Dandelion Wine by Ray Bradbury


  "Hell, hell, hell is a place!" Tom cried. "Now I got to start all over. I was counting the times the cicadas buzz every fifteen seconds." He held up his two dollar watch. "You time it, then add thirty-nine and you get the temperature at that very moment." He looked at the watch, one eye shut, tilted his head and whispered again, "One, two, three ... !"

  Douglas turned his head slowly, listening. Somewhere in the burning bone-colored sky a great copper wire was strummed and shaken. Again and again the piercing metallic vibrations, like charges of raw electricity, fell in paralyzing shocks from the stunned trees.

  "Seven!" counted Tom. "Eight."

  Douglas walked slowly up the porch steps. Painfully he peered into the hall. He stayed there a moment, then slowly he stepped back out on the porch and called weakly to Tom. "It's exactly eighty-seven degrees Fahrenheit."

  "--twenty-seven, twenty-eight--"

  "Hey, Tom you hear me?"

  "I hear you--thirty, thirty-one! Get away! Two, three, thirty-four!"

  "You can stop counting now, right inside on that old thermometer it's eighty-seven and going up, without the help of no katydids."

  "Cicadas! Thirty-nine, forty! Not katydids! Forty-two!"

  "Eighty-seven degrees, I thought you'd like to know.

  "Forty-five, that's inside, not outside! Forty-nine, fifty, fifty-one! Fifty-two, fifty-three! Fifty-three plus thirty-nine is--ninety-two degrees!"

  "Who says?"

  "I say! Not eighty-seven degrees Fahrenheit! But ninety two degrees Spaulding!"

  "You and who else?"

  Tom jumped up and stood red-faced, staring at the sun. "Me and the cicadas, that's who! Me and the cicadas! You're out-numbered! Ninety-two, ninety-two, ninety-two degrees Spaulding, by gosh!"

  They both stood looking at the merciless unclouded sky like a camera that has broken and stares, shutter wide, at a motionless and stricken town dying in a fiery sweat.

  Douglas shut his eyes and saw two idiot suns dancing on the reverse side of the pinkly translucent lids.

  "One ... two ... three ..."

  Douglas felt his lips move.

  "... four ... five ... six ..."

  This time the cicadas sang even faster.

  From noontime to sundown, from midnight to sunrise, one man, one horse, and one wagon were known to all twenty-six thousand three hundred forty-nine inhabitants of Green Town, Illinois.

  In the middle of the day, for no reason quickly apparent, children would stop still and say:

  "Here comes Mr. Jonas!"

  "Here comes Ned!"

  "Here comes the wagon!"

  Older folks might peer north or south, east or west and see no sign of the man named Jonas, the horse named Ned, or the wagon which was a Conestoga of the kind that bucked the prairie tides to beach on the wilderness.

  But then if you borrowed the ear of a dog and tuned it high and stretched it taut you could hear, miles and miles across the town a singing like a rabbi in the lost lands, a Moslem in a tower. Always, Mr. Jonas's voice went clear before him so people had a half an hour, an hour, to prepare for his arrival. And by the time his wagon appeared, the curbs were lined by children, as for a parade.

  So here came the wagon and on its high board seat under a persimmon-colored umbrella, the reins like a stream of water in his gentle hands, was Mr. Jonas, singing.

  "Junk! Junk!

  No, sir, not Junk!

  Junk! Junk!

  No, ma'am, not Junk!

  Bricabracs, brickbats!

  Knitting needles, knick-knacks!

  Kickshaws! Curios!

  Camisoles! Cameos!

  But ... Junk!

  Junk!

  No, sir, not ... Junk!"

  As anyone could tell who had heard the songs Mr. Jonas made up as he passed, he was no ordinary junkman. To all appearances, yes, the way he dressed in tatters of moss-corduroy and the felt cap on his head, covered with old presidential campaign buttons going back before Manila Bay. But he was unusual in this way: not only did he tread the sunlight, but often you could see him and his horse swimming along the moonlit streets, circling and recircling by night the islands, the blocks where all the people lived he had known all of his life. And in that wagon he carried things he had picked up here and there and carried for a day or a week or a year until someone wanted and needed them. Then all they had to say was, "I want that clock," or "How about the mattress?" And Jonas would hand it over, take no money, and drive away, considering the words for another tune.

