Herzog by Saul Bellow
Saul Bellow
Herzog
First published in 1964
To Pat Covici, a great editor and, better yet, a generous friend, this book is affectionately dedicated.
IF I am out of my mind, it's all right with me, thought Moses Herzog.
Some people thought he was cracked and for a time he himself had doubted that he was all there. But now, though he still behaved oddly, he felt confident, cheerful, clairvoyant, and strong. He had fallen under a spell and was writing letters to everyone under the sun. He was so stirred by these letters that from the end of June he moved from place to place with a valise full of papers. He had carried this valise from New York to Martha's Vineyard, but returned from the Vineyard immediately; two days later he flew to Chicago, and from Chicago he went to a village: in western Massachusetts. Hidden in the country, he wrote endlessly, fanatically, to the newspapers, to people in public life, to friends and relatives and at last to the dead, his own obscure dead, and finally the famous dead.
X; was the peak of summer in the Berkshires.
Herzog was alone in the big old house. Normally particular about food, he now ate Silvercup bread from the paper package, beans from the can, and American cheese. Now and then he picked raspberries in the overgrown garden, lifting up the thorny canes with absent-minded caution. As for sleep, he slept on a mattress without sheets-it was his abandoned marriage bed-or in the hammock, covered by his coat.
Tall bearded grass and locust and maple seedlings surrounded him in the yard. When he opened his eyes in the night, the stars were near like spiritual bodies.
Fires, of course; gases-minerals, heat, atoms, but eloquent at five in the morning to a man lying in a hammock, wrapped in his overcoat.
When some new thought gripped his heart he went to the kitchen, his headquarters, to write it down. The white paint was scaling from the brick walls and Herzog sometimes wiped mouse droppings from the table with his sleeve, calmly wondering why field mice should have such a passion for wax and paraffin. They made holes in paraffin-sealed preserves; they gnawed birthday candles down to the wicks. A rat chewed into a package of bread, leaving the shape of its body in the layers of slices! Herzog ate the other half of the loaf spread with jam. He could share with rats too.
All the while, one corner of his mind remained open to the external world. He heard the crows in the morning. Their harsh call was delicious. He heard the thrushes at dusk. At night there was a barn owl. When he walked in the garden, excited by a mental letter, he saw roses winding about the rain spout; or mulberries-birds gorging in the mulberry tree. The days were hot, the evenings flushed and dusty. He looked keenly at everything but he felt half blind.
His friend, his former friend, Valentine, and his wife, his ex-wife Madeleine, had spread the rumor that his sanity had collapsed. Was it true?
He was taking a turn around the empty house and saw the shadow of his face in a gray, webby window. He looked weirdly tranquil. A radiant line went from mid-forehead over his straight nose and full, silent lips.
Late in spring Herzog had been overcome by the need to explain, to have it out, to justify, to put in perspective, to clarify, to make amends.
At that time he had been giving adulteducation lectures in a New York night School. He was clear enough in April but by the end of May he began to ramble. It became apparent to his students that they would never learn much about The Roots of Romanticism but that they would see and hear odd things. One after another, the academic formalities dropped away. Professor Herzog had the unconscious frankness of a man deeply preoccupied. And toward the end of the term there were long pauses in his lectures. He would stop, muttering "Excuse me," reaching inside his coat for his pen.
The table creaking, he wrote on scraps of paper with a great pressure of eagerness in his hands; he was absorbed, his eyes darkly circled. His white face showed everything- everything. He was reasoning, arguing, he was suffering, he had thought of a brilliant alternative-he was wide-open, he was narrow; his eyes, his mouth made everything silently clear-longing, bigotry, bitter anger. One could see it all. The class waited three minutes, five minutes, utterly silent.
At first there was no pattern to the notes he made.
They were fragments-nonsense syllables, exclamations, twisted proverbs and quotations or, in the Yiddish of his long-dead mother, Trepverter comretorts that came too late, when you were already on your way down the stairs.
He wrote, for instance,
Death - die - live again - die again - live.
No person, no death.
And,
On the knees of your soul? Might as well be useful. Scrub the floor.
Next,
Answer a fool according to his folly lest he be wise in his own conceit.
Answer not a fool according to his folly, lest thou be like unto him.
Choose one.
He noted also, I see by Walter Winchell that J. S. Bach put on black gloves to compose a requiem mass.
Herzog scarcely knew what to think of this scrawling.
He yielded to the excitement that inspired i suspected at times that it might be a symptom of disintegration. That did not frighten him. Lying on the sofa of the kitchenette apartment he had rented on 17th Street, he sometimes imagined he was an industry that manufactured personal history, and saw himself from birth to death. He conceded on a piece of paper, I cannot justify.
Considering his entire life, he realized that he had mismanaged everything-everything. His life was, as the phrase goes, ruined. But since it had not been much to begin with, there was not much to grieve about. Thinking, on the malodorous sofa, of the centuries, the nineteenth, the sixteenth, the eighteenth, he turned up, from the last, a saying that he liked: Grief, Sir, is a species of idleness.
He went on taking stock, lying face down on the sofa. Was he a clever man or an idiot?
