Portraits and Observations by Truman Capote
PEARL: Snore!
TC: I’m strangling. I can’t snore.
PEARL: You’d better start trying, ’cause our friends are coming through that door. Looks like they’re gonna roust the joint. Clean-tooth it.
TC: Jesus, Joseph—
PEARL: Snore, you rascal, snore.
(I snored, and she increased the pressure of her hold on my hand; at the same time she began to hum a low sweet lullaby, like a mother soothing a fretful child. All the while another kind of humming surrounded us: human voices concerned with what was happening on the plane, the purpose of the two mysterious men who were pacing up and down the aisles, pausing now and again to scrutinize a passenger. Minutes elapsed. I counted them off: six, seven. Tickticktick. Eventually Pearl stopped crooning her maternal melody, and withdrew her hand from mine. Then I heard the plane’s big round door slam shut.)
TC: Have they gone?
PEARL: Uh-huh. But whoever it is they’re looking for, they sure must want him bad.
They did indeed. Even though Robert M.’s retrial ended exactly as I had predicted, and the jury brought in a verdict of guilty on three counts of first-degree murder, the California courts continued to take a harsh view of my refusal to cooperate with them. I was not aware of this; I thought that in due time the matter would be forgotten. So I did not hesitate to return to California when a year later something came up that required at least a brief visit there. Well, sir, I had no sooner registered at the Bel Air Hotel than I was arrested, summoned before a hard-nosed judge who fined me five thousand dollars and gave me an indefinite sentence in the Orange County jail, which meant they could keep me locked up for weeks or months or years. However, I was soon released because the summons for my arrest contained a small but significant error: it listed me as a legal resident of California, when in fact I was a resident of New York, a fact which made my conviction and confinement invalid.
But all that was still far off, unthought of, undreamed of when the silver vessel containing Pearl and her outlaw friend swept off into an ethereal November heaven. I watched the plane’s shadow ripple over the desert and drift across the Grand Canyon. We talked and laughed and ate and sang. Stars and the lilac of twilight filled the air, and the Rocky Mountains, shrouded in blue snow, loomed ahead, a lemony slice of new moon hovering above them.
TC: Look, Pearl. A new moon. Let’s make a wish.
PEARL: What are you going to wish?
TC: I wish I could always be as happy as I am at this very moment.
PEARL: Oh, honey, that’s like asking miracles. Wish for something real.
TC: But I believe in miracles.
PEARL: Then all I can say is: don’t ever take up gambling.
NOCTURNAL TURNINGS
OR HOW SIAMESE TWINS HAVE SEX
(1979)
TC: Shucks! Wide awake! Lawsamercy, we ain’t been dozed off a minute. How long we been dozed off, honey?
TC: It’s two now. We tried to go to sleep around midnight, but we were too tense. So you said why don’t we jack off, and I said yes, that ought to relax us, it usually does, so we jacked off and went right to sleep. Sometimes I wonder: Whatever would we do without Mother Fist and her Five Daughters? They’ve certainly been a friendly bunch to us through the years. Real pals.
TC: A lousy two hours. Lawd knows when we’ll shut our eyes agin. An’ cain’t do nothin’ ’bout it. Cain’t haf a lil old sip of sompin ’cause dats a naw-naw. Nor none of dem snoozy pills, dat bein’ also a naw-naw.
TC: Come on. Knock off the Amos ’n’ Andy stuff. I’m not in the mood tonight.
TC: You’re never in the mood. You didn’t even want to jack off.
TC: Be fair. Have I ever denied you that? When you want to jack off, I always lie back and let you.
TC: Y’all ain’t got de choice, dat’s why.
TC: I much prefer solitary satisfaction to some of the duds you’ve forced me to endure.
TC: ’Twas up to you, we’d never have sex with anybody except each other.
TC: Yes, and think of all the misery that would have saved us.
TC: But then, we would never have been in love with people other than each other.
TC: Ha ha ha ha ha. Ho ho ho ho ho. “Is it an earthquake, or only a shock? Is it the real turtle soup, or merely the mock? Is it the Lido I see, or Asbury Park?” Or is it at long last shit?
TC: You never could sing. Not even in the bathtub.
