Gabriel's Inferno Trilogy by Sylvain Reynard
Beginning at her lower back, he undid the bow, sliding the satin laces painstakingly through his fingers.
“Are you nervous?” Gabriel reached over to lift her chin to the side so he could see her profile.
“It’s been a while.”
“I’m going to take my time. The—ah—more vigorous activities will come later, after we’re sufficiently reacquainted.” He pointed his nose in the direction of a blank wall, and Julia felt her skin heat in anticipation.
He slowly pulled the laces open until her back was completely exposed. Then he placed the palms of his hands flat against her skin and began to skim them up and down.
“I burn for you. All these months I’ve waited, waited to take you to bed.”
He turned her so she was facing him and without ceremony pushed the straps of her nightgown down her arms. His eyes followed the sighing silk as it slid down her form before dropping to the floor.
She stood before him naked, her hands at her sides.
“Magnificent,” he breathed, his hungry eyes appraising every inch of her with painstaking slowness.
Not content to be the center of attention, she began to unbutton his shirt. She pushed it off his shoulders and pressed her mouth to his tattoo, nipping and kissing across his pectorals before making short work of his trousers.
Soon he was naked also, and she saw evidence of his arousal. He moved to kiss her, but she stopped him.
With eager fingers she began with his hair and explored his body, paying homage with fingertips and lips. His face, his mouth, his jaw, his shoulders, his sculpted chest and abdominal muscles. His arms and thighs and…
He caught her hand in his before she could wrap it around him, whispering sweet things against her mouth. Words of devotion in Italian that she recognized as coming from Dante’s pen. He picked her up and carried her to the large, canopied bed, where he seated her on the edge. Then he knelt on the floor in front of her.
“Where shall I begin?” he asked, his eyes slightly darkened as his hands traveled across her flat stomach and down her thighs. “Tell me.”
Julia inhaled quickly and shook her head.
“Shall I start here?” He leaned forward to trace her lips with the barest touch of his tongue.
“Or here?” He caressed her breasts before letting his mouth take over, licking and teasing them. She closed her eyes and gasped at the sensation.
“What about here?” His finger slowly encircled her navel before he fluttered his mouth across her abdomen.
She moaned and tugged at his hair. “All I want is you.”
“Then have me.”
She kissed him, and he responded by enjoying her mouth slowly, setting a gentle, languorous pace. When he felt her heartbeat quicken, he took her left foot in his hand and began to remove her shoe.
“Don’t you want me to wear them?” she asked, looking down at him. “I bought them for tonight.”
“Let’s save them for later, when we christen the wall.” Gabriel’s voice was a throaty whisper.
He slowly removed her shoes and spent a few moments massaging her feet, paying special attention to her arches. Then he pushed her to the center of the bed and reclined beside her.
“Do you trust me?”
“Yes.”
He gave her a soft kiss on the lips. “I’ve waited a long time to hear you say that and to know that you mean it.”
“Of course I mean it. The past is behind us.”
“Then let’s make up for lost time.”
Tenderly, he began using his hands to touch and to tease, his movements deliberate but passionate. He added his mouth, nipping and sucking to the tune of her sighs. His heart swelled in gladness at her sounds and the way her body writhed from side to side under his touch.
When her hands moved up and down his back urgently, finally coming to rest on his backside, he spread himself atop her, bringing their bodies into perfect alignment.
Staring down at her, he whispered, “Behold, thou art fair, my love; thine eyes are as doves…Thy lips are like a thread of scarlet, and thy mouth is comely.”
Julia reached up to press their lips together before she responded. “Don’t make me wait.”
“Are you inviting me inside?”
Julia nodded as a flash of heat raced across the surface of her skin. “My husband.”
“My brown-eyed angel.”
His tongue played with her mouth as their bodies melted into one another, and soon they were one, their collective sighs muffled by teeth and tongues.
Gabriel’s rhythm was slow at first, like the patient lapping of waves upon a beach. He wanted this experience to last forever, for in that moment, as he gazed into the wide and loving eyes of his wife, he realized that their previous experiences, exciting as they were, paled in comparison with the sublimity of their current connection.
She was bone of his bone and flesh of his flesh. She was his soul mate and his wife, and all he wanted was to bring her joy. He was consumed by his adoration of her.
Julia traced his brows, wrinkled as they were in concentration, his eyes now shut tightly.
“I love that look,” she murmured.
“What look?”
“Your eyes closed, your eyebrows furrowed, your lips pressed together—you only look like that when you—come.”
He opened his eyes, and she saws sparks in their sapphire depths. “Oh, really, Mrs. Emerson?”
