Dreamcatcher by Stephen King
Sound was tamped down and flattened by the heavy fall of wet snow, but he could hear the sound of an approaching motor. There had been another, as well, but that one had already stopped, probably at the end of East Street. They were coming, but they were too late. It was a mile along the path, which was densely overgrown and slippery underfoot. By the time they got here the dog would be down the shaft, drowning and delivering the byrum into the aqueduct at the same time.
He found a loose rock and pulled it free, working carefully so as not to dislodge the pulsing body of the dog around his shoulders. He backed away from the edge on his knees, then tried to get to his feet. At first he couldn't. The ball of Jonesy's hip had swelled tight again. He finally lurched upright, although the pain was incredible, seeming to go all the way up to his teeth and his temples.
He stood for a moment, holding Jonesy's bad right leg a little off the ground like a horse with a stone in its hoof, bracing himself against the locked shaft-house door. When the pain had abated somewhat, he used the rock to beat the glass out of the window to the left of the door. He cut Jonesy's hand in several places, once deeply, and several cracked panes in the upper half of the window hung over the lower half like a cut-rate guillotine, but he paid no attention to these things. Nor did he sense that Jonesy had finally left his bolt-hole.
Mr. Gray squirmed in through the window, landed on the cold concrete floor, and looked around.
He was in a rectangular room about thirty feet long. At the far end, a window which no doubt would have given a spectacular view of the Reservoir on a clear day showed only white, as if a sheet had been tacked over it. To one side of it was what looked like a gigantic steel pail, its sides speckled with red--not byrus, but an oxide Jonesy identified as "rust." Mr. Gray didn't know for sure but guessed that men could be lowered down the shaft in the bucket, should some emergency require it.
The iron cover, four feet across, was in place, seated dead center in the middle of the floor. He could see the square notch on one side of it and looked around. A few tools leaned against the wall. One of them, in a scatter of glass from the broken window, was a crowbar. Quite possibly the same one the Russian woman had used as she prepared for her suicide.
Way I heard it, Mr. Gray thought, the folks in Boston'll be drinking that last byrum in their morning coffee right around Valentine's Day.
He seized the crowbar, limped painfully to the center of the room with his breath puffing cold and white before him, then seated the spatulate end of the tool in the slot of the cover.
The fit was perfect.
11
Henry racks the telephone, takes in a deep breath, holds it . . . and then runs for the door which is marked both OFFICE and PRIVATE.
"Hey!" old Reenie Gosselin squawks from her place at the cash-register. "Come back here, kid! You can't go in there!"
Henry doesn't stop, doesn't even slow, but as he goes through the door he realizes that yeah, he is a kid, at least a foot shy of his final height, and although he's wearing specs, they're nowhere near as heavy as they will be later on. He's a kid, but under all that flopping hair (which will have thinned a bit by the time he hits his thirties) there is an adult's brain. I'm two, two, two mints in one, he thinks, and as he bursts into Old Man Gosselin's office he is cackling madly--laughing like they did in the old days, when the strands of the dreamcatcher were all close to the center and Duddits was running their pegs. I almost busted a gut, they used to say; I almost busted a gut, what a fuckin pisser.
Into the office he goes, but it's not Old Man Gosselin's office where a man named Owen Underhill once played a man whose name was not Abraham Kurtz a tape of the grayboys talking in famous voices; it is a corridor, a hospital corridor, and Henry is not in the least surprised. It's Mass General. He's made it.
The place is dank, colder than any hospital corridor should be, and the walls are splotched with byrus. Somewhere a voice is groaning I don't want you, I don't want a shot, I want Jonesy. Jonesy knew Duddits, Jonesy died, died in the ambulance, Jonesy's the only one who will do. Stay away, kiss my bender, I want Jonesy.
But he will not stay away. He is crafty old Mr. Death, and he will not stay away. He has business here.
He walks unseen down the corridor, where it's cold enough for him to see his breath puffing out in front of him, a boy in an orange coat he will soon outgrow. He wishes he had his rifle, the one Pete's Dad loaned him, but that rifle is gone, left behind, buried in the years along with Jonesy's phone with the Star Wars sticker on it (how they had all envied that phone), and Beaver's jacket of many zippers, and Pete's sweater with the NASA logo on the breast. Buried in the years. Some dreams die and fall free, that is another of the world's bitter truths. How many bitter truths there are.
