Children of the Mind by Orson Scott Card
Before Grace could even begin to translate he was rising up; she was still stammering her interpretation as he walked out from under the canopy. Immediately the rowers pulled up the posts that supported the roof; Peter and Wang-mu barely had time to step outside before it collapsed. The men of this island set torches to the ruined canopy and it was a bonfire behind them as they followed Malu down to the canoe. Grace finally finished the translation just as they reached the water. Malu stepped into the canoe and with imperturbable dignity installed himself on the seat amidships as the rowers, also with stateliness, took their places beside the boat and lifted it up and dragged it into the water and pushed it out into the crashing surf and then swung their vast bodies over the side and began to row with strength so massive it was as if great trees, not oars, were plunging into rock, not the sea, and churning it to leap forward, away from the beach, out into the water, toward the island of Atatua.
"Grace," said Peter. "How could he know things that aren't seen even by the most perceptive and powerful of scientific instruments?"
But Grace could not answer, for she lay prostrate in the sand, weeping and weeping, her arms extended toward the sea as if her dearest child had just been taken away by a shark. All the men and women of this place lay in the sand, arms reaching toward the sea; all of them wept.
Then Peter knelt; then Peter lay down in the sand and reached out his arms, and he might have wept, Wang-mu couldn't see.
Only Wang-mu remained standing, thinking, Why am I here, since I'm no part of any of these events, there is nothing of any god in me, and nothing of Andrew Wiggin; and also thinking, How can I be worried about my own selfish loneliness at a time like this, when I have heard the voice of a man who sees into heaven?
In a deeper place, though, she also knew something else: I am here because I am the one that must love Peter so much that he can feel worthy, worthy enough to bear to let the goodness of Young Valentine flow into him, making him whole, making him Ender. Not Ender the Xenocide and Andrew the Speaker for the Dead, guilt and compassion mingled in one shattered, broken, unmendable heart, but Ender Wiggin the four-year-old boy whose life was twisted and broken when he was too young to defend himself. Wang-mu was the one who could give Peter permission to become the man that child should have grown up to be, if the world had been good.
How do I know this? thought Wang-mu. How can I be so sure of what I am supposed to do?
I know because it's obvious, she thought. I know because I have seen my beloved mistress Han Qing-jao destroyed by pride and I will do whatever it takes to keep Peter from destroying himself by pride in his own wicked unworthiness. I know because I was also broken as a child and forced to become a wicked conniving selfish manipulating monster in order to protect the fragile love-hungry girl who would have been destroyed by the life I had to lead. I know how it feels to be an enemy to myself, and yet I have set that behind me and gone on and I can take Peter by the hand and show him the way.
Except that I don't know the way, and I am still broken, and the love-hungry girl is still frightened and breakable, and the strong and wicked monster is still the ruler of my life, and Jane will die because I have nothing to give Peter. He needs to drink of kava, and I am only plain water. No, I am seawater, swirling with sand at the edge of the shore, filled with salt; he will drink of me and kill himself with thirst.
And so it was that she found herself also weeping, also stretched out on the sand, reaching toward the sea, reaching toward the place from which Malu's canoe had bounded away like a starship leaping into space.
Old Valentine stared at the holographic display of her computer terminal, where the Samoans, all in miniature, lay weeping upon the beach. She stared at it until her eyes burned, and finally she spoke. "Turn it off, Jane," she said.
The display went blank.
"What am I supposed to do about this?" said Valentine. "You should have shown my look-alike, my young twin. You should have wakened Andrew and shown him. What does this have to do with me? I know you want to live. I want you to live. But how can I do anything?"
Jane's human face flickered into distracted existence above the terminal. "I don't know," she said. "But the order has just gone out. They're starting to disconnect me. I'm losing parts of my memory. I already can't think of as many things at once. I have to have a place to go, but there is no place, and even if there were one, I don't know the way."
"Are you afraid?" asked Valentine.
"I don't know," said Jane. "It will take hours, I think, for them to finish killing me. If I find out how I feel before the end, I'll tell you, if I can."
Valentine hid her face behind her hands for a long moment. Then she got up and headed out of the house.
Jakt saw her go and shook his head. Decades ago, when Ender left Trondheim and Valentine stayed in order to marry him, in order to be the mother of his children, he had rejoiced at how happy and alive she became without the burden that Ender had always placed upon her and that she had always unconsciously borne. And then she had asked him if he would come with her to Lusitania, and he said yes, and now it was the old way again, now she sagged under the weight of Ender's life, of Ender's need of her. Jakt couldn't begrudge it--it wasn't as if either of them had planned it or willed it; it wasn't as if either one was trying to steal a part of Jakt's own life from him. But it still hurt to see her so bowed down under the weight of it, and to know that despite all his love for her, there was nothing Jakt could do to help her bear it.
Miro faced Ela and Quara in the doorway of the starship. Inside, Young Valentine was already waiting, along with a pequenino named Firequencher and a nameless worker that the Hive Queen had sent.
