Skin by Mo Hayder




  Table of Contents

  Cover

  Copyright

  About the Author

  Also by Mo Hayder

  Acknowledgements

  Skin

  Chapter 1

  Chapter 2

  Chapter 3

  Chapter 4

  Chapter 5

  Chapter 6

  Chapter 7

  Chapter 8

  Chapter 9

  Chapter 10

  Chapter 11

  Chapter 12

  Chapter 13

  Chapter 14

  Chapter 15

  Chapter 16

  Chapter 17

  Chapter 18

  Chapter 19

  Chapter 20

  Chapter 21

  Chapter 22

  Chapter 23

  Chapter 24

  Chapter 25

  Chapter 26

  Chapter 27

  Chapter 28

  Chapter 29

  Chapter 30

  Chapter 31

  Chapter 32

  Chapter 33

  Chapter 34

  Chapter 35

  Chapter 36

  Chapter 37

  Chapter 38

  Chapter 39

  Chapter 40

  Chapter 41

  Chapter 42

  Chapter 43

  Chapter 44

  Chapter 45

  Chapter 46

  Chapter 47

  Chapter 48

  Chapter 49

  Chapter 50

  Chapter 51

  Chapter 52

  Chapter 53

  Chapter 54

  Chapter 55

  Chapter 56

  Chapter 57

  Chapter 58

  Chapter 59

  Chapter 60

  Chapter 61

  Chapter 62

  Chapter 63

  Chapter 64

  Chapter 65

  Chapter 66

  Chapter 67

  Chapter 68

  Chapter 69

  Chapter 70

  Chapter 71

  Chapter 72

  Chapter 73

  Chapter 74

  This eBook is copyright material and must not be copied, reproduced, transferred, distributed, leased, licensed or publicly performed or used in any way except as specifically permitted in writing by the publishers, as allowed under the terms and conditions under which it was purchased or as strictly permitted by applicable copyright law. Any unauthorised distribution or use of this text may be a direct infringement of the author’s and publisher’s rights and those responsible may be liable in law accordingly.

  Version 1.0

  Epub ISBN 9781409085423

  www.randomhouse.co.uk

  TRANSWORLD PUBLISHERS

  61–63 Uxbridge Road, London W5 5SA

  A Random House Group Company

  www.rbooks.co.uk

  First published in Great Britain

  in 2009 by Bantam Press

  an imprint of Transworld Publishers

  Copyright © Mo Hayder 2009

  Mo Hayder has asserted her right under the Copyright, Designs and Patents Act 1988 to be identified as the author of this work.

  This book is a work of fiction and, except in the case of historical fact, any resemblance to actual persons, living or dead, is purely coincidental.

  A CIP catalogue record for this book is available from the British Library.

  ISBNs 9780593048078 (cased)

  9780593048221 (tpb)

  This book is sold subject to the condition that it shall not, by way of trade or otherwise, be lent, resold, hired out, or otherwise circulated without the publisher’s prior consent in any form of binding or cover other than that in which it is published and without a similar condition, including this condition, being imposed on the subsequent purchaser.

  Addresses for Random House Group Ltd companies outside the UK can be found at: www.randomhouse.co.uk

  The Random House Group Ltd Reg. No. 954009

  The Random House Group Limited supports The Forest Stewardship Council (FSC), the leading international forest-certification organization. All our titles that are printed on Greenpeace-approved FSC-certified paper carry the FSC logo. Our paper procurement policy can be found at:

  www.rbooks.co.uk/environment

  Typeset in11/15pt Sabon by

  Falcon Oast Graphic Art Ltd

  Printed in the UK by Clays Ltd, Bungay, Suffolk

  2 4 6 8 10 9 7 5 3 1

  About the Author

  After leaving school at fifteen, Mo Hayder worked as a barmaid, security guard, film-maker, hostess in a Tokyo club, educational administrator and teacher of English as a foreign language in Asia. She has an MA in creative writing from Bath Spa University.

  Also by Mo Hayder

  Birdman

  The Treatment

  Tokyo

  Pig Island

  Ritual

  For more information on Mo Hayder and her books, see her website at www.mohayder.net

  Acknowledgements

  I couldn’t, and wouldn’t, have even attempted to start this book if it hadn’t been for one man: Sergeant Bob Randall of the Avon and Somerset Underwater Search Unit. He knows his contribution, he knows how I value it, but there is no harm in the world hearing what a unique, informed and brilliant police officer he is, nor how generous and tireless he has been in helping me, both professionally and personally. I had other help, too, in inching the police procedural details a little closer to reality: DI Steven Lawrence of the CID training unit and Alan Andrews of the Major Crime Review Team, both of Avon and Somerset Constabulary. And, from the Metropolitan Police, Cliff Davies of the Homicide Review Team, who is still after all these years an inspiration and a friend.

