smile and now perhaps singing praises with some section of the blest at last. To whom here in any case farewell. The place is windowless. When as you sometimes do to void the fluid you open your eyes dark lessens. Thus you now on your back in the dark once sat huddled there your body having shown you it could go out no more. Out no more to walk the little winding back roads and interjacent pastures now alive with flocks and now deserted. With at your elbow for long years your father’s shade in his old tramping rags and then for long years alone. Adding step after step to the ever mounting sum of those already accomplished. Halting now and then with bowed head to fix the score. Then on from nought anew. Huddled thus you find yourself imagining you are not alone while knowing full well that nothing has occurred to make this possible. The process continues none the less lapped as it were in its meaninglessness. You do not murmur in so many words, I know this doomed to fail and yet persist. No. For the first personal singular and a fortiori plural pronoun had never any place in your vocabulary. But without a word you view yourself to this effect as you would a stranger suffering say from Hodgkin’s disease or if you prefer Percival Pott’s surprised at prayer. From time to time with unexpected grace you lie. Simultaneously the various parts set out. The arms unclasp the knees. The head lifts. The legs start to straighten. The trunk tilts backward. And together these and countless others continue on their respective ways till they can go no further and together come to rest. Supine now you resume your fable where the act of lying cut it short. And persist till the converse operation cuts it short again. So in the dark now huddled and now supine you toil in vain. And just as from the former position to the latter the shift grows easier in time and more alacrious so from the latter to the former the reverse is true. Till from the occasional relief it was supineness becomes habitual and finally the rule. You now on your back in the dark shall not rise again to clasp your legs in your arms and bow down your head till it can bow down no further. But with face upturned for good labour in vain at your fable. Till finally you hear how words are coming to an end. With every inane word a little nearer to the last. And how the fable too. The fable of one with you in the dark. The fable of one fabling of one with you in the dark. And how better in the end labour lost and silence. And you as you always were.


  Ill Seen Ill Said

  From where she lies she sees Venus rise. On. From where she lies when the skies are clear she sees Venus rise followed by the sun. Then she rails at the source of all life. On. At evening when the skies are clear she savours its star’s revenge. At the other window. Rigid upright on her old chair she watches for the radiant one. Her old deal spindlebacked kitchen chair. It emerges from out the last rays and sinking ever brighter is engulfed in its turn. On. She sits on erect and rigid in the deepening gloom. Such helplessness to move she cannot help. Heading on foot for a particular point often she freezes on the way. Unable till long after to move on not knowing whither or for what purpose. Down on her knees especially she finds it hard not to remain so forever. Hand resting on hand on some convenient support. Such as the foot of her bed. And on them her head. There then she sits as though turned to stone face to the night. Save for the white of her hair and faintly bluish white of face and hands all is black. For an eye having no need of light to see. All this in the present as had she the misfortune to be still of this world.

  The cabin. Its situation. Careful. On. At the inexistent centre of a formless place. Rather more circular than otherwise finally. Flat to be sure. To cross it in a straight line takes her from five to ten minutes. Depending on her speed and radius taken. Here she who loves to – here she who now can only stray never strays. Stones increasingly abound. Ever scanter even the rankest weed. Meagre pastures hem it round on which it slowly gains. With none to gainsay. To have gainsaid. As if doomed to spread. How come a cabin in such a place? How came? Careful. Before replying that in the far past at the time of its building there was clover growing to its very walls. Implying furthermore that it the culprit. And from it as from an evil core that the what is the wrong word the evil spread. And none to urge – none to have urged its demolition. As if doomed to endure. Question answered. Chalkstones of striking effect in the light of the moon. Let it be in opposition when the skies are clear. Quick then still under the spell of Venus quick to the other window to see the other marvel rise. How whiter and whiter as it climbs it whitens more and more the stones. Rigid with face and hands against the pane she stands and marvels long.

