Broken by Karin Fossum

  He struggled with these thoughts as he walked around the gallery. Stood in front of the severed bridge and stared at it. Out of the darkness and the fog he saw the construction rise, soar, beautiful and brutally severed, just as his ties to other people had been cut. Can such damage be mended? he asked himself. Can you regrow the stumps, can you become whole again? Once more the bridge had this healing effect on him, he was transfixed. Was there communication between people which could bypass distance, time and culture? He had never met this painter, Lindstrøm. And the bridge was in every way a direct message to him personally. He was aware though that other people might be equally mesmerised by the painting, even though it had not happened yet. Then the doorbell rang and he spun round. Ole Krantz came striding in with a frame tucked under his arm.

  'Look at you standing there drooling,' he smiled. 'Like a kid in a sweet shop. So, what's it gonna be?'

  Alvar hesitated. 'Well,' he said reluctantly, 'of course, I'll have to buy it. If I don't I'll regret it for the rest of my life.'

  Krantz squatted down. He was wearing green wellies and he had rolled down their tops.

  'This painting is a good investment, I can promise you that.'

  He wiped a drop of moisture from under his nose with the back of his hand, got up and planted his hands firmly on his hips. So stands a man who owns his own world, Alvar thought. He did not mention that he was not at all interested in the investment aspect.

  'I can drive the painting over to your place today,' Krantz said, 'then you can hang it and keep it for a couple of weeks. That way you'll get a sense of how it affects you. If you then decide to hold on to the painting, you'll pay me, let me see, we'll knock a bit off, let's say sixty thousand. If you don't like it as much as you thought you would, I'll just come and pick it up.'

  Alvar hesitated. This was one of Ole Krantz's standard sales pitches and he used it frequently. Initially it sounded reasonable, but when push came to shove most people found it hard to hand back a painting which had found a space in their living room. A painting they had fallen for for some reason. Hardly anyone returned their paintings, they did not like the emptiness that followed when the painting was taken down. But these customers never became regulars. They felt tricked and went to another gallery in future.

  'No, thank you,' he said after a pause. 'I'd rather give myself a deadline. Let me see, I'll make up my mind before Friday.'

  'So what will you do if a buyer turns up on Thursday?' Krantz wanted to know. He tilted his head and smiled a proper salesman smile.

  Alvar thought long and hard about that. 'In that case I'll have to take my punishment,' he said presumptuously.

  Krantz shook his head. He had little faith that Alvar Eide was the kind of man who could take his punishment.

  The familiar sound of the doorbell startled him again. Up until now he had always enjoyed this sound and would enjoy going down the stairs to be of service. Now he hesitated and stared nervously at the monitor. It might be Lindys and now it had become utterly impossible to get rid of her. No, this was a taller person, it was the outline of a man. He was tall and broad and solid. A relieved Alvar left the kitchen. The man was standing in front of the bridge and when Alvar appeared on the stairs he bowed to him in an old-fashioned way.

  'Lindstrøm?' he said, pointing at the painting.

  'Yes. Yes, exactly,' Alvar stuttered because here was a customer who was familiar with the name of an artist Alvar had only just heard of.

  'I've seen his work before,' the man stated. 'If I remember rightly, he's very popular in the States.'

  Alvar gawped. Was he perhaps standing in front of another Nerdrum? An artist who was unappreciated at home, but celebrated abroad?

  'Lindstrøm's style's somewhat dramatic,' the man went on. 'He shouts rather than speaks, if you know what I'm saying.'

  'Indeed,' Alvar whispered. He was growing anxious. 'However, I don't think that he takes it too far, nor does he merely paint for effect either, not the way I look at it.'

  He dug his fingers into his palms behind his back. He watched the customer furtively.

  'Perhaps,' the man hesitated, 'he borders on shouting too loud. I mean, here we have a bloody deep canyon and a massive severed bridge. And all of it clouded in some sort of medieval mist. A bit over the top, don't you think?'

  Alvar could feel how his cheeks were starting to get hot. It felt like the customer was analysing his own love affair with the painting, but then he realised that he was merely overreacting.

  'True, he's good,' the man went on, 'there's no doubt about it. I have a good feeling about this painting, I really do. But as to hanging it on my living-room wall,' he paused and a frown appeared on his forehead as he considered it. 'I'm not sure I'd go that far. But it would look impressive in the hall. There is no furniture and the ceiling is high. This bridge needs to be kept far away from curtains and floral cushions. This painting is a monument.'