He walks past a pair of laughing, talking nurses--one of them is Josie Rinkenhauer, all grown up, and the other is the woman in the Polaroid photograph they saw that day through the Tracker Brothers office window. They don't see him because he's not here for them; he is in the dreamcatcher now, running back along his strand, running toward the center. I am the eggman, he thinks. Time slowed, reality bent, on and on the eggman went.
Henry went on up the corridor toward the sound of Mr. Gray's voice.
12
Kurtz heard it clearly enough through the shattered window: the broken stutter of automatic-rifle fire. It provoked an old sense of unease and impatience in him: anger that the shooting had started without him, and fear that it would be over before he got there, nothing left but the wounded yelling medic-medic-medic.
"Push it harder, Freddy." Directly in front of Kurtz, Perlmutter was snoring ever deeper into his coma.
"Pretty greasy underfoot, boss."
"Push it anyway. I've got a feeling we're almost--"
He saw a pink stain on the clean white curtain of the snow, as diffuse as blood from a facial cut seeping up through shaving cream, and then the ditched Subaru was right in front of them, nose-down and tail up. In the following moments Kurtz took back every unkind thought he'd had about Freddy's driving. His second in command simply twisted the steering wheel to the right and punched the gas when the Humvee started to skid. The big vehicle took hold and leaped at the break in the road. It hit with a tremendous jouncing crash. Kurtz flew upward, hitting the ceiling hard enough to produce a shower of stars in his field of vision. Perlmutter's arms flailed like those of a corpse; his head snapped backward and then forward. The Humvee passed close enough to the Subaru to tear the doorhandle off the car's passenger side. Then it was bucketing onward, now chasing a single pair of relatively fresh tire tracks.
Breathing down your neck now, Owen, Kurtz thought. Right down your everloving neck, God rot your blue eyes.
The only thing that worried him was that single burst of fire. What was that about? Whatever it was, it wasn't repeated.
Then, up ahead, another of those blotches in the snow. This one was olive-green. This one was the other Hummer. They were gone, probably gone, but--
"Lock and load," Kurtz said to Freddy. His voice was just a trifle shrill. "It's time for someone to pay the piper."
13
By the time Owen got to the place where East Street ended (or turned into the northeast-meandering Fitzpatrick Road, depending on your interpretation), he could hear Kurtz behind him and guessed that Kurtz could probably hear him, as well--the Humvees weren't as loud as Harleys, but they were a long way from quiet.
Jonesy's footprints were entirely gone now, but Owen could see the path which led down from the road and along the shore of the Reservoir.
He killed the engine. "Henry, it looks like we're walking from h--"
Owen stopped. He had been concentrating too hard on his driving to look behind him or even check the rearview mirror, and he was unprepared for what he now saw. Unprepared and appalled.
Henry and Duddits were wrapped in what Owen first believed was a terminal embrace, their stubbly cheeks pressed together, their eyes closed, their faces and coats smeared wi
Embracing. Splattered with blood. But not dead. Sleeping.
Dreaming.
Owen started to call Henry's name again and then reconsidered. Henry had refused to leave the compound back in Jefferson Tract without freeing the detainees, and although they'd gotten away with that once, it had only been through the sheerest luck . . . or providence, if you believed that was any more than a TV show. Nevertheless, they had gotten Kurtz on their tail, Kurtz had hung on like a booger, and now he was a lot closer than he would have been had Owen and Henry simply crept away into the storm.
Well, I wouldn't change that, Owen thought, opening the driver's door and getting out. From somewhere north, away in the white blank of the storm, came the scream of an eagle bitching about the weather. From behind, south, came the approaching racket of Kurtz, that annoying madman. It was impossible to tell how close because of the fucking snow. Coming down this fast and hard, it was like a sound-baffle. He could be two miles back; he could be a lot closer. Freddy would be with him, fucking Freddy, the perfect soldier, Dolph Lundgren from hell.