TC: You really are bitchy tonight. Maybe we could pass some time by working on your Bitch List.
TC: I wouldn’t call it a Bitch List. It’s more sort of what you might say is a Strong Dislike List.
TC: Well, who are we strongly disliking tonight? Alive. It’s not interesting if they’re not alive.
TC: Billy Graham
Princess Margaret
Billy Graham
Princess Anne
The Reverend Ike
Ralph Nader
Supreme Court Justice Byron “Whizzer” White
Princess Z
Werner Erhard
The Princess Royal
Billy Graham
Madame Gandhi
Masters and Johnson
Princess Z
Billy Graham
CBSABCNBCNET
Sammy Davis, Jr.
Jerry Brown, Esq.
Billy Graham
Princess Z
J. Edgar Hoover
Werner Erhard
TC: One minute! J. Edgar Hoover is dead.
TC: No, he’s not. They cloned old Johnny, and he’s everywhere. They cloned Clyde Tolson, too, just so they could go on goin’ steady. Cardinal Spellman, cloned version, occasionally joins them for a partouze.
TC: Why harp on Billy Graham?
TC: Billy Graham, Werner Erhard, Masters and Johnson, Princess Z—they’re all full of horse manure. But the Reverend Billy is just so full of it.
TC: The fullest of anybody thus far?
TC: No, Princess Z is more fully packed.
TC: How so?
TC: Well, after all, she is a horse. It’s only natural that a horse can hold more horse manure than a human, however great his capacity. Don’t you remember Princess Z, that filly that ran in the fifth at Belmont? We bet on her and lost a bundle, practically our last dollar. And you said: “It’s just like Uncle Bud used to say—‘Never put your money on a horse named Princess.’ ”
TC: Uncle Bud was smart. Not like our old cousin Sook, but smart. Anyway, who do we Strongly Like? Tonight, at least.
TC: Nobody. They’re all dead. Some recently, some for centuries. Lots of them are in Père-Lachaise. Rimbaud isn’t there; but it’s amazing who is. Gertrude and Alice. Proust. Sarah Bernhardt. Oscar Wilde. I wonder where Agatha Christie is buried—
TC: Sorry to interrupt, but surely there is someone alive we Strongly Like?
TC: Very difficult. A real toughie. Okay. Mrs. Richard Nixon. The Empress of Iran. Mr. William “Billy” Carter. Three victims, three saints. If Billy Graham was Billy Carter, then Billy Graham would be Billy Graham.
TC: That reminds me of a woman I sat next to at dinner the other night. She said: “Los Angeles is the perfect place to live—if you’re Mexican.”
TC: Heard any other good jokes lately?
TC: That wasn’t a joke. That was an accurate social observation. The Mexicans in Los Angeles have their own culture, and a genuine one; the rest have zero. A city of suntanned Uriah Heeps.
However, I was told something that made me chuckle. Something D. D. Ryan said to Greta Garbo.
TC: Oh, yes. They live in the same building.
TC: And have for more than twenty years. Too bad they’re not good friends, they’d like each other. They both have humor and conviction, but only en passant pleasantries have been exchanged, nothing more. A few weeks ago D.D. stepped into the elevator and found herself alone with Garbo. D.D. was costumed in her usual striking manner, and Garbo, as though she’d never truly noticed her before, said: “Why, Mrs. Ryan, you’re beau
TC: That’s all?
TC: C’est tout.
TC: It seems sort of pointless to me.
TC: Look, forget it. It’s not important. Let’s turn on the lights and get out the pens and paper. Start that magazine article. No use lying here gabbing with an oaf like you. May as well try to make a nickel.
TC: You mean that Self-Interview article where you’re supposed to interview yourself? Ask your own questions and answer them?
TC: Uh-huh. But why don’t you just lie there quiet while I do this? I need a rest from your evil frivolity.
TC: Okay, scumbag.
TC: Well, here goes.
Q: What frightens you?
A: Real toads in imaginary gardens.
Q: No, but in real life—
A: I’m talking about real life.
Q: Let me put it another way. What, of your own experiences, have been the most frightening?
A: Betrayals. Abandonments.