"Jane is dying," Miro said. "We have to go now. She won't have capacity enough to send a starship if we wait too long."
"How can you ask us to go," said Quara, "when we already know that once Jane dies we'll never come back? We'll only last as long as the oxygen on this starship lasts. A few months at most, and then we'll die."
"But will we have accomplished something in the meantime?" said Miro. "Will we have communicated with these descoladores, these aliens who send out planet-wrecking probes? Will we have persuaded them to stop? Will we have saved all the species that we know, and thousands and millions that we don't yet know, from some terrible and irresistible disease? Jane has given us the best programs she could create for us, to help us talk to them. Is this good enough to be your masterwork? The achievement of your lifetime?"
His older sister Ela looked at him sadly. "I thought I had already done my masterwork, when I made the virus that undid the descolada here."
"You did," he said. "You've done enough. But there's more to do that only you can do. I'm asking you to come and die with me, Ela, because without you my own death will be meaningless, because without you, Val and I can't do what must be done."
Neither Quara nor Ela moved or spoke.
Miro nodded, then turned and went into the ship. But before he could close and seal the door, the two sisters, arms around each other's waists, wordlessly followed him inside.
8
"WHAT MATTERS IS WHICH
FICTION YOU BELIEVE"
"My father once told me
that there are no gods,
only the cruel manipulations
of evil people
who pretended that their power was good
and their exploitation was love.
But if there are no gods,
why are we so hungry to believe in them?
Just because evil liars
stand between us and the gods
and block our view of them
does not mean that the bright halo
that surrounds each liar
is not the outer edges of a god, waiting
for us to find our way around the lie."
from The God Whispers of Han Qing-jao
said Human. But even in his noncomprehension, another message flowed to her underneath the conscious one:
she said.
Grief and anguish for his friend welled up in Human and spilled out into the web that bound him to all fathertrees and to all hive queens, but to them it tasted sweet, for it was born out of love for the life of the man.
Even as she said it, the despair behind her words came out like ooze and everyone on the web that she had helped to weave could taste the poison of it, for it was born of dread for the death of the man, and they all grieved.
Jane found the strength for one last voyage; she held the shuttle, with the six living forms inside it, held the perfect image of the physical forms long enough to hurl them Out and reel them In, orbiting the distant world where the descolada had been made. But when that task was done, she lost control of herself because she could no longer find herself, not the self that she had known. Memories were torn from her; links to worlds that had long been as familiar to her as limbs are to living humans, hive queens, and fathertrees were now gone, and as she reached to use them nothing happened, she was numb all over, shrinking down, not to her ancient core, but into small corners of herself, disparate fragments that were too small to hold her.
I'm dying, I'm dying, she said over and over again, hating the words as she said them, hating the panic that she felt.
Into the computer before which Young Valentine sat, she spoke--and spoke only words, because she couldn't remember now how to make the face that had been her mask for so many centuries. "Now I am afraid." But having said it, she couldn't remember whether it had been Young Valentine to whom she was supposed to say it. That part of her was also gone; a moment ago it had been there, but now it was out of reach.
And why was she talking to this surrogate for Ender? Why did she cry out softly into Miro's ear, into Peter's ear, saying, "Speak to me speak to me I'm afraid"? It wasn't these manshapes that she wanted now. It was the one who had torn her from his ear. It was the one who had rejected her and chosen a sad and weary human woman because--he thought--Novinha's need was greater. But how can she need you more than I do now? If you die she will still live. But I die now because you have glanced away from me.
Wang-mu heard his voice murmuring beside her on the beach. Was I asleep, she wondered. She lifted her cheek from the sand, rose up on her arms. The tide was out now, the water farthest it could get from where she lay. Beside her Peter was sitting crosslegged in the sand, rocking back and forth, softly saying, "Jane, I hear you. I'm speaking to you. Here I am," as tears flowed down his cheeks.
And in that moment, hearing him intone these words to Jane, Wang-mu realized two things all at once. First, she knew that Jane must be dying, for what could Peter's words be but comfort, and what comfort would Jane need, except in the hour of her extremity? The second realization, though, was even more terrible to Wang-mu. For she knew, seeing Peter's tears for the first time--seeing, for the first time, that he was even capable of crying--that she wanted to be able to touch his heart as Jane touched it; no, to be the only one whose dying would grieve him so.
When did it happen? she wondered. W
Why should I covet his love so much? Why am I so jealous of Jane, this dying stranger that I hardly know or even know about? Could it be that after so many years of priding myself on my solitude, I must discover that I've longed for some pathetic adolescent romance all along? And in this longing for affection, could I have chosen a worse applicant for the position? He loves someone else that I can never compare to, especially after she's dead; he knows me to be ignorant and cares not at all for any good qualities I might have; and he himself is only some fraction of a human being, and not the nicest part of the whole person who is so divided.