Owen went around to the back of the car, slipping and sliding in the snow, cursing it, and popped the Humvee's back gate, expecting automatic weapons, hoping for a portable rocket-launcher. No rocket-launcher, no grenades, either, but there were four MP5 auto-fire rifles, and a carton containing long bananaclips, the ones that held a hundred and twenty rounds.
He had played it Henry's way back at the compound, and Owen guessed that they had saved at least some lives, but he would not play it Henry's way this time--if he hadn't paid enough for the Rapeloews' goddam serving platter, he would simply have to live with the debt. Not for long, either, if Kurtz had his way.
Henry was either sleeping, unconscious, or joined to his dying childhood friend in some weird mind-meld. Let it be, then. Awake and by his side, Henry might balk at what needed to be done, especially if Henry was right in believing his other friend was still alive, hiding out in the mind the alien now controlled. Owen would not balk . . . and with the telepathy gone, he wouldn't hear Jonesy pleading for his life if he was still in there. The Glock was a good weapon, but not sure enough.
The MP5 would rip the body of Gary Jones apart.
Owen grabbed one, plus three extra clips which he stuffed into his coat pockets. Kurtz close now--close, close, close. He looked back at East Street, almost expecting to see the second Humvee materializing like a green-brown ghost, but as yet there was nothing. Praise Jesus, as Kurtz would say.
The Hummer's windows were already glazing over with snow, but he could see the dim shapes of the two men in the rear seat as he passed back along the body of the vehicle, trotting now. Still locked in each other's arms. "Goodbye, boys," he said. "Sleep well." And with any luck they would still be sleeping when Kurtz and Freddy arrived, putting an end to their lives before moving on after their main quarry.
Owen stopped suddenly, skidding in the snow and grabbing the Humvee's long hood to keep from falling. Duddits was clearly a lost cause, but he might be able to save Henry Devlin. It was just possible.
No! part of his mind screamed as he started back for the rear door. No, there's no time!
But Owen decided to gamble that there was--to gamble the whole world. Maybe to pay a little more on what he owed for the Rapeloews' plate; maybe for what he had done yesterday (those naked gray figures standing around their downed ship with their arms held up, as if in surrender); probably just for Henry, who had told him they would be heroes and who had tried splendidly to fulfill that promise.
No sympathy for the devil, he thought, wrenching open the rear door. No sir, zero sympathy for that motherfucker.
Duddits was closer. Owen seized him by the collar of his big blue duffel coat and yanked. Duddits toppled sideways onto the seat. His hat fell off, revealing his shining bald skull. Henry, with his arms still around Duddits's shoulders, came with him, landing on top. His eyes didn't open but he groaned softly. Owen leaned forward and whispered fiercely into Henry's ear.
"Don't sit up. For the love of God, Henry, don't you sit up!"
Owen withdrew, slammed the door, backed off three steps, placed the butt of the rifle against his hip, and fired a burst. The Humvee's windows turned to milk, then fell in. Casings clinked around Owen's feet. He stepped forward again and looked through the shattered window into the rear seat. Henry and Duddits still lay there, now covered with crumbles of Saf-T-Glas as well as Duddits's blood, and to Owen they looked like the two deadest people he had ever seen. Owen hoped Kurtz would be in too much of a hurry for a close examination. In any case, he had done the best he could.
He heard a hard metallic jouncing sound and grinned. That placed Kurtz, by God--they'd reached the washout where the Subaru had finished up. He wished mightily that Kurtz and Freddy had rear-ended the fucking thing, but the sound had not, unfortunately, been that loud. Still, it placed them. A mile back, a mile back at least. Not as bad as he'd thought.
"Plenty of time," he muttered, and that might be true of Kurtz, but what about the other end? Where was Mr. Gray now?
Holding the MP5 by the strap, Owen started down the path that led to Shaft 12.