  So it happened that often he was the only man alive in all Green Town at three in the morning and often people with headaches, seeing him amble by with his moon-shimmered horse, would run out to see if by chance he had aspirin, which he did. More than once he had delivered babies at four in the morning and only then had people noticed how incredibly clean his hands and fingernails were--the hands of a rich man who had another life somewhere they could not guess. Sometimes he would drive people to work downtown, or sometimes, when men could not sleep, go up on their porch and bring cigars and sit with them and smoke and talk until dawn.

  Whoever he was or whatever he was and no matter how different and crazy he seemed, he was not crazy. As he himself had often explained gently, he had tired of business in Chicago many years before and looked around for a way to spend the rest of his life. Couldn't stand churches, though he appreciated their ideas, and having a tendency toward preaching and decanting knowledge, he bought the horse and wagon and set out to spend the rest of his life seeing to it that one part of town had a chance to pick over what the other part of town had cast off. He looked upon himself as a kind of process, like osmosis, that made various cultures within the city limits available one to another. He could not stand waste, for he knew that one man's junk is another man's luxury.

  So adults, and especially children, clambered up to peer over into the vast treasure horde in the back of the wagon.

  "Now, remember," said Mr. Jonas, "you can have what you want if you really want it. The test is, ask yourself, Do I want it with all my heart? Could I live through the day without it? If you figure to be dead by sundown, grab the darned thing and run. I'll be happy to let you have whatever it is."

  And the children searched the vast heaps of parchments and brocades and bolts of wallpaper and marble ash trays and vests and roller skates and great fat overstuffed chairs and end tables and crystal chandeliers. For a while you just heard whispering and rattling and tinkling. Mr. Jonas watched, comfortably puffing on his pipe, and the children knew he watched. Sometimes their hands reached out for a game of checkers or a string of beads or an old chair, and just as they touched it they looked up and there were Mr. Jonas's eyes gently questioning them. And they pulled their hand away and looked further on. Until at last each of them put their hand on a single item and left it there. Their faces came up and this time their faces were so bright Mr. Jonas had to laugh. He put up his hand as if to fend off the brightness of their faces from his eyes. He covered his eyes for a moment. When he did this, the children yelled their thanks, grabbed their roller skates or clay tiles or bumbershoots and, dropping off, ran.

  And the children came back in a moment with something of their own in their hands, a doll or a game they had grown tired of, something the fun had gone out of, like the flavor from gum, and now it was time for it to pass on to some other part of town where, seen for the first time, it would be revivified and would revivify others. These tokens of exchange were shyly dropped over the rim of the wagon down into unseen riches and then the wagon was trundling on, flickering light on its great spindling sunflower wheels and Mr. Jonas singing again ...

  Junk! Junk!

  No, sir, not Junk!

  No, ma'am, not Junk!"

  until he was out of sight and only the dogs, in the shadow pools under trees, heard the rabbi in the wilderness, and twitched their tails ...

  "... junk ..."

  Fading.

  "... junk ..."

  A whisper.
r />   "... junk ..." Gone.

  And the dogs asleep.

  The sidewalks were haunted by dust ghosts all night as the furnace wind summoned them up, swung them about, and gentled them down in a warm spice on the lawns. Trees, shaken by the footsteps of late-night strollers, sifted avalanches of dust. From midnight on, it seemed a volcano beyond the town was showering red-hot ashes everywhere, crusting slumberless night watchmen and irritable dogs. Each house was a yellow attic smoldering with spontaneous combustion at three in the morning.

  Dawn, then, was a time where things changed element for element. Air ran like hot spring waters nowhere, with no sound. The lake was a quantity of steam very still and deep over valleys of fish and sand held baking under its serene vapors. Tar was poured licorice in the streets, red bricks were brass and gold, roof tops were paved with bronze. The high-tension wires were lightning held forever, blazing, a threat above the unslept houses.

  The cicadas sang louder and yet louder.

  The sun did not rise, it overflowed.

  In his room, his face a bubbled mass of perspiration, Douglas melted on his bed.

  "Wow," said Tom, entering. "Come on, Doug. We'll drown in the river all day."

  Douglas breathed out. Douglas breathed in. Sweat trickled down his neck.

