Miss Marple's Final Cases by Agatha Christie
I could see that Mr Rhodes was highly sceptical of my being of any use and he was annoyed at being brought here. But Mr Petherick took no notice and proceeded to give me the facts of what occurred on the night of March 8th.
Mr and Mrs Rhodes had been staying at the Crown Hotel in Barnchester. Mrs Rhodes who (so I gathered from Mr Petherick’s careful language) was perhaps just a shade of a hypochondriac, had retired to bed immediately after dinner. She and her husband occupied adjoining rooms with a connecting door. Mr Rhodes, who is writing a book on prehistoric flints, settled down to work in the adjoining room. At eleven o’clock he tidied up his papers and prepared to go to bed. Before doing so, he just glanced into his wife’s room to make sure that there was nothing she wanted. He discovered the electric light on and his wife lying in bed stabbed through the heart. She had been dead at least an hour—probably longer. The following were the points made. There was another door in Mrs Rhodes’s room leading into the corridor. This door was locked and bolted on the inside. The only window in the room was closed and latched. According to Mr Rhodes nobody had passed through the room in which he was sitting except a chambermaid bringing hot-water bottles. The weapon found in the wound was a stiletto dagger which had been lying on Mrs Rhodes’s dressing-table. She was in the habit of using it as a paper knife. There were no fingerprints on it.
The situation boiled down to this—no one but Mr Rhodes and the chambermaid had entered the victim’s room.
I enquired about the chambermaid.
‘That was our first line of enquiry,’ said Mr Petherick. ‘Mary Hill is a local woman. She had been chambermaid at the Crown for ten years. There seems absolutely no reason why she should commit a sudden assault on a guest. She is, in any case, extraordinarily stupid, almost half-witted. Her story has never varied. She brought Mrs Rhodes her hot-water bottle and says the lady was drowsy—just dropping off to sleep. Frankly, I cannot believe, and I am sure no jury would believe, that she committed the crime.’
Mr Petherick went on to mention a few additional details. At the head of the staircase in the Crown Hotel is a kind of miniature lounge where people sometimes sit and have coffee. A passage goes off to the right and the last door in it is the door into the room occupied by Mr Rhodes. The passage then turns sharply to the right again and the first door round the corner is the door into Mrs Rhodes’s room. As it happened, both these doors could be seen by witnesses. The first door—that into Mr Rhodes’s room, which I will call A, could be seen by four people, two commercial travellers and an elderly married couple who were having coffee. According to them nobody went in or out of door A except Mr Rhodes and the chambermaid. As to the other door in the passage B, there was an electrician at work there and he also swears that nobody entered or left door B except the chambermaid.
It was certainly a very curious and interesting case. On the face of it, it looked as though Mr Rhodes must have murdered his wife. But I could see that Mr Petherick was quite convinced of his client’s innocence and Mr Petherick was a very shrewd man.
At the inquest Mr Rhodes had told a hesitating and rambling story about some woman who had written threatening letters to his wife. His story, I gathered, had been unconvincing in the extreme. Appealed to by Mr Petherick, he explained himself.
‘Frankly,’ he said, ‘I never believed it. I thought Amy had made most of it up.’
Mrs Rhodes, I gathered, was one of those romantic liars who go through life embroidering everything that happens to them. The amount of adventures that, according to her own account, happened to her in a year was simply incredible. If she slipped on a bit of banana peel it was a case of near escape from death. If a lampshade caught fire she was rescued from a burning building at the hazard of her life. Her husband got into the habit of discounting her statements. Her tale as to some woman whose child she had injured in a motor accident and who had vowed vengeance on her—well—Mr Rhodes had simply not taken any notice of it. The incident had happened before he married his wife and although she had read him letters couched in crazy language, he had suspected her of composing them herself. She had actually done such a thing once or twice before. She was a woman of hysterical tendencies who craved ceaselessly for excitement.
Now, all that seemed to me very natural—indeed, we have a young woman in the village who does much the same thing. The danger with such people is that when anything at all extraordinary really does happen to them, nobody believes they are speaking the truth. It seemed to me that that was what had happened in this case. The police, I gathered, merely believed that Mr Rhodes was making up this unconvincing tale in order to avert suspicion from himself.
