Far From True by Linwood Barclay
He let himself out.
Duncomb stayed at his desk, turned to his computer, typed in a name. A student’s profile filled the screen. A head shot of Lorraine Plummer, phone number, e-mail address, a list of the courses she’d just completed, and those she’d signed up to take during the summer.
“Stupid little bitch,” he said.
THIRTEEN
DETECTIVE Duckworth wished major crimes could be more conveniently scheduled.
He really did not need a drive-in bombing right now. If someone wanted to blow up the Constellation, he thought to himself, why couldn’t they have done it back in March? Or put it off until the fall? Why didn’t the bad guys of upstate New York check in with him first before they did these things?
He sat wearily at his desk after Angus Carlson struck off for Thackeray College. And why, Duckworth asked himself, did he have to be saddled with a new guy to look after? Who did Carlson think he was, acting like he was too good to go out to Thackeray to ask about Mason Helt’s mini reign of terror?
Up until the moment the night before when Duckworth got the call about the screen coming down, his head had been someplace else.
He’d been preoccupied with the murders of Olivia Fisher and Rosemary Gaynor. The former three years ago, the latter this month.
He’d been thinking he had the Gaynor case figured out. Maybe not nailed down completely, but he had a suspect. Dr. Jack Sturgess, who had engineered stealing Marla Pickens’s infant child and placing it with Bill and Rosemary Gaynor, and who was also responsible for the murders of a blackmailer and an elderly woman, sure looked good for it. There was motive. Rosemary Gaynor had figured out the adoption was far from legal. It wasn’t a stretch to think Sturgess killed her to keep her quiet. If she’d spoken out, he’d have been ruined.
Bill Gaynor, currently in jail awaiting trial for assisting in the murder of that blackmailer, had acknowledged it was possible the doctor had killed his wife.
What had troubled Duckworth was that Rosemary’s death was so savage compared with the killings he knew, with certainty, Sturgess had committed. That blackmailer, Marshall Kemper, had been killed with a lethal injection. Kemper’s elderly neighbor, Doris Stemple, had been suffocated with a pillow. But Rosemary Gaynor had been sliced wide open.
That horrific, jagged smile from hip to hip.
It didn’t seem like the doc’s style.
Duckworth wanted to believe Sturgess had varied his routine, just so he could wrap this one up. It wasn’t as though Duckworth had to prove Sturgess guilty beyond a reasonable doubt.
Sturgess was dead.
Then came that meeting with Wanda Therrieult, where she displayed autopsy photos of Rosemary Gaynor alongside those of Olivia Fisher. The manner in which they’d been killed was identical. That downward curving slice across the abdomen. Similar marks on the neck from where their assailant had grabbed them from behind.
If Sturgess had killed Gaynor, then he must have killed Fisher. But, so far, Duckworth had found no connection between the doctor and Olivia.
Maybe Sturgess hadn’t killed either of them.
And if that was the case, then whoever had was still out there.
It had been all Barry had been able to think about until the Constellation came crashing down.
Okay, that wasn’t quite true.
There was the number twenty-three.
There had been twenty-three dead squirrels hanging from that fence. It was the number on Mason Helt’s hoodie. Those three mannequins painted with the words “YOU’LL BE SORRY” were in carriage twenty-three of that decommissioned Ferris wheel at Five Mountains.
Maybe—maybe it was coincidence.
But figuring out the significance of that number took a backseat to finding the killer of those two women.
Duckworth still wondered about Bill Gaynor. Not so much where Olivia Fisher’s death was concerned, but with regard to his wife. Husbands and boyfriends always topped the suspect list when a woman was murdered.
There was a motive. There was a million-dollar life insurance policy on Rosemary.
The problem was opportunity. Bill Gaynor had been at a weekend conference in Boston when his wife was killed. His car hadn’t left the hotel until he drove back home Monday morning.
Duckworth was going to take another look at that alibi. He was also going to take a much closer look at Bill Gaynor. What kind of man was he? While it was true he’d helped Sturgess murder Marshall Kemper, he wasn’t the one who’d shoved that syringe into his neck. Up until then, Gaynor’d never been in trouble with the law.
Then again, neither had Jack Sturgess.
There was a lot more legwork to do on this one.
His cell phone rang.
“Yes?”
“This Barry Duckworth?”
“Yes.”
“This is Michelle Watkins. They call me the Bomb Lady. I’m here at the drive-in. Where the hell are you?”
He’d get to that legwork whenever he could.
FOURTEEN
Cal
I saw no obvious signs of a break-in at the home of Adam and Miriam Chalmers, but clearly, if Lucy heard someone running out the back door as she was coming in, someone had been here.
I did a walk around the house, Lucy Brighton trailing behind me. The place was built onto the side of a gentle hill, with just enough of a slope at the back to allow for a basement walkout to a thirty-foot-long kidney-shaped pool. The sliding glass doors were locked, but only, Lucy explained, because she had secured the place after the incident.