  "Doug, you awake?"

  The slightest nod of the head.

  "You don't feel good, huh? Boy, this house'll burn down today." He put his hand on Douglas's brow. It was like touching a blazing stove lid. He pulled his fingers away, startled. He turned and went downstairs.

  "Mom," he said, "Doug's really sick."

  His mother, taking eggs out of the icebox, stopped, let a quick look of concern cross her face, put the eggs back, and followed Tom upstairs.

  Douglas had not moved so much as a finger.

  The cicadas were screaming now.

  At noon, running as if the sun were after him to smash him to the ground, the doctor pulled up on the front porch, gasping, his eyes weary already, and gave his bag to Tom.

  At one o'clock the doctor came out of the house, shaking his head. Tom and his mother stood behind the screen door, as the doctor talked in a low voice, saying over and over again he didn't know, he didn't know. He put his Panama hat on his head, gazed at the sunlight blistering and shriveling the trees overhead, hesitated like a man plunging into the outer rim of hell, and ran again for his car. The exhaust of the car left a great pall of blue smoke in the pulsing air for five minutes after he was gone.

  Tom took the ice pick in the kitchen and chipped a pound of ice into prisms which he carried upstairs. Mother was sitting on the bed and the only sound in the room was Douglas breathing in steam and breathing out fire. They put the ice in handkerchiefs on his face and along his body. They drew the shades and made the room like a cave. They sat there until two o'clock, bringing up more ice. Then they touched Douglas's brow again and it was like a lamp that had burned all night. After touching him you looked at your fingers to make sure they weren't seared to the bone.

  Mother opened her mouth to say something, but the cicadas were so loud now they shook dust down from the ceiling.

  Inside redness, inside blindness, Douglas lay listening to the dim piston of his heart and the muddy ebb and flow of the blood in his arms and legs.

  His lips were heavy and would not move. His thoughts were heavy and barely ticked like seed pellets falling in an hourglass slow one by falling one. Tick.

  Around a bright steel corner of rail a trolley swung, throwing a crumbling wave of sizzling sparks, its clamorous bell knocking ten thousand times until it blended with the cicadas. Mr. Tridden waved. The trolley stormed around a corner like a cannonade and dissolved. Mr. Tridden!

  Tick. A pellet fell. Tick.

  "Chug-a-chug-ding! Woo-woooo!"

  On the roof top a boy locomoted, pulling an invisible whistle string, then froze into a statue. "John! John Huff, you! Hate you, John! John, we're pals! Don't hate you, no."

  John fell down the elm-tree corridor like someone falling down an endless summer well, dwindling away.

  Tick. John Huff. Tick. Sand pellet dropping. Tick. John ...

  Douglas moved his head flat over, crashing on the white white terribly white pillow.

  The ladies in the Green Machine sailed by in a sound of black seal barking, lifting hands as white as doves. They sank into the lawn's deep waters, their gloves still waving to him as the grass closed over....

  Miss Fern! Miss Roberta!

  Tick ... tick ...

  And quickly then from a window across the way Colonel Freeleigh leaned out with the face of a clock, and buffalo dust sprang up in the street. Colonel Freeleigh spanged and rattled, his jaw fell open, a mainspring shot out and dangled on the air instead of his tongue. He collapsed like a puppet on the sill, one arm still waving....

  Mr. Auffmann rode by in something that was bright and something like the trolley and the green electric runabout; and it trailed glorious clouds and it put out your eyes like the sun. "Mr. Auffmann, did you invent it?" he cried. "Did you finally build the Happiness Machine?"

  But then he saw there was no bottom to the machine. Mr. Auffmann ran along on the ground, carrying the whole incredible frame from his shoulders.

  "Happiness, Doug, here goes happiness!" And he went the way of the trolley, John Huff, and the dove-fingered ladies.

  Above on the roof a tapping sound. Tap-rap-bang. Pause. Tap-rap-bang. Nail and hammer. Hammer and nail. A bird choir. And an old woman singing in a frail but hearty voice.

  "Yes, we'll gather at the river ... river ... river ...

  Yes, we'll gather at the river ...

  That flows by the throne of God ..."

  "Grandma! Great-grandma!"

  Tap, softly, tap. Tap, softly, tap.

  "... river ... river ..."