14
Mr. Gray had discovered another unlovely human emotion: panic. He had come all this way--light-years through space, miles through the snow--to be balked by Jonesy's muscles, which were weak and out of shape, and the iron shaft cover, which was much heavier than he had expected. He yanked down on the crowbar until Jonesy's back-muscles screamed in agonized protest . . . and was finally rewarded by a brief wink of darkness from beneath the edge of the rusty iron. And a grinding sound as it moved a bit--perhaps no more than an inch or two--on the concrete. Then Jonesy's lower back muscles locked up and Mr. Gray staggered away from the shaft, crying out through clenched teeth (thanks to his immunity, Jonesy still had a full set of them) and pressing his hands to the base of Jonesy's spine, as if to keep it from exploding.
Lad let out a series of yipping whines. Mr. Gray looked at him and saw that things had now reached the critical juncture. Although he was still asleep, Lad's abdomen was now so grotesquely swelled that one of his legs stuck stiffly up in the air. The skin of his lower belly had stretched to the point of splitting, and the veins there pulsed with clocklike rapidity. A trickle of bright blood spilled out from beneath his tail.
Mr. Gray looked balefully at the crowbar jutting from the slot in the iron cover. In Jonesy's imagination, the Russian woman had been a slim beauty with dark hair and dark tragic eyes. In reality, Mr. Gray thought, she must have been broad-shouldered and muscular. How else could she have--
There was a blast of gunfire, alarmingly close. Mr. Gray gasped and looked around. Thanks to Jonesy, the human corrosion of doubt was also part of his makeup now, and for the first time he realized that he might be balked--yes, even here, so close to his goal that he could hear it, the sound of rushing water starting on its sixty-mile underground journey. And all that stood between the byrum and this whole world was a circular iron plate weighing a hundred and twenty pounds.
Screaming a thin and desperate litany of Beaver-curses, Mr. Gray rushed forward, Jonesy's failing body jerking back and forth on the defective pivot-point of its right hip. One of them was coming, the one called Owen, and Mr. Gray dared not believe he could make this Owen turn his weapon on himself. Given time, given the element of surprise, maybe. Now he had neither. And this man who was coming had been trained to kill; it was his career.
Mr. Gray leaped into the air. There was a snap, quite audible, as Jonesy's overstressed hip broke free of the swollen socket which had held it. Mr. Gray landed on the crowbar with Jonesy's full weight. The edge lifted again, and this time the cover slid almost a foot across the c
Jonesy's leg would no longer support Jonesy's weight (and where was Jonesy, anyway? Still not a murmur from his troublesome host), but that was all right. Crawling would do now.
Mr. Gray worked his way in such fashion across the cold cement floor to where the sleeping border collie lay, seized Lad by his collar, and began to drag him back to Shaft 12.
15
The Hall of Memories--that vast repository of boxes--is also on the verge of shaking itself apart. The floor shudders as if in the grip of an endless slow earthquake. Overhead, the fluorescents flicker on and off, giving the place a stuttery, hallucinatory look. In places tall stacks of cartons have fallen over, blocking some of the corridors.
Jonesy runs as best he can. He moves from corridor to corridor, threading his way through this maze purely on instinct. He tells himself repeatedly to ignore the goddam hip, he is nothing but mind now, anyway, but he might as well be an amputee trying to convince his missing limb to stop throbbing.
He runs past boxes marked AUSTRO-HUNGARIAN WAR and DEPARTMENTAL POLITICS and CHILDREN'S STORIES and CONTENTS OF UPSTAIRS CLOSET. He hurdles a pile of tumbled boxes marked CARLA, comes down on his bad leg, and screams at the pain. He clutches more boxes (these marked GETTYSBURG) in order to keep from falling, and at last sees the far side of the storage room. Thank God; it seems to him that he has run miles.
The door is marked ICU and QUIET PLEASE and NO VISITORS W/O PASS. And that is right; this is where they took him; this is where he had awakened and heard crafty old Mr. Death pretending to call for Marcy.
Jonesy bangs through the door and into another world, one he recognizes: the blue-over-white ICU corridor where he took his first painful, tentative steps four days after his surgery. He stumbles a dozen feet down the tiled corridor, sees the splotches of byrus growing on the walls, hears the Muzak, which is decidedly un-hospital-like; although it's turned low, it appears to be the Rolling Stones singing "Sympathy for the Devil."