A wooded area came to within about fifty feet of the house. It was a narrow strip of forest. On the other side were the backyards of houses from the next street over. Whoever’d been in Adam Chalmers’s house had probably parked over there.
There were no scratches on the front door lock. Lucy, using her own set of keys, let me in. There was the immediate beeping of an alarm system. Lucy entered a four-digit code into a keypad and the noise ceased.
“Did you get a call from the alarm company?” I asked. If someone had broken in and the security company was alerted, they’d probably have called Lucy when the Chalmerses could not be reached. People usually listed close relatives as backup contacts—or at least someone who lived nearby—in case there was trouble at home while they were away.
“No,” she said. “I got a visit from the police. They figured out how to find me through the alarm company. They saw the stickers in the window.”
“Stickers?”
“With the security company’s name on it.”
“Was the alarm engaged when they went to the movie last night?”
“I would imagine so,” she said.
“But you don’t know for certain.”
“No, but it wasn’t like my father to ever leave the house without setting the alarm. He was . . . he was aware of what people with bad intentions can do.”
“So if someone got in, they’d have to know the code, or the cops would be along shortly.”
“That’s right.”
“And they’d need a key, too.”
“Yes.”
“Do you know anyone else your father, or his wife, entrusted with a key and the code?”
“No,” Lucy said. “But that doesn’t mean there wasn’t someone.”
Once we were in the front hall, she closed the door behind us.
I don’t know a lot about decorating. A visit to my apartment would confirm that. When I had a family, and a house, Donna was in charge of how it looked, and she did a nice job of it. But she never gave up trying to educate me when it came time to get a new couch or dining room table. I could distinguish between the arts and crafts style and eclectic, which is a bit like bragging that you could tell a cat from a mongoose. The Chalmers house looked to me like “contemporary.” The living room furniture, with sleek, clean lines
“What’s missing?” I asked.
Lucy hesitated. “Nothing that jumps out at me,” she said. “But it might be something I don’t even know about. That’s why I have to find out who got in here. Maybe when I know who it was, I’ll have an idea what they were after.”
“Were you here often enough to notice if there were a missing painting, or something else of value?”
She gave me a look. Maybe she took the question another way. Maybe she thought I was asking whether she was close with her father and his wife.
“I think so,” she said slowly.
“Did your father keep money in the house? Is there a safe?”
“Not that I know of. But there is an office.”
“Let’s start there.”
To get there, we traveled through the kitchen, which was straight out of one of those shows on the home-and-garden channel, and bigger than my entire apartment. A long kitchen with seven leather stools running down one side. High-end German appliances in brushed aluminum. A fridge that could have had a cow in it.
We went down a hall, passed a master bedroom. I poked my head in. A bed the size of Massachusetts, and still room to walk around it. At a glance, there was nothing out of place. No drawers yanked out, the bedcovers untouched. I saw a door to an en suite bathroom. I didn’t notice anything odd there, either.
The next room was clearly the office. Big desk, a large monitor and a keyboard, plus a laptop off to one side. Books, two mugs full of pens. A printer with no paper in the tray, an empty Staples wrapper that had once held 8½ x 11 sheets.
“My father was a writer,” Lucy said.
There were several enlarged reproductions of book covers framed on the wall. There was one for Scum of America, another called Hate on Wheels. Both featured biker imagery. And blood.
Then my eyes landed on a large, framed black-and-white photo. Five bearded bikers, arms over one another’s shoulders, Harleys in the background.
“Dad’s the one in the middle,” Lucy said.
I leaned in for a closer look. Hard to make out what he really looked like with all the facial hair and the kerchief tied around his forehead.
I looked at Lucy. “This house doesn’t look like a biker pad.”
“What’s a biker pad look like?”
I thought. “A bunker. Cinder blocks with bars at the window would be how I’d decorate.”
“My father’s biker days were over. It was years ago. He got out of that, started a new life.”
I glanced at the book covers. “But he wrote about it.”
She nodded. “And sold enough books to buy this place, and live a pretty decent life. Although there hasn’t been a book in a few years.”
“What was he into?” I asked, nodding at the photo. “Illegally, that is.”
“A lot,” Lucy said. “But it was a long time ago.” She shook her head, like she wanted to change the subject. “Anything look out of place here?”
“Not that I can see.”
I dropped myself into the chair behind the desk, surveyed the domain before me. Not a lot to see aside from the computer, cups of Sharpies, a few books. I moved the mouse to bring the screen to life. Nothing there but a view of Earth from space, a standard Apple background. The usual row of programs along the bottom.
There were drawers on each side. When I went to open one, Lucy said, “Should you do that?”
“Why? You think they’re booby-trapped?”
“No. I was thinking, if someone broke in to search this office, maybe there are fingerprints. Should you be—what do you call it?—dusting for prints first?”