  Alvar cleared his throat. 'Well, we're all different,' he said, managing a weak smile. 'Floral motifs always sell well. Or Norwegian mountain landscapes. And most people think it's important to have a nude, in their bedroom perhaps. But I agree, this is a very powerful painting. There needs to be a certain order in the room where it will hang.'

  The man walked right up to the canvas, studied a few details before stepping back again.

  'A painting like this can almost darken your mood,' he suggested. 'One thing that does occur to me when I look at it is that some enormous and irreparable damage has been done here.'

  'Really?'

  Alvar's cheeks paled. He had never viewed it in this way, he had regarded the bridge as an image of his deepest self. Irreparable damage? he thought uneasily. Am I irreparably damaged?

  'I've discussed it briefly with Ole Krantz,' Alvar said. 'Do you think his inspiration might have come from some war-torn country?'

  The man shook his head. 'I doubt it,' he said. 'This is wholly symbolic. And this Lindstrøm, he has a few problems of his own, I know something about that.'

  Alvar's eyes widened as he listened.

  'He satisfies all the requirements for the struggling artist. They say he's in his studio working up to twenty hours without a break. He forgets to eat, he forgets to sleep. At times he has collapsed on the floor from exhaustion only to get up and continue painting. And he drinks too much. He won't live to be an old man. I'm passionately interested in art,' he said, smiling broadly, 'but I've never understood why it's necessary to live on the edge, like Lindstrøm does. Anyway, let's hope he succeeds in painting several good pictures before he finally kills himself.'

  Alvar was shocked. 'Might he do that?'

  'Absolutely,' the man assured him. 'He lives a hard life. And the fact that he's fairly successful abroad doesn't make it any easier, he can't handle it. He's like a wild animal in a cave. He only comes out to fight.'

  'Life's not easy,' Alvar said, gesticulating clumsily.

  'No, indeed it isn't.'

  The man looked at the painting again. 'It's terribly good, of course. Imposing even. But dark, really very dark. It beckons you and scares you at the same time. How much is it?'

  Alvar shuddered, suddenly consumed by fear. 'Seventy thousand.'

  'I see. Seventy thousand? Fancy that. Who would have thought it? Seventy thousand for a Lindstrøm, that's nothing. In New York this painting would have sold for two hundred thousand.'

  'Is that possible?' stammered Alvar.

  'In five years he'll command the same prices at home, I'm convinced of it. I really ought to buy it, purely because it's such a good investment.'

  Alvar held his breath. Was it about to happen, right before his eyes? A man with better knowledge of Lindstrøm than him was calmly considering the painting, with a pensive look on his face. A man who furthermore did not value the painting for the right reason; he was nowhere near as mesmerised as Alvar. He was impressed. Though he thought the painting was average, he believed buying it would be a sound investment. Alvar exhaled. Shou
ld such a man be blessed with that which he himself so desperately desired?

  'Do you know what, I'll give it some thought,' the man said. 'I'll take a couple of days. I'll pop by, I want to view it a few more times.'

  Alvar nodded and gulped.

  'Like I said, it would look good in the hall. Anyone who comes into my house will have a very dramatic entrance, you can't deny that.'

  'No, precisely,' Alvar mumbled.

  'In terms of colour it will match the ivory walls and the grey stone floor.'

  'Undoubtedly,' Alvar said quietly.

  'And then I'll have a touch of red as well, preferably near the painting. In the form of red candles in tall candlesticks or a bouquet of roses. That would be the finishing touch.'

  'It sounds great,' stuttered Alvar.

  'And as far as the frame is concerned,' he continued, 'I was thinking of charcoal grey. Not too dark, just a shade darker than the painting. You frame paintings here as well, don't you?'

  'We do,' said Alvar restlessly.

  'Well, well.' He took a few steps backwards and started studying the other paintings in the room. Alvar dragged himself towards the staircase. He disappeared into the kitchen and sat down at the table. He followed the man on the monitor. Was this how it was going to turn out? Would he end up in the workshop cutting lists, tagging and gluing them, framing the painting for another person purely because he lacked the fundamental ability to make a decision?

  CHAPTER 18

  It was three days before she reappeared.