Well, he could not at this time claim to be clever.
He might once have had the makings of a clever character, but he had chosen to be dreamy instead, and the sharpies cleaned him out. What more? He was losing his hair.
He read the ads of the Thomas Scalp Specialists, with the exaggerated skepticism of a man whose craving to believe was deep, desperate.
Scalp experts! So... he was a formerly handsome man. His face revealed what a beating he had taken. But he had asked to be beaten too, and had lent his attackers strength. That brought him to consider his character. What sort of character was it? Well, in the modern vocabulary, it was narcissistic; it was masochistic; it was anachronistic. His clinical picture was depressive- not the severest type; not a manic depressive. There were worse cripples around. If you believed, as everyone nowadays apparently did, that man was the sick animal, then was he even spectacularly sick, exceptionally blind, extraordinarily degraded?
No. Was he intelligent? His intellect would have been more effective if he had had an aggressive paranoid character, eager for power. He was jealous but not exceptionally competitive, not a true paranoiac. And what about his learning?-He was obliged to admit, now, that hp was not much of a professor, either. Oh, he was earnest, he had a certain large, immature sincerity, but he might never succeed in becoming systematic. He had made a brilliant start in his Ph. d. thesis - The State of Nature in 17th and 18th Century English and French Political Philosophy.
He had to his credit also several articles and a book, Romanticism and Christianity.
But the rest of his ambitious projects had dried up, one after another. On the strength of his early successes he had never had difficulty in finding jobs and obtaining research grants. The Narragansett Corporation had paid him fifteen thousand dollars over a number of years to continue his studies in Romanticism. The results lay in the closet, in an old valise-eight hundred pages of chaotic argument which had ne
On the floor beside him were pieces of paper, and he occasionally leaned down to write.
He now set down, Not that long disease, my life, but that long convalescence, my life. The liberal-bourgeois revision, the illusion of improvement, the poison of hope.
He thought awhile of Mithridates, whose system learned to thrive on poison. He cheated his assassins, who made the mistake of using small doses, and was pickled, not destroyed.
Tutto fa brodo.
Resuming his self-examination, he admitted that he had been a bad husband-twice. Daisy, his first wife, he had treated miserably. Madeleine, his second, had tried to do him in. To his son and his daughter he was a loving but bad father. To his own parents he had been an ungrateful child. To his country, an indifferent citizen. To his brothers and his sister, affectionate but remote. With his friends, an egotist.
With love, lazy. With brightness, dull. With power, passive. With his own soul, evasive.
Satisfied with his own severity, positively enjoying the hardness and factual rigor of his judgment, he lay on his sofa, his arms rising behind him, his legs extended without aim.
But how charming we remain, notwithstanding.
Papa, poor man, could charm birds from the trees, crocodiles from mud. Madeleine, too, had great charm, and beauty of person also, and a brilliant mind. Valentine Gersbach, her lover, was a charming man, too, though in a heavier, brutal style.
He had a thick chin, flaming copper hair that literally gushed from his head (no Thomas Scalp Specialists for him), and he walked on a wooden leg, gracefully bending and straightening like a gondolier. Herzog himself had no small amount of charm. But his sexual powers had been damaged by Madeleine. And without the ability to attract women, how was he to recover? It was in this respect that he felt most like a convalescent.
The paltriness of these sexual struggles.
With Madeleine, several years ago, Herzog had made a fresh start in life. He had won her away from the Church-when they met, she had just been converted. With twenty thousand dollars inherited from his charming father, to please his new wife, he quit an academic position which was perfectly respectable and bought a big old house in Ludeyville, Massachusetts. In the peaceful Berkshires where he had friends (the Valentine Gersbachs) it should be easy to write his second volume on the social ideas of the Romantics.
Herzog did not leave academic life because he was doing badly. On the contrary, his reputation was good.
His thesis had been influential and was translated into French and German. His early book, not much noticed when it was published, was now on many reading lists, and the younger generation of historians accepted it as a model of the new sort of "history that interests us" compersonal, engagee-and looks at the past with an intense need for contemporary relevance. As long as Moses was married to Daisy, he had led the perfectly ordinary life of an assistant professor, respected and stable. His first work showed by objective research what Christianity was to Romanticism.
In the second he was becoming tougher, more assertive, more ambitious. There was a great deal of ruggedness, actually, in his character. He had a strong will and a talent for polemics, a taste for the philosophy of history. In marrying Madeleine and resigning from the university (because she thought he should), digging in at Ludeyville, he showed a taste and talent also for danger and extremism, for heterodoxy, for ordeals, a fatal attraction to the "City of Destruction."- What he planned was a history which really took into account the revolutions and mass convulsions of the twentieth century, accepting, with de Tocqueville, the universal and durable development of the equality of conditions, the progress of democracy.
But he couldn't deceive himself about this work. He was beginning seriously to distrust it. His ambitions received a sharp check. Hegel was giving him a great deal of trouble.
