Cosmopolis by Don DeLillo
He went back to the sofa and studied Eric in pain. "I think we should talk."
"We're talking. We've been talking."
"I feel I know you better than anyone knows you. I have uncanny insights, true or false. I used to watch you meditate, online. The face, the calm posture. I couldn't stop watching. You meditated for hours sometimes. All it did was send you deeper into your frozen heart. I watched every minute. I looked into you. I knew you. It was another reason to hate you, that you could sit in a cell and meditate and I could not. I had the cell all right. But I never had the fixation where I could train the mind, empty the mind, think one thought only. Then you shut down the site. When you shut down the site I was I don't know, dead, for a long time after."
There was a softness in the face, a regret at the mention of hate and coldheartedness. Eric wanted to respond. The pain was crushing him, making him smaller, he thought, reducing him in size, person and value. It wasn't the hand, it was the brain, but it was also the hand. The hand felt necrotic. He thought he could smell a million cells dying.
He wanted to say something. The wind blew through again, stronger now, stirring the dust of these toppled walls. There was something intriguing in the sound, wind indoors, the edge of something, the feel of something unprotected, an inside-outness, papers blowing through the halls, the door banging nearly shut, then swinging out again.
He said, "My prostate is asymmetrical."
His voice was barely audible. There was a pause that lasted half a minute. He felt the subject regard him carefully, the other. There was a sense of warmth, of human involvement.
"So is mine," Benno whispered.
They looked at each other. There was another pause. "What does it mean?"
Benno nodded for a while. He was happy to sit there nodding.
"Nothing. It means nothing," he said. "It's harmless. A harmless variation. Nothing to worry about. Your age, why worry?"
Eric didn't think he'd ever known such relief, hearing these words from a man who shared his condition. He felt a sweep of well-being. An old woe gone, the kind of halfsmothered knowledge that haunts the idlest thought. The hankies were blood-soaked. He felt a peace, a sweetness settle over him.
He still held the gun in his good hand.
Benno sat nodding in his towel shroud.
He said, "You should have listened to your prostate."
"What?"
"You tried to predict movements in the yen by drawing on patterns from nature. Yes, of course. The mathematical properties of tree rings, sunflower seeds, the limbs of galactic spirals. I learned this with the baht. I loved the baht. I loved the cross-harmonies between nature and data. You taught me this. The way signals from a pulsar in deepest space follow classical number sequences, which in turn can describe the fluctuations of a given stock or currency. You showed me this. How market cycles can be interchangeable with the time cycles of grasshopper breeding, wheat harvesting. You made this form of analysis horribly and sadistically precise. But you forgot something along the way."
"What?"
"The importance of the lopsided, the thing that's skewed a little. You were looking for balance, beautiful balance, equal parts, equal sides. I know this. I know you. But you should have been tracking the yen in its tics and quirks. The little quirk. The misshape."
"The misweave."
"That's where the answer was, in your body, in your prostate."
Benno's gentle intelligence carried no trace of rebuke. He was probably right. There was something in what he said. It made hard sense, charting sense. Maybe he was turning out to be a worthy assassin after all.
He came around the table and lifted the handkerchiefs to look at the wound. They both looked. The hand was stiff, a crude cardboard part, veins shattered near the knuckles, going gray. Benno went to his desk and found some take-out paper napkins. He came back to the table, removing the bloody compress and placing napkins against the wound on both sides of the hand. Then he held his own hands apart, suspensefully, in a gesture of expectation. The napkins stuck to the wound. He stood and watched until he was satisfied that they'd remain in place.
They sat a while, facing each other. Time hung in the air. Benno leaned across the table and took the gun out of his hand.
"I still need to shoot you. I'm willing to discuss it. But there's no life for me unless I do this."
The pain was the world. The mind could not find a place outside it. He could hear the pain, staticky, in his hand and wrist. He closed his eyes again, briefly. He could feel himself contained in the dark but also just beyond it, on the lighted outer surface, the other side, belonged to both, feeling both, being himself and seeing himself.
Benno got up and began to pace. He was restless, shoeless, a gun in each hand, and he moved past the boarded windows at the north wall, stepping over electrical wiring and breastworks of plaster and wallboard.
"Don't you ever walk through the park behind the library and see all those people sitting in their little chairs and drinking at those tables on the terrace after work and hear their voices mingling in the air and want to kill them?"
Eric thought about this. He said, "No."
The man circled back past the remains of the kitchen, stopping to draw open a loose board and look out at the street. He said something into the night, then resumed his pacing. He was jittery, dance-walking, mumbling something audible this time, about a cigarette.
"I'm having my Korean panic attack. This is from holding in my anger all these years. But not anymore. You need to die no matter what."