  Alvar was sitting in front of his fireplace staring at the naked wall where the bridge was going to hang if only he could make up his mind. The kitten was lying in his lap, curled up into a fur ball, he could feel it warming his thighs. It was nine in the evening when the doorbell broke the silence. His heart leapt to his throat, then he lifted the kitten carefully and put him on the floor. He thought, it's Lindys, I guess. I don't have to open the door. What will the neighbours be thinking of her coming and going? How was he going to stop it? By refusing to open the door, he told himself firmly. The doorbell rang again, longer this time, she was holding the button down. It hurt his ears. Finally he buckled and went out into the hall to open the door. She was standing outside with a swollen black eye and make-up running down her face.

  'For God's sake,' she exclaimed, 'what took you so long? I know you're in!'

  'Have you hurt yourself?' he stuttered in a frightened voice.

  She marched past him and into the living room without waiting to be asked. Peeled off her grey jacket and left it in a heap on the floor.

  'I got beaten up,' she muttered, touching her eye.

  He closed the door and followed her, alarmed.

  'Beaten up? By whom?'

  She turned round and looked at him. She was as white as chalk and her eye really looked very nasty, she could barely see out of it. It had swollen up into a purple ball and he thought it might burst at any moment.

  'By a bad-tempered creditor,' she said. 'I owe him some money.'

  Alvar felt his heart sink.

  'You've got to go to A&E,' he told her.

  'Nope,' she said, shaking her head. 'There's no way I'm going to A&E. They don't want us, anyway, so I'm bloody well not going to bother them.'

  He ignored her swearing and watched as she made herself comfortable on his sofa. She put her feet on the coffee table straight away.

  'Could I stay the night?' she asked him.

  Alvar gasped for breath. Had he heard her correctly? Stay the night, here in his flat? A woman, a total stranger?

  'I'm not really sure,' he began, squirming like a worm on a hotplate. He was still standing with his hands folded across his stomach. He thought the room was starting to sway.

  'On your sofa,' she said, watching him with her undamaged ice-blue eye.

  'But,' he stammered, 'don't you have your own place?'

  'Yes,' she said, putting her hand over her swollen eye. 'But he'll find me there and he's very upset. I need to keep out of his way until he's calmed down. Sod it, I tried to outrun him, but it's no good running in these boots.'

  'Who's after you?' Alvar asked.

  'Rikard. A dealer. I owe him twenty grand.'

  Alvar gave her a horrified look. 'How much did you say?'

  'I've no hope of ever finding that kind of money,' she groaned. 'And if I can't get it, he's going to beat the crap out of me.'

  Alvar bit his lip. 'But you've got to find some sort of solution,' he said feebly.

  'You think I don't know that?' she replied sarcastically. Then she sighed deeply and sincerely and dug a packet of cigarettes out of her pocket. Alvar instantly went to the kitchen to find a bowl for the ash. Eventually he managed to sit down. He watched her as she lit her cigarette, watched her damaged face in horror.

  'Can you see out of that eye?' he asked quietly.

  'Are you thick or something?' she replied simply.

  'Does it hurt?'

  'I can handle it, I'm no sissy.'

  'So what are you going to do?' he asked.

  She shrugged. 'No idea. But I'm probably going to hell eventually and I've always known that. Bloody stupid idea to buy drugs on credit, but I had no choice. And then the tosser has added a ton of interest. I guess he'll break my nose next time. Or my front teeth. His right hook is like a piston.'

  She looked at him again. 'Can I stay the night?'

  Alvar felt that he had crossed a line and a vast void was opening up. Now he was clinging to the edge and he clenched his fists so hard his knuckles ached. The word 'no' was ringing in his ears, filling his mouth, but it was refusing to come out.

  'Well,' he said in a little voice, 'I can probably find a blanket somewhere. One night wouldn't hurt, I suppose.'

  He stressed the word 'one'. At the same time he was horrified at this development. She is devouring me, he thought, where will it end?

  'You're one of the good guys,' she said suddenly.

  Her smile reached up to her healthy eye.

  Alvar felt warm all over.

  'Others would have said no,' she said, as if this surprised her.

  'Well,' he said modestly, 'it's no big deal to let you have the sofa just for the one night.'

  Again he stressed the word 'one'.

  'By the way, sleeping on that sofa is not a bad idea, I sometimes have an afternoon nap on it,' he confessed, 'and I never end up with a bad back or anything like that.'

  She began laughing. She puffed blue smoke out into the air looking quite comical with her swollen eye.

  'You're really quite all right,' she said.

  Her voice was both teasing and affectionate.

  'All right how?' he wanted to know.

  'You know. A bit different. Like an old woman.'