  The two zones form a roughly circular whole. As though outlined by a trembling hand. Diameter. Careful. Say one furlong. On an average. Beyond the unknown. Mercifully. The feeling at times of being below sea level. Especially at night when the skies are clear. Invisible nearby sea. Inaudible. The entire surface under grass. Once clear of the zone of stones. Save where it has receded from the chalky soil. Innumerable white scabs all shapes and sizes. Of striking effect in the light of the moon. In the way of animals ovines only. After long hesitation. They are white and make do with little. Whence suddenly come no knowing nor whither as suddenly gone. Unshepherded they stray as they list. Flowers? Careful. Alone the odd crocus still at lambing time. And man? Shut of at last? Alas no. For will she not be surprised one day to find him gone? Surprised no she is beyond surprise. How many? A figure come what may. Twelve. Wherewith to furnish the horizon’s narrow round. She raises her eyes and sees one. Turns away and sees another. So on. Always afar. Still or receding. She never once saw one come toward her. Or she forgets. She forgets. Are they always the same? Do they see her? Enough.

  A moor would have better met the case. Were there a case better to meet. There had to be lambs. Rightly or wrongly. A moor would have allowed of them. Lambs for their whiteness. And for other reasons as yet obscure. Another reason. And so that there may be none. At lambing time. That from one moment to the next she may raise her eyes to find them gone. A moor would have allowed of them. In any case too late. And what lambs. No trace of frolic. White splotches in the grass. Aloof from the unheeding ewes. Still. Then a moment straying. Then still again. To think there is still life in this age. Gently gently.

  She is drawn to a certain spot. At times. There stands a stone. It it is draws her. Rounded rectangular block three times as high as wide. Four. Her stature now. Her lowly stature. When it draws she must to it. She cannot see it from her door. Blindfold she could find her way. With herself she has no more converse. Never had much. Now none. As had she the misfortune to be still of this world. But when the stone draws then to her feet the prayer, Take her. Especially at night when the skies are clear. With moon or without. They take her and halt her before it. There she too as if of stone. But black. Sometimes in the light of the moon. Mostly of the stars alone. Does she envy it?

  To the imaginary stranger the dwelling appears deserted. Under constant watch it betrays no sign of life. The eye glued to one or the other window has nothing but black drapes for its pains. Motionless against the door he listens long. No sound. Knocks. No answer. Watches all night in vain for the least glimmer. Returns at last to his own and avows, No one. She shows herself only to her own. But she has no own. Yes yes she has one. And who has her.

  There was a time when she did not appear in the zone of stones. A long time. Was not therefore to be seen going out or coming in. When she appeared only in the pastures. Was not theref
ore to be seen leaving them. Save as though by enchantment. But little by little she began to appear. In the zone of stones. First darkly. Then more and more plain. Till in detail she could be seen crossing the threshold both ways and closing the door behind her. Then a time when within her walls she did not appear. A long time. But little by little she began to appear. Within her walls. Darkly. Time truth to tell still current. Though she within them no more. This long time.

  Yes within her walls so far at the window only. At one or the other window. Rapt before the sky. And only half seen so far a pallet and a ghostly chair. Ill half seen. And how in her faint comings and goings she suddenly stops dead. And how hard set to rise up from off her knees. But there too little by little she begins to appear more plain. Within her walls. As well as other objects. Such as under her pillow – such as deep in some recess this still shadowy album. Perhaps in time be by her when she takes it on her knees. See the old fingers fumble through the pages. And what scenes they can possibly be that draw the head down lower still and hold it in thrall. In the meantime who knows no more than withered flowers. No more!

  But quick seize her where she is best to be seized. In the pastures far from shelter. She crosses the zone of stones and is there. Clearer and clearer as she goes. Quick seeing she goes out less and less. And so to say only in winter. Winter in her winter haunts she wanders. Far from shelter. Head bowed she makes her slow wavering way across the snow. It is evening. Yet again. On the snow her long shadow keeps her company. The others are there. All about. The twelve. Afar. Still or receding. She raises her eyes and sees one. Turns away and sees another. Again she stops dead. Now the moment or never. But something forbids. Just time to begin to glimpse a fringe of black veil. The face must wait. Just time before the eye cast down. Where nothing to be seen in the grazing rays but snow. And how all about little by little her footprints are effaced.

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