"I could tell you my situation has changed in the course of the day."
"I have my syndromes, you have your complex. Icarus falling. You did it to yourself. Meltdown in the sun. You will plunge three and a half feet to your death. Not very heroic, is it?"
He was behind Eric now, and stationary, and breathing.
"Even if there's a fungus living between my toes that speaks to me. Even if a fungus told me to kill you, even then your death is justified because of where you stand on the earth. Even a parasite living in my brain. Even then. It relays messages to me from outer space. Even then the crime is real because you're a figure whose thoughts and acts affect everybody, people, everywhere. I have history, as you call it, on my side. You have to die for how you think and act. For your apartment and what you paid for it. For your daily medical checkups. This alone. Medical checkups every day. For how much you had and how much you lost, equally. No less for losing it than making it. For the limousine that displaces the air that people need to breathe in Bangladesh. This alone."
"Don't make me laugh."
"Don't make you laugh."
"You just made that up. You've never spent a minute of your life worrying about other people."
He could see the subject back down.
"All right. But the air you breathe. This alone. The thoughts you have."
"I could tell you my thoughts have evolved. My situation has changed. Would that matter? Maybe it shouldn't."
"It doesn't. But if I had a cigarette it might. One cigarette. One drag on one cigarette. I probably wouldn't have to shoot you."
"Is there a fungus that speaks to you? I'm serious. People hear things. They hear God."
He meant it. He was serious. He wanted to mean it, to hear anything the man might say, the whole shapeless narrative of his unraveling.
Benno came around the table and slumped on the sofa. He set the old revolver down and regarded his advanced weapon. Maybe it was advanced, maybe the military had scrapped it a day or two before. He pulled the towel lower on his face and aimed the pistol at Eric.
"Anyway you're already dead. You're like someone already dead. Like someone dead a hundred years. Many centuries dead. Kings dead. Royals in their pajamas eating mutton. Have I ever used the word mutton in my life? Came into my head, out of nowhere, mutton."
Eric regretted that he hadn't shot his dogs, his borzois, before leaving the apartment in the morning. Had it occurred to him
"I wanted you to heal me, to save me," Benno said.
His eyes shone beneath the hem of the towel. They were fixed on Eric, devastatingly. But it wasn't accusation he encountered. There was a plea in the eyes, retroactive, a hope and need in ruins.
"I wanted you to save me."
The voice had a terrible intimacy, a nearness of feeling and experience that Eric could not reciprocate. He felt sad for the man. What lonely devotedness and hatred and disappointment. The man knew him in ways no one ever had. He sat in collapse, gun pointed, but even the death he felt so necessary to his deliverance would do nothing, change nothing. Eric had failed this docile and friendless man, raging man, this lunatic, and would fail him again, and had to look away.
He looked at his watch. He happened to glance at his watch. There it was on his wrist, with a crocodile band, between the napkins stuck to his wound and the yellow pencil tourniquet. But the watch wasn't showing the time. There was an image, a face on the crystal, and it was his. This meant he'd activated the electron camera unintentionally, maybe when he shot himself. The camera was a device so microscopically refined it was almost pure information. It was almost metaphysics. It operated inside the watch body, collecting images in the immediate vicinity and displaying them on the crystal.
He rolled his arm and the face disappeared, replaced by a wire dangling overhead. A zoom shot followed, showing a beetle on the wire, in slow transit. He studied the thing, mouthparts and forewings, absorbed by its beauty, so detailed and gleaming. Then something changed around him. He didn't know what this could mean. What could this mean? He realized he'd known this feeling before, tenuously, not nearly so dense and textured, and the image on the screen was a body now, facedown on the floor.
He felt a blood hush, a pause in midbeing.
There were no bodies in plain sight. He thought of the body he'd seen earlier in the vestibule but how could the screen show the image of a thing that was outside camera range?
He looked at Benno, broody and distant.
Whose body and when? Have all the worlds conflated, all possible states become present at once?
He moved his arm, straightening and flexing, pointing the watch six different ways, but the body of a man, in long shot, remained on-screen. He looked up at the beetle moving in its specialized slowness down along the warps and seams of the wire, its old dumb leaf-eating arcadian pace, thinking it is in a tree, and he redirected the camera at the insect. But the prone body stayed on-screen.
He looked at Benno. He covered the watch with his good hand. He thought about his wife. He missed Elise and wanted to talk to her, tell her she was beautiful, lie, cheat on her, live with her in middling matrimony, having dinner parties and asking what the doctor said.