I asked if there had been any women staying by themselves in the hotel. It seemed there were two—a Mrs Granby, an Anglo-Indian widow, and a Miss Carruthers, rather a horsey spinster who dropped her g’s. Mr Petherick added that the most minute enquiries had failed to elicit anyone who had seen either of them near the scene of the crime and there was nothing to connect either of them with it in any way. I asked him to describe their personal appearance. He said that Mrs Granby had reddish hair rather untidily done, was sallow-faced and about fifty years of age. Her clothes were rather picturesque, being made mostly of native silk, etc. Miss Carruthers was about forty, wore pince-nez, had close-cropped hair like a man and wore mannish coats and skirts.
‘Dear me,’ I said, ‘that makes it very difficult.’
Mr Petherick looked enquiringly at me, but I didn’t want to say any more just then, so I asked what Sir Malcolm Olde had said.
Sir Malcolm was confident of being able to call conflicting medical testimony and to suggest some way of getting over the fingerprint difficulty. I asked Mr Rhodes what he thought and he said all doctors were fools but he himself couldn’t really believe that his wife had killed herself. ‘She wasn’t that kind of woman,’ he said simply—and I believed him. Hysterical people don’t usually commit suicide.
I thought a minute and then I asked if the door from Mrs Rhodes’s room led straight into the corridor. Mr Rhodes said no—there was a little hallway with a bathroom and lavatory. It was the door from the bedroom to the hallway that was locked and bolted on the inside.
‘In that case,’ I said, ‘the whole thing seems remarkably simple.’
And really, you know, it did…the simplest thing in the world. And yet no one seemed to have seen it that way.
Both Mr Petherick and Mr Rhodes were staring at me so that I felt quite embarrassed.
‘Perhaps,’ said Mr Rhodes, ‘Miss Marple hasn’t quite appreciated the difficulties.’
‘Yes,’ I said, ‘I think I have. There are four possibilities. Either Mrs Rhodes was killed by her husband, or by the chambermaid, or she committed suicide, or she was killed by an outsider whom nobody saw enter or leave.’
‘And that’s impossible,’ Mr Rhodes broke in. ‘Nobody could come in or go out through my room without my seeing them, and even if anyone did manage to come in through my wife’s room without the electrician seeing them, how the devil could they get out again leaving the door locked and bolted on the inside?’
Mr Petherick looked at me and said: ‘Well, Miss Marple?’ in an encouraging manner.
‘I should like,’ I said, ‘to ask a question. Mr Rhodes, what did the chambermaid look like?’
He said he wasn’t sure—she was tallish, he thought—he didn’t remember if she was fair or dark. I turned to Mr Petherick and asked the same question.
He said she was of medium height, had fairish hair and blue eyes and rather a high colour.
Mr Rhodes said: ‘You are a better observer than I am, Petherick.’
I ventured to disagree. I then asked Mr Rhodes if he could describe the maid in my house. Neither he nor Mr Petherick could do so.
‘Don’t you see what that means?’ I said. ‘You both came here full of your own affairs and the person who let you in was only a parlourmaid. The same applies to Mr Rhodes at the hotel. He saw her uniform and her apron. He was engrossed
‘That’s what the woman who did the murder counted upon.’
As they still didn’t see, I had to explain.
‘I think,’ I said, ‘that this is how it went. The chambermaid came in by door A, passed through Mr Rhodes’s room into Mrs Rhodes’s room with the hot-water bottle and went out through the hallway into passage B. X—as I will call our murderess—came in by door B into the little hallway, concealed herself in—well, in a certain apartment, ahem—and waited until the chambermaid had passed out. Then she entered Mrs Rhodes’s room, took the stiletto from the dressing table (she had doubtless explored the room earlier in the day), went up to the bed, stabbed the dozing woman, wiped the handle of the stiletto, locked and bolted the door by which she had entered, and then passed out through the room where Mr Rhodes was working.’
Mr Rhodes cried out: ‘But I should have seen her. The electrician would have seen her go in.’