  And now it was only the birds picking up their tiny feet and putting them down again on the roof. Rattle-rattle. Scratch. Peep. Peep. Soft. Soft.

  "... river ..."

  Douglas took one breath and let it all out at once, wailing.

  He did not hear his mother run into the room.

  A fly, like the burning ash of a cigarette, fell upon his senseless hand, sizzled, and flew away.

  Four o'clock in the afternoon. Flies dead on the pavement. Dogs wet mops in their kennels. Shadows herded under trees. Downtown stores shut up and locked. The lake shore empty. The lake full of thousands of people up to their necks in the warm but soothing water.

  Four-fifteen. Along the brick streets of town the junk wagon moved, and Mr. Jonas singing on it.

  Tom, driven out of the house by the scorched look on Douglas's face, walked slowly down to the curb as the wagon stopped.

  "Hi, Mr. Jonas."

  "Hello, Tom."

  Tom and Mr. Jonas were alone on the street with all that beautiful junk in the wagon to look at and neither of them looking at it. Mr. Jonas didn't say anything right away. He lit his pipe and puffed it, nodding his head as if he knew before he asked, that something was wrong.

  "Tom?" he said.

  "It's my brother," said Tom. "It's Doug."

  Mr. Jonas looked up at the house.

  "He's sick," said Tom. "He's dying!"

  "Oh, now, that can't be so," said Mr. Jonas, scowling around at the very real world where nothing that vaguely looked like death could be found on this quiet day.

  "He's dying," said Tom. "And the doctor doesn't know what's wrong. The heat, he said, nothing but the heat. Can that be, Mr. Jonas? Can the heat kill people, even in a dark room?"

  "Well," said Mr. Jonas and stopped.

  For Tom was crying now.

  "I always thought I hated him ... that's what I thought ... we fight half the time ... I guess I did hate him ... sometimes ... but now ... now. Oh, Mr. Jonas, if only ..."

  "If only what, boy?"

  "If only you had something in this wagon would help. Something I could pick and take upstairs and make him okay."

  Tom crie
d again.

  Mr. Jonas took out his red bandanna handkerchief and handed it to Tom. Tom wiped his nose and eyes with the handkerchief.

  "It's been a tough summer," Tom said. "Lots of things have happened to Doug."

  "Tell me about them," said the junkman.

  "Well," said Tom, gasping for breath, not quite done crying yet, "he lost his best aggie for one, a real beaut. And on top of that somebody stole his catcher's mitt, it cost a dollar ninety-five. Then there was the bad trade he made of his fossil stones and shell collection with Charlie Woodman for a Tarzan clay statue you got by saving up macaroni box tops. Dropped the Tarzan statue on the sidewalk second day he had it."

  "That's a shame," said the junkman and really saw all the pieces on the cement.

  "Then he didn't get the book of magic tricks he wanted for his birthday, got a pair of pants and a shirt instead. That's enough to ruin the summer right there."

  "Parents sometimes forget how it is," said Mr. Jonas.

  "Sure," Tom continued in a low voice, "then Doug's genuine set of Tower-of-London manacles got left out all night and rusted. And worst of all, I grew one inch taller, catching up with him almost."

  "Is that all?" asked the junkman quietly.

  "I could think of ten dozen other things, all as bad or worse. Some summers you get a run of luck like that. It's been silverfish getting in his comics collection or mildew in his new tennis shoes ever since Doug got out of school."

  "I remember years like that," said the junkman.

  He looked off at the sky and there were all the years.

  "So there you are, Mr. Jonas. That's it. That's why he's dying...."

  Tom stopped and looked away.

  "Let me think," said Mr. Jonas.

  "Can you help, Mr. Jonas? Can you?"

  Mr. Jonas looked deep in the big old wagon and shook his head. Now, in the sunlight, his face looked tired and he was beginning to perspire. Then he peered into the mounds of vases and peeling lamp shades and marble nymphs and satyrs made of greening copper. He sighed. He turned and picked up the reins and gave them a gentle shake. "Tom," he said, looking at the horse's back, "I'll see you later. I got to plan. I got to look around and come again after supper. Even then, who knows? Until then ..." He reached down and picked up a little set of Japanese wind-crystals. "Hang these in his upstairs window. They make a nice cool music!"

 
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