“I’ve missed that look. It’s sexy.”
“You flatter me.” Gabriel sounded embarrassed.
“I want to have a painting or a photograph of that face.”
He frowned playfully. “A picture like that might be too much.”
Julia laughed. “This is coming from a man who decorated his bedroom with naked photographs of himself.”
“The only naked photographs in my bedroom will be of you, my exquisite wife.”
His rhythm increased, catching Julia by surprise.
As she panted out her pleasure, Gabriel buried his face in her neck. “You’re so enticing. Your hair, your skin.”
“Your love makes me beautiful.”
“Then let me love you forever.”
She arched her back. “Yes, forever. Please.”
Gabriel moved apace, his lips playing across her neck, sucking and drawing the skin lightly into his mouth.
In response, her hands grasped his hips, pushing and pulling until she was close, very close.
“Open your eyes,” he gasped, moving more quickly.
Julia gazed up into the dark but tender eyes of her husband, so alive with passion and true affection.
“I love you,” she said, eyes widening and closing as the sensations overtook her.
This time, Gabriel didn’t close his eyes as his brows furrowed in concentration.
“I love you,” he breathed with every movement, every glide of skin against naked skin, until they were both sated and still.
Chapter 58
Just before sunrise, Julia awoke with a start.
Her handsome husband was by her side, his face boyish in sleep. It was the face of the young man she met on Grace’s back porch. She traced his eyebrows and the stubble on his chin, a tremendous feeling of love flowing through her. A tremendous feeling of contentment and joy.
Not wanting to disturb him, she crept from their bed. She picked up his discarded shirt from the floor and put it on before tiptoeing out to the balcony.
The faintest hint of light shimmered from the horizon, over the gently rolling hills of the Umbrian landscape. The air was chilly, far too cold to be outside in anything other than a hot tub, but the view was unspeakably lovely, and she felt the need to drink in its beauty. Alone.
Growing up, she felt so unworthy of having her deepest desires satisfied, of being loved absolutely. She didn’t feel that way anymore. This morning, expressions of gratitude bubbled up from her soul, wafting Heavenward.
Gabriel stretched out his hand to Julia’s side of the bed, but f
He smiled. All her fears and anxieties appeared to have vanished. Was it solely because they were married now? Or was it because enough time had passed that she knew beyond doubt that he wouldn’t take advantage of her?
He didn’t know. But he was pleased because she had been pleased. And when she gave herself to him in a way that she’d never been able to before, he treasured that gift, knowing that it was given out of love and absolute trust.
Awaking to an empty bed made him nervous, however. So rather than indulge himself in these silent musings, he quickly went in search of his beloved. It didn’t take long for him to find her.
“Are you all right?” he called, as he walked out onto the balcony.
“I’m wonderful. I’m happy.”
“You’ll catch pneumonia,” he chided, slipping off his robe and wrapping it around her.
She turned to thank him and noticed that he was naked. “So will you.”
He grinned, positioning himself in front of her and opening the robe so it wrapped around both of them. She sighed at the pleasurable feeling of their naked bodies pressed tightly together.
“Was everything to your liking?” Gabriel rubbed her back through the robe.
“You couldn’t tell?”
“We didn’t have a lot of conversation, if you recall. Perhaps I kept you up too late. I know we were making up but…”
“I’m a little out of practice, but deliciously worn out.” She flushed. “Last night was even better than our first time together. And certainly, as you put it, more vigorous.”
He chuckled. “I concur.”
“We’ve been through so much. I feel as if our connection is deeper.” She nuzzled his shoulder with her nose. “And I don’t have to worry about you disappearing.”
“I’m yours,” he whispered. “And I feel the connection too. It’s what I needed. It’s what you deserve. When I touch you, when I look into your eyes, I see our history and our future.” He paused and lifted her face so he could see her better. “It’s breathtaking.”
Julia kissed him delicately and snuggled closer in his arms.
“I spent too long in the shadows.” Gabriel’s voice brimmed with emotion. “I’m looking forward to being in the light. With you.”
She placed a hand on either side of his face, forcing him to see her. “We’re in the light now. And I love you.”
“As I love you, Julianne. I’m yours for this life and the next.”
He kissed her lips once more and led her back into the bedroom.
Fin.
Acknowledgments
I am indebted to the late Dorothy L. Sayers, the late Charles Williams, Mark Musa, my friend Katherine Picton and The Dante Society of America for their expertise on Dante Alighieri’s The Divine Comedy, which informs my work. In this novel, I’ve used the Dante Society’s conventions of capitalization for places such as Hell and Paradise.