When he looked at the watch he saw the inside of an ambulance, with drip-feed devices and bouncing heads. The image lasted less than a second but the scene, the circumstance was familiar in some unearthly way. He covered the watch and looked at Benno, who rocked back and forth, a little mystically, muttering. He looked at the face of the watch. He saw a series of vaults, a wall of vaults or compartments, all sealed. Then he saw a vault slide open. He covered the watch. He looked up at the insect on the wire. When he looked at the watch again he saw an identification tag. It was a tag in long shot, fixed to a plastic wristband. He knew, he sensed that a zoom shot would follow. He thought of covering the watch but then did not. He saw the tag in tight close-up now and read the legend printed there. Male Z. He knew what this meant. He didn't know how he knew this. How do we know anything? How do we know the wall we're looking at is white? What is white? He covered the watch with his good hand. He knew that Male Z was the designation for the bodies of unidentified men in hospital morgues.
O shit I'm dead.
He'd always wanted to become quantum dust, transcending his body mass, the soft tissue over the bones, the muscle and fat. The idea was to live outside the given limits, in a chip, on a disk, as data, in whirl, in radiant spin, a consciousness saved from void.
The technology was imminent or not. It was semimythical. It was the natural next step. It would never happen. It is happening now, an evolutionary advance that needed only the practical mapping of the nervous system onto digital memory. It would be the master thrust of cyber-capital, to extend the human experience toward infinity as a medium for corporate growth and investment, for the accumulation of profits and vigorous reinvestment.
But his pain interfered with his immortality. It was crucial to his distinctiveness, too vital to be bypassed and not susceptible, he didn't think, to computer emulation. The things that made him who he was could hardly be identified much less converted to data, the things that lived and milled in his body, everywhere, random, riotous, billions of trillions, in the neurons and peptides, the throbbing temple vein, in the veer of his libidinous intellect. So much come and gone, this is who he was, the lost taste of milk licked from his mother's breast, the stuff he sneezes when he sneezes, this is him, and how a person becomes the reflection he sees in a dusty window when he walks by. He'd come to know himself, untranslatably, through his pain. He felt so tired now His hard-gotten grip on the world, material things, great things, his memories true and false, the vague malaise of winter twilights, untransferable, the pale nights when his identity flattens for lack of sleep, the small wart he feels on his thigh every time he showers, all him, and how the soap he uses, the smell and feel of the concave bar make him who he is because he names the fragrance, amandine, and the hang of his cock, untransferable, and his strangely achy knee, the click in his knee when he bends it, all him, and so much else that's not convertible to some high sublime, the technology of mind-without-end.
He looked at the far wall, which was white. The insect was still on the wire. He looked at the insect coming down the dangling wire. Then he took his good hand off the watchface. He looked at the watch. The legend remained on-screen, reading Male Z.
There was a trace of enzyme left, the old biochemistry of the ego, his saturated self. He imagined Kendra Hays, his bodyguard and lover, washing his viscera in palm wine in a ceremony of embalming. She had the face for it, the bone structure and skin color, the tapered planes. It was a face from a wall painting in some mortuary temple buried in sand for four thousand years, with dog-headed gods in attendance.
He thought of his chief of finance and touchless lover, Jane Melman, masturbating quietly in the last row of the funeral chapel, in a dark blue dress with a cinched waist, during the whispery dimness of the vigil.
There was something else to consider, that he'd married when he'd married in order to have a widow to leave behind. He imagined his wife, his widow, shaving her head, perhaps, in response to his death, and choosing to wear black for a year, and watching the burial in isolated desert terrain, from a distance, with her mother and the media.
He wanted to be buried in his nuclear bomber, his Blackjack A. Not buried but cremated, conflagrated, but buried as well. He wanted to be solarized. He wanted the plane flown by remote control with his embalmed body aboard, suit, tie and turban, and the bodies of his dead dogs, his tall silky Russian wolfhounds, reaching maximum altitude and leveling at supersonic dash speed and then sent plunging into the sand, fireballed one and all, leaving a work of land art, scorched earth art that would interact with the desert and be held in perpetual trust under the auspices of his dealer and executor, Didi Fancher, and longtime lover, for the respectful contemplation of preapproved groups and enlightened individuals under exempt-status section 501(c) (3) of the U.S. Internal Revenue Code.
What did the doctor say?
It's fine, it's nothing, it's normal.
Maybe he didn't want that life after all, starting over broke, hailing a cab in a busy intersection fill
His murderer, Richard Sheets, sits facing him. He has lost interest in the man. His hand contains the pain of his life, all of it, emotional and other, and he closes his eyes one more time. This is not the end. He is dead inside the crystal of his watch but still alive in original space, waiting for the shot to sound.
Don DeLillo, Cosmopolis
(Series: # )