‘No,’ I said. ‘That’s where you’re wrong. You wouldn’t see her—not if she were dressed as a chambermaid.’ I let it sink in, then I went on, ‘You were engrossed in your work—out of the tail of your eye you saw a chambermaid come in, go into your wife’s room, come back and go out. It was the same dress—but not the same woman. That’s what the people having coffee saw—a chambermaid go in and a chambermaid come out. The electrician did the same. I dare say if a chambermaid were very pretty a gentleman might notice her face—human nature being what it is—but if she were just an ordinary middle-aged woman—well—it would be the chambermaid’s dress you would see—not the woman herself.’
Mr Rhodes cried: ‘Who was she?’
‘Well,’ I said, ‘that is going to be a little difficult. It must be either Mrs Granby or Miss Carruthers. Mrs Granby sounds as though she might wear a wig normally—so she could wear her own hair as a chambermaid. On the other hand, Miss Carruthers with her close-cropped mannish head might easily put on a wig to play her part. I dare say you will find out easily enough which of them it is. Personally, I incline myself to think it will be Miss Carruthers.’
And really, my dears, that is the end of the story. Carruthers was a false name, but she was the woman all right. There was insanity in her family. Mrs Rhodes, who was a most reckless and dangerous driver, had run over her little girl, and it had driven the poor woman off her head. She concealed her madness very cunningly except for writing distinctly insane latters to her intended victim. She had been following her about for some time, and she laid her plans very cleverly. The false hair and maid’s dress she posted in a parcel first thing the next morning. When taxed with the truth she broke down and confessed at once. The poor thing is in Broadmoor now. Completely unbalanced of course, but a very cleverly planned crime.
Mr Petherick came to me afterwards and brought me a very nice letter from Mr Rhodes—really, it made me blush. Then my old friend said to me: ‘Just one thing—why did you think it was more likely to be Carruthers than Granby? You’d never seen either of them.’
‘Well,’ I said. ‘It was the g’s. You said she dropped her g’s. Now, that’s done by a lot of hunting people in books, but I don’t know many people who do it in reality—and certainly no one under sixty. You said this woman was forty. Those dropped g’s sounded to me like a woman who was playing a part and over-doing it.’
I shan’t tell you what Mr Petherick said to that—but he was very complimentary—and I really couldn’t help feeling just a teeny weeny bit pleased with myself.
And it’s extraordinary how things turn out for the best in this world. Mr Rhodes has married again—such a nice, sensible girl—and they’ve got a dear little baby and—what do you think?—they asked me to be godmother. Wasn’t it nice of them?
Now I do hope you don’t think I’ve been running on too long…
The Dressmaker’s Doll
I
The doll lay in the big velvet-covered chair. There was not much light in the room; the London skies were dark. In the gentle, greyish-green gloom, the sage-green coverings and the curtains and the rugs all blended with each other. The doll blended, too. She lay long and limp and sprawled in her green-velvet clothes and her velvet cap and the painted mask of her face. She was the Puppet Doll, the whim of Rich Women, the doll who lolls beside the telephone, or among the cushions of the divan. She sprawled there, eternally limp and yet strangely alive. She looked a decadent product of the twentieth century.
Sybil Fox, hurrying in with some patterns and a sketch, looked at the doll with a faint feeling of surprise and bewilderment. She wondered—but whatever she wondered did not get to the front of her mind. Instead, she thought to herself, ‘Now, what’s happened to the pattern of the blue velvet? Wherever have I put it? I’m sure I had it here just now.’ She went out on the landing and called up to the workroom.
‘Elspeth, Elspeth, have you the blue pattern up there? Mrs Fellows-Brown will be here any minute now.’
She went in again, switching on the lights. Again she glanced at the doll. ‘Now where on earth—ah, there it is.’ She picked the pattern up from where it had fallen from her hand. There was the usual creak outside on the landing as the elevator came to a halt and in a minute or two Mrs Fellows-Brown, accompanied by her Pekinese, came puffing into the room rather like a fussy local train arriving at a wayside station.
‘It’s going to pour,’ she said, ‘simply pour!’