“I’m not really equipped for that, Lucy. And even if I did look for prints, I don’t have access to a national database. You need the police for that, and—”
“The police are too busy. They’re not going to come out here and do anything, not when they’re trying to find out what happened at the drive-in.”
“That’s what I was about to say. The cops have limited resources, particularly in Promise Falls. And when all you have to tell them is you think someone was in the house, but can’t even tell them what’s missing, they’re not going to put much effort into this. So . . .” I opened the top drawer. Checkbooks, more pens, paper clips.
I went through all of them. Receipts, old tax returns, a few book review clippings. Nothing of interest. Of course, if there’d been something of interest that someone took, it wasn’t here to be seen. But nothing looked disrupted.
“Let’s keep looking around,” I said. “Check that basement walkout from the inside.”
Lucy led me to a curving staircase with a wrought-iron railing. It did a quarter circle on the way to the lower floor. Along the way I asked, “What about Miriam? Your father was a writer. What about her?”
“She tended to my father’s needs.” There was something in the way she said it that suggested more than the running of a household.
“And before that?”
“A photographer. Portraits. She met Dad when she was asked by his publisher for an updated author photo. They were reissuing a couple of his early books, and she came to the house to do the shoot and didn’t leave for a week.”
That hint of disapproval in her voice.
There was a five-foot-wide, floor-to-ceiling bookcase at the bottom of the stairs. A lot of the books were oversized coffee-table-type volumes. I glanced at some of the spines, saw that many of them were about cinema. Books on Orson Welles, Steven Spielberg, François Truffaut, Alfred Hitchcock. Several tomes on the history of sex in the cinema. One called, quite simply, Filth in Film.
Lucy noticed me reading the spines of the books and said, “I don’t know how many times I asked Dad to put those where Crystal wouldn’t come across them, but he kept insisting she was still too young to care.”
“Crystal spent time here?”
“She loved her grandfather very much. I mean, she’s not a demonstrative child, but I could tell. Crystal loved him and he loved her. He was patient with her, with all her idiosyncrasies, which was kind of something, for him.”
“What do you mean?”
“My father, and Miriam even more so . . . they tended to view the world from their own perspective. If something didn’t bother Miriam, she couldn’t understand why it would bother anyone else. She’d be the person who played her music loud and couldn’t figure out why her neighbors wanted her to turn it down. Maybe, in some ways, they were perfect for each other. Classic hedonists.”
“Your father only cared about himself?”
“Mostly, although I think, in the case of his daughter and granddaughter, he was willing to make an exception.”
Ranch-style homes allow for bigger basements, and this place was no exception. I wandered off a few steps into a large room that contained a pool table, half a dozen pinball games lined up against one wall, a foosball game. Perhaps most impressive, at least to the kid in me, a slot car racetrack on a table about five by ten feet. It was completely scenicked, with hills and trees and buildings, even viewing stands filled with miniature people.
“Your dad liked to play,” I said.
“Yes,” Lucy Brighton said, still standing by the bookshelves. “He was a boy at heart.”
I examined the sliding glass doors that led out to the pool. Once the alarm had been deactivated, the intruder would have felt no hesitation about fleeing this way. But there was no security pad near the door, which told me whoever’d entered the house had done so through the front door.
“No,” she said. “Dad didn’t have surveillance cameras.”
Too bad. I rejoined her by the bookcase near the base of the stairs. “I don’t know what to say, Lucy. Okay, someone was in the house. But we don’t know that anything was taken, and it’s not likely we’re going to find out, given that the only ones who’d be able to tell us are your father and his wife.”
“There must be something you can do,” she said.
I leaned, wearily, up against the bookcase. “About all I can do is—”
The bookcase moved.
“What the—”
It was only a fraction of an inch, but I felt the entire bookcase slide. At first, I thought maybe it was going to pitch forward, but then realized it had moved sideways. Which didn’t make much sense, given how weighted down it was with books.
“What happened?” Lucy asked.
“This bookcase . . . ,” I said, examining it.
The right end of the case butted up against the wall. There was a vertical bulkhead there, hiding, presumably, some ductwork, or drains or pipes that connected to the first floor, above us.
I noticed a gap between the edge of the bookcase and the bulkhead. I worked the fingers of both hands in and gave a slight push to the left. The fake wall shifted an inch.
“How are you doing that?” Lucy asked.
“It’s on a track,” I said. “It doesn’t take much to move it. Is there a room back here or something?”
“Not that I know of,” she said. “Is it some kind of panic room?”
It didn’t strike me that anyone in Promise Falls would need a secret room to flee from home invaders. New York, maybe. Like in that Jodie Foster movie from years ago. But here? Then again, maybe someone with a biker past would have concerns and enemies the rest of us didn’t.
I pushed harder, moving the bookcase a good two and a half feet, at which point it came to a stop, revealing a floor-to-ceiling opening, and a room in darkness.
I felt around inside for a light switch, hit it.