But you want something more specific? Well, my very earliest childhood memory was on the scary side. I was probably three years old, perhaps a little younger, and I was on a visit to the St. Louis Zoo, accompanied by a large black woman my mother had hired to take me there. Suddenly there was pandemonium. Children, women, grown-up men were shouting and hurrying in every direction. Two lions had escaped from their cages! Two bloodthirsty beasts were on the prowl in the park. My nurse panicked. She simply turned and ran, leaving me alone on the path. That’s all I remember about it.
When I was nine years old I was bitten by a cottonmouth water moccasin. Together with some cousins, I’d gone exploring in a lonesome forest about six miles from the rural Alabama town where we lived. There was a narrow, shallow crystal river that ran through this forest. There was a huge fallen log that lay across it from bank to bank like a bridge. My cousins, balancing themselves, ran across the log, but I decided to wade the little river. Just as I was about to reach the farther bank, I saw an enormous cottonmouth moccasin swimming, slithering on the water’s shadowy surface. My own mouth went dry as cotton; I was paralyzed, numb, as though my whole body had been needled with Novocain. The snake kept sliding, winding toward me. When it was within inches of me, I spun around, and slipped on a bed of slippery creek pebbles. The cottonmouth bit me on the knee.
Turmoil. My cousins took turns carrying me piggyback until we reached a farmhouse. While the farmer hitched up his mule-drawn wagon, his only vehicle, his wife caught a number of chickens, ripped them apart alive, and applied the hot bleeding birds to my knee. “It draws out the poison,” she said, and indeed the flesh of the chickens turned green. All the way into town, my cousins kept killing chickens and applying them to the wound. Once we were home, my family telephoned a hospital in Montgomery, a hundred miles away, and five hours later a doctor arrived with a snake serum. I was one sick boy, and the only good thing about it was I missed two months of school.
Once, on my way to Japan, I stayed overnight in Hawaii with Doris Duke in the extraordinary, somewhat Persian palace she had built on a cliff at Diamond Head. It was scarcely daylight when I woke up and decided to go exploring. The room in which I slept had French doors leading into a garden overlooking the ocean. I’d been strolling in the garden perhaps half a minute when a terrifying herd of Dobermans appeared, seemingly out of nowhere; they surrounded and kept me captive within the snarling circle they made. No one had warned me that each night after Miss Duke and her guests had retired, this crowd of homicidal canines was let loose to deter, and possibly punish, unwelcome intruders.
The dogs did not attempt to touch me; they just stood there, coldly staring at me and quivering in controlled rage. I was afraid to breathe; I felt if I moved my foot one scintilla, the beasts would spring forward to rip me apart. My hands were trembling; my legs, too. My hair was as wet as if I’d just stepped out of the ocean. There is nothing more exhausting than standing perfectly still, yet I managed to do it for over an hour. Rescue arrived in the form of a gardener, who, when he saw what was happening, merely whistled and clapped his hands, and all the demon dogs rushed to greet him with friendly wagging tails.
Those are instances of specific terror. Still, our real fears are the sounds of footsteps walking in the corridors of our minds, and the anxieties, the phantom floatings, they create.
Q: What are some of the things you can do?
A: I can ice-skate. I can ski. I can read upside down. I can ride a skateboard. I can hit a tossed can with a .38 revolver. I have driven a Maserati (at dawn, on a flat, lonely Texas road) at 170 mph. I can make a soufflé Furstenberg (quite a stunt: it’s a cheese-and-spinach concoction that involves sinking six poached eggs into the batter before cooking; the trick is to have the egg yolks remain soft and runny when the soufflé is served). I can tap-dance. I can type sixty words a minute.
Q: And what are some of the things you can’t do?
A: I can’t recite the alphabet, at least not correctly or all the way through (not even under hypnosis; it’s an impediment that has fascinated several psychotherapists). I am a mathematical imbecile—I can add, more or less, but I can’t subtract, and I failed first-year algebra three times, even with the help of a private tutor. I can read without glasses, but I can’t drive without them. I can’t speak Italian, even though I lived in Italy a total of nine years. I can’t make a prepared speech—it has to be spontaneous, “on the wing.”
Q: Do you have a “motto”?