She threw off her gloves and a fur. Alicia Coombe came in. She didn’t always come in nowadays, only when special customers arrived, and Mrs Fellows-Brown was such a customer.
Elspeth, the forewoman of the workroom, came down with the frock and Sybil pulled it over Mrs Fellows-Brown’s head.
‘There,’ she said, ‘I think it’s good. Yes, it’s definitely a success.’
Mrs Fellows-Brown turned sideways and looked in the mirror.
‘I must say,’ she said, ‘your clothes do do something to my behind.’
‘You’re much thinner than you were three months ago,’ Sybil assured her.
‘I’m really not,’ said Mrs Fellows-Brown, ‘though I must say I look it in this. There’s something about the way you cut, it really does minimize my behind. I almost look as though I hadn’t got one—I mean only the usual kind that most people have.’ She sighed and gingerly smoothed the troublesome portion of her anatomy. ‘It’s always been a bit of a trial to me,’ she said. ‘Of course, for years I could pull it in, you know, by sticking out my front. Well, I can’t do that any longer because I’ve got a stomach now as well as a behind. And I mean—well, you can’t pull it in both ways, can you?’
Alicia Coombe said, ‘You should see some of my customers!’
Mrs Fellows-Brown experimented to and fro.
‘A stomach is worse than a behind,’ she said. ‘It shows more. Or perhaps you think it does, because, I mean, when you’re talking to people you’re facing them and that’s the moment they can’t see your behind but they can notice your stomach. Anyway, I’ve made it a rule to pull in my stomach and let my behind look after itself.’ She craned her neck round still farther, then said suddenly, ‘Oh, that doll of yours! She gives me the creeps. How long have you had her?’
Sybil glanced uncertainly at Alicia Coombe, who looked puzzled but vaguely distressed.
‘I don’t know exactly…some time I think—I never can remember things. It’s awful nowadays—I simply cannot remember. Sybil, how long have we had her?’
Sybil said shortly, ‘I don’t know.’
‘Well,’ said Mrs Fellows-Brown, ‘she gives me the creeps. Uncanny! She looks, you know, as though she was watching us all, and perhaps laughing in that velvet sleeve of hers. I’d get rid of her if I were you.’ She gave a little shiver, then she plunged once more into dress-making details. Should she or should she not have the sleeves an inch shorter? And what about the length? When all these important points were settled satisfactorily, Mrs Fel
‘No,’ she said, ‘I don’t like that doll. She looks too much as though she belonged here. It isn’t healthy.’
‘Now what did she mean by that?’ demanded Sybil, as Mrs Fellows-Brown departed down the stairs.
Before Alicia Coombe could answer, Mrs Fellows-Brown returned, poking her head round the door.
‘Good gracious, I forgot all about Fou-Ling. Where are you, ducksie? Well, I never!’
She stared and the other two women stared, too. The Pekinese was sitting by the green-velvet chair, staring up at the limp doll sprawled on it. There was no expression, either of pleasure or resentment, on his small, pop-eyed face. He was merely looking.
‘Come along, mum’s darling,’ said Mrs Fellows-Brown.
Mum’s darling paid no attention whatever.
‘He gets more disobedient every day,’ said Mrs Fellows-Brown, with the air of one cataloguing a virtue. ‘Come on, Fou-Ling. Dindins. Luffly liver.’
Fou-Ling turned his head about an inch and a half towards his mistress, then with disdain resumed his appraisal of the doll.
‘She’s certainly made an impression on him,’ said Mrs Fellows-Brown. ‘I don’t think he’s ever noticed her before. I haven’t either. Was she here last time I came?’
The other two women looked at each other. Sybil now had a frown on her face, and Alicia Coombe said, wrinkling up her forehead, ‘I told you—I simply can’t remember anything nowadays. How long have we had her, Sybil?’
‘Where did she come from?’ demanded Mrs Fellows-Brown. ‘Did you buy her?’
‘Oh no.’ Somehow Alicia Coombe was shocked at the idea. ‘Oh no. I suppose—I suppose someone gave her to me.’ She shook her head. ‘Maddening!’ she exclaimed. ‘Absolutely maddening, when everything goes out of your head the very moment after it’s happened.’