Ten years earlier he had been certain he understood his ideas on consensus and civility, but something had gone wrong. He was distressed, impatient, angry. At the same time, he and his wife were behaving very peculiarly. She was dissatisfied. At first, she hadn't wanted him to be an ordinary professor, but she changed her mind after a year in the country. Madeleine considered herself too young, too intelligent, too vital, too sociable to be buried in the remote Berkshires. She decided to finish her graduate studies in Slavonic languages. Herzog wrote to Chicago about jobs. He had to find a position for Valentine Gersbach, too. Valentine was a radio announcer, a disk-jockey in Pittsfield. You couldn't leave people like Valentine and Phoebe stuck in this mournful countryside, alone, Madeleine said.
Chicago was chosen because Herzog had there, and was well-connected. So he taught courses in the Downtown College and Gersbach became educational director of an FM station in the Loop. The house near Ludeyville was closed up-twenty thousand dollars' worth of house, with books and English bone china and new appliances abandoned to the spiders, the moles, and the field mice-Papa's hard-earned money!
The Herzogs moved to the Midwest. But after about a year of this new Chicago life, Madeleine decided that she and Moses couldn't make it after all- she wanted a divorce. He had to give it, what could he do? And the divorce was painful. He was in love with Madeleine; he couldn't bear to leave his little daughter. But Madeleine refused to be married to him, and people's wishes have to be respected. Slavery is dead.
The strain of the second divorce was too much for Herzog. He felt he was going to pieces-breaking up-and Dr. Edvig, the Chicago psychiatrist who treated both Herzogs, agreed that perhaps it was best for Moses to leave town. He came to an understanding with the dean of the Downtown College that he might come back when he was feeling better, and on money borrowed from his brother Shura he went to Europe.
Not everyone threatened with a crackup can manage to go to Europe for relief. Most people have to keep on working; they report daily, they still ride the subway. Or else they drink, they go to the movies and sit there suffering. Herzog ought to have been grateful. Unless you are utterly exploded, there is always something to be grateful for. In fact, he was grateful.
He was not exactly idle in Europe, either. He made a cultural tour for the Narragansett Corporation, lecturing in Copenhagen, Warsaw, Cracow, Berlin, Belgrade, Istanbul, and Jerusalem. But in March when he came to Chicago again his condition was worse than it had been in November. He told his dean that it would probably be better for him to stay in New York. He did not see Madeleine during his visit. His behavior was so strange and to her mind so menacing, that she warned him through Gersbach not to come near the house on Harper Avenue. The police had a picture of him and would arrest him if he was seen in the block.
It was now becoming clear to Herzog, himself incapable of making plans, how well Madeleine had prepared to get rid of him. Six weeks before sending him away, she had had him lease a house near the Midway at two hundred dollars a month. When they moved in, he built shelves, cleared the garden, and repaired the garage door; he put up the storm windows. Only a week before she demanded a divorce, she had his things cleaned and pressed, but on the day he left the house, she flung them all into a carton which she then dumped down the cellar stairs. She needed more closet space. And other things happened, sad, comical, or cruel, depending on one's point of view. Until the very last day, the tone of Herzog's relations with Madeleine was quite serious comt is, ideas, personalities, issues were respected and discussed. When she broke the news to him, for instance, she expressed herself with dignity, in that lovely masterful style of hers. She had thought it over from every angle, she said, and she had to accept defeat. They could not make the grade together. She was prepared to shoulder some of the blame. Of course, Herzog was not entirely unprepared for this. But he had really thought matters were improving.
All: this happened on a bright, keen fall day.
He had been in the back yard putting in the storm windows. The first frost had already caught the tomatoes. The grass was dense and soft, with the peculiar beauty it gains when the cold
He had seen Madeleine at the back window upstairs, putting June down for her nap, and heard the bath being run. Now she was calling from the kitchen door. A gust from the lake made the framed glass tremble in Herzog's arms. He propped it carefully against the porch and took off his canvas gloves but not his beret, as though he sensed that he would immediately go on a trip.
Madeleine hated her father violently, but it was not irrelevant that the old man was a famous impresario comsometimes called the American Stanislavsky. She had prepared the event with a certain theatrical genius of her own. She wore black stockings, high heels, a lavender dress with Indian brocade from Central America. She had on her opal earrings, her bracelets, and she was perfumed; her hair was combed with a new, clean part and her large eyelids shone with a bluish cosmetic.
Her eyes were blue but the depth of the color was curiously affected by the variable tinge of the whites.
Her nose, which descended in a straight elegant line from her brows, worked slightly when she was peculiarly stirred. To Herzog even this tic was precious. There was a flavor of subjugation in his love for Madeleine. Since she was domineering, and since he loved her, he had to accept the flavor that was given. In this confrontation in the untidy parlor, two kinds of egotism were present, and Herzog from his sofa in New York now contemplated them comhers in triumph (she had prepared a great moment, she was about to do what she longed most to do, strike a blow) and his egotism in abeyance, all converted into passivity. What he was about to suffer, he deserved; he had sinned long and hard; he had earned it. This was it.
In the window on glass shelves there stood an ornamental collection of small glass bottles, Venetian and Swedish. They came with the house. The sun now caught them. They were pierced with the light.
Herzog saw the waves, the threads of color, the spectral intersecting bars, and especially a great blot of flaming white on the center of the wall above Madeleine.