I’ve been inspired by Sandro Botticelli’s artwork and the incomparable space that is the Uffizi Gallery in Florence. The cities of Toronto, Florence, and Cambridge lent their ambience, along with the borough of Selinsgrove.
I’ve found several electronic archives to be quite helpful, especially the Digital Dante Project of Columbia University, Danteworlds by the University of Texas at Austin, and the World of Dante by the University of Virginia. I’ve consulted the Internet Archive site for its version of Dante Gabriel Rossetti’s translation of La Vita Nuova along with the original Italian, which is cited in this book. I’ve also cited Henry Wadsworth Longfellow’s translation of The Divine Comedy. The text from Abelard’s letter to Héloise was taken from an anonymous translation dated from 1901.
I am grateful to Jennifer, who read the first draft of this story and offered constructive criticism at every subsequent stage. This book would not exist without her encouragement and friendship. I am grateful also to Nina for her creative input and wisdom. Kris read and offered insightful suggestions on the manuscript during the revision process.
Thanks are due to the fine staff of Omnific, especially Elizabeth, Lynette, CJ, Kim, Coreen, Micha and Enn. It has been a pleasure working with you.
I would also like to thank those who read a previous version of my story and offered criticisms, suggestions and support, especially the Muses, Tori, Elizabeth de Vos, Elena, Marinella, and Erika.
Finally, I would like to thank my readers and my family. Your continued support is inestimable.
-SR
Lent 2012
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eBook ISBN: 978-1-101-61669-7
Library of Congress Cataloging-in-Publication Data
Reynard, Sylvain.
Gabriel’s redemption / Sylvain Reynard.—First edition.
p. cm.—(Gabriel’s inferno trilogy)
ISBN 978-0-425-26651-9 (pbk.)
1. College teachers—Fiction. 2. Newlyweds—Fiction. 3. Family secrets—Fiction. I. Title.
PR9199.4.R4667G35 2013
813'.6—dc23
2013030022
FIRST EDITION: December 2013
Cover design by Lesley Worrell
Cover art: couple: Claudio Marinesco; man: Pali Rao / Getty Images
Interior text design by Tiffany Estreicher
This is a work of fiction. Names, characters, places, and incidents either are the product of the author’s imagination or are used fictitiously, and any resemblance to actual persons, living or dead, business establishments, events, or locales is entirely coincidental.
Contents
Title Page
Copyright
Dedication
Epigraph
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-one
Chapter Twenty-two
Chapter Twenty-three
Chapter Twenty-four
Chapter Twenty-five
Chapter Twenty-six
Chapter Twenty-seven
Chapter Twenty-eight
Chapter Twenty-nine
Chapter Thirty
Chapter Thirty-one
Chapter Thirty-two
Chapter Thirty-four
Chapter Thirty-five
Chapter Thirty-six
Chapter Thirty-seven
Chapter Thirty-eight
Chapter Thirty-nine
Chapter Forty
Chapter Forty-one
Chapter Forty-two
Chapter Forty-three
Chapter Forty-four
Chapter Forty-five
Chapter Forty-six
Chapter Forty-seven
Chapter Forty-eight
Chapter Forty-nine
Chapter Fifty
Chapter Fifty-one
Chapter Fifty-two
Chapter Fifty-three
Chapter Fifty-four
Chapter Fifty-five
Chapter Fifty-six
Chapter Fifty-seven
Chapter Fifty-eight
Chapter Fifty-nine
Chapter Sixty
Chapter Sixty-one
Chapter Sixty-two
Chapter Sixty-three
Chapter Sixty-four
Chapter Sixty-five
Chapter Sixty-six
Chapter Sixty-seven
Chapter Sixty-eight
Chapter Sixty-nine
Chapter Seventy
Chapter Seventy-one
Chapter Seventy-two
Chapter Seventy-three
Chapter Seventy-four
Chapter Seventy-five
Chapter Seventy-six
Chapter Seventy-seven
Chapter Seventy-eight
Chapter Seventy-nine
Chapter Eighty
Chapter Eighty-one
Chapter Eighty-two
Chapter Eighty-three
Chapter Eighty-four
Chapter Eighty-five
Chapter Eighty-six
Chapter Eighty-seven
Chapter Eighty-eight
Acknowledgments
Special Excerpt
About the Author
To my readers,
with gratitude.
Dante and Beatrice ascend to the sphere of Mars.
Engraving by Gustav Doré, c. 1868
“Hope,” said I, “is the certain expectation
Of future glory, which is the effect