A: Sort of. I jotted it down in a schoolboy diary: I Aspire. I don’t know why I chose those particular words; they’re odd, and I like the ambiguity—do I aspire to heaven or hell? Whatever the case, they have an undeniably noble ring.
Last winter I was wandering in a seacoast cemetery near Mendocino—a New England village in far Northern California, a rough place where the water is too cold to swim and where the whales go piping past. It was a lovely little cemetery, and the dates on the sea-gray-green tombstones were mostly nineteenth century; almost all of them had an inscription of some sort, something that revealed the tenant’s philosophy. One read: NO COMMENT.
So I began to think what I would have inscribed on my tombstone—except that I shall never have one, because two very gifted fortune tellers, one Haitian, the other an Indian revolutionary who lives in Moscow, have told me I will be lost at sea, though I don’t know whether by accident or by choice (comme ça, Hart Crane). Anyway, the first inscription I thought of was: AGAINST MY BETTER JUDGMENT. Then I thought of something far more characteristic. An excuse, a phrase I use about almost any commitment: I TRIED TO GET OUT OF IT, BUT I COULDN’T.
Q: Some time ago you made your debut as a film actor (in Murder by Death). And?
A: I’m not an actor; I have no desire to be one. I did it as a lark; I thought it would be amusing, and it was fun, more or less, but it was also hard work: up at six and never out of the studio before seven or eight. For the most part, the critics gave me a bouquet of garlic. But I expected that; everyone did—it was what you might call an obligatory reaction. Actually, I was adequate.
Q: How do you handle the “recognition factor”?
A: It doesn’t bother me a bit, and it’s very useful when you want to cash a check in some strange locale. Also, it can occasionally have amusing consequences. For instance, one night I was sitting with friends at a table in a crowded Key West bar. At a nearby table, there was a mildly drunk woman with a very drunk husband. Presently, the woman approached me and asked me to sign a paper napkin. All this seemed to anger her husband; he staggered over to the table, and after unzipping his trousers and hauling out his equipment, said: “Since you’re autographing things, why don’t you autograph this?” The tables surrounding us had grown silent, so a great many people heard my reply, which was: “I don’t know if I can autograph it, but perhaps I can initial it.”
Ordinarily, I don’t mind giving autographs. But there is one thing that gets my goat: without exception, every
I have a friend with whom I often take long walks on city streets. Frequently, some fellow stroller will pass us, hesitate, produce a sort of is-it-or-isn’t-it frown, then stop me and ask, “Are you Truman Capote?” And I’ll say, “Yes, I’m Truman Capote.” Whereupon my friend will scowl and shake me and shout, “For Christ’s sake, George—when are you going to stop this? Some day you’re going to get into serious trouble!”
Q: Do you consider conversation an art?
A: A dying one, yes. Most of the renowned conversationalists—Samuel Johnson, Oscar Wilde, Whistler, Jean Cocteau, Lady Astor, Lady Cunard, Alice Roosevelt Longworth—are monologists, not conversationalists. A conversation is a dialogue, not a monologue. That’s why there are so few good conversations: due to scarcity, two intelligent talkers seldom meet. Of the list just provided, the only two I’ve known personally are Cocteau and Mrs. Longworth. (As for her, I take it back—she is not a solo performer; she lets you share the air.)
Among the best conversationalists I’ve talked with are Gore Vidal (if you’re not the victim of his couth, sometimes uncouth, wit), Cecil Beaton (who, not surprisingly, expresses himself almost entirely in visual images—some very beautiful and some sublimely wicked). The late Danish genius, the Baroness Blixen, who wrote under the pseudonym Isak Dinesen, was, despite her withered though distinguished appearance, a true seductress, a conversational seductress. Ah, how fascinating she was, sitting by the fire in her beautiful house in a Danish seaside village, chain-smoking black cigarettes with silver tips, cooling her lively tongue with draughts of champagne, and luring one from this topic to that—her years as a farmer in Africa (be certain to read, if you haven’t already, her autobiographical Out of Africa, one of this century’s finest books), life under the Nazis in occupied Denmark (“They adored me. We argued, but they didn’t care what I said; they didn’t care what any woman said—it was a completely masculine society. Besides, they had no idea I was hiding Jews in my cellar, along with winter apples and cases of champagne”).