  It’s a rare person who can call many of her colleagues friends, so I am lucky beyond words to both know and work with three extraordinary women: Jane Gregory, Selina Walker and Alison Barrow. Nor could I keep going without the unswerving support of Jemma McDonagh; Claire Morris; Terry Bland; Stephanie Glencross and Tess Barun at Gregory and Company, not to mention everyone at Transworld Publishers whom I’m honoured to still be working with ten years down the line: Larry Finlay; Ed Christie; Janine Giovanni; Diana Jones; Nick Robinson; the indomitable eco-man Bradley Rose; Simon Taylor; Claire Ward; Hazel Orme; Katrina Whone and Joanne Williamson.

  My friends and family who listen and inspire in equal measure are: Christian Allis, John and Aida Bastin; the Billinghams; Kate Butler; Linda, Liz and Laura Downing; the Fiddlers; the Gores; the Heads; Mairi, Moë and Sally Hitomi; Sue and Don Hollins; Patrick and ALF Janson-Smith; Karen Knowlton; the Macers; Rebecca Marshall; Margaret and E. A. Murphy; Selina Perry; Helen Piper; Keith Quinn; Karin Slaughter; Sophie and Vincent Thiebault; Ness Williams; and the ever graceful Gilly Vaulkhard.

  And, of course, a big, big thank you to three lovely little girls; first Misty and Daisy, who selflessly lent me their names without holding any conditions about what happened to their fictional counterparts, second, and most of all, a little girl who has surprised me by being the greatest, and most unexpected, love of all: my beautiful daughter, Lotte Genevieve Quinn.

  1

  Human skin is an organ. The biggest organ in the body, it comprises the dermis, the epidermis and a subcutaneous fatty layer. If it were to be removed intact and spread out it would cover an area just under two square metres. It has weight too: with all that protein and adherent fat, it has enormous bulk. The skin of a healthy adult male would weigh ten to fifteen kilos, depending on his size. The same as a large toddler.

  The skin of a woman, on the other hand, would weigh marginally less. It would cover a smaller area too.

  Most middle-aged men, even the ones who live alone in a remote part of Somerset, wouldn’t have g
iven any thought to what a woman would look like without her skin. Neither would they have cause to wonder what her skin would look like stretched and pinned out on a workbench.

  But, then, most men are not like this man.

  This man is a different sort of person altogether.

  2

  Deep in the rain-soaked Mendip Hills of Somerset lie eight flooded limestone quarries. Long disused, they have been numbered by the owners from one to eight, and are arranged in a horseshoe shape. Number eight, at the most south-easterly point, nearly touches the end of what is called locally the Elf’s Grotto system, a network of dripping caves and passages that reach deep into the ground. Local folklore has it there are secret exits from this cave system leading into the old Roman lead mines, that in ancient times the elves of Elf’s Grotto used the tunnels as escape routes. Some say that because of all the twentieth-century blasting, these tunnels now open directly into the flooded quarries.

  Sergeant ‘Flea’ Marley, the head of Avon and Somerset’s underwater search unit, slid into quarry number eight at just after four on a clear May afternoon. She wasn’t thinking about secret entrances. She wasn’t looking for holes in the wall. She was thinking about a woman who’d been missing for three days. The woman’s name was Lucy Mahoney, and the professionals on the surface believed her corpse might be down here, somewhere in this vast expanse of water, curled in the weeds on one of these ledges.

  Flea descended to ten metres, wiggling her jaw from side to side to equalize the pressure in her ears. At this depth the water was an eerie, almost petrol blue – just the faintest milky limestone dust hanging where her fins had stirred it up. Perfect. Usually the water she dived was ‘nil vis’ – like swimming through soup, everything having to be done by touch alone – but down here she could see at least three metres ahead. She moved away from her entry point, handholding herself along the quarry wall until the pressure on her lifeline was constant. She could see every detail, every wafting plant, every quarried boulder on the floor. Every place a body might have come to rest.

  ‘Sarge?’ PC Wellard, her surface attendant, spoke into the comms mike. His voice came into her ear as if he was standing right next to her. ‘See anything?’

  ‘Yes,’ she murmured. ‘Into the future.’

  ‘Eh?’

  ‘I can see into the future, Wellard. I see me coming out of here in an hour freezing cold. I see disappointment on everyone’s face that I’m empty-handed.’

  ‘How come?’

  ‘Dunno. Just don’t think she’s down here. It feels wrong. How long’s she been missing?’

  ‘Two and a half days.’

  ‘And her car. Where was it parked?’

  ‘Half a mile away. On the B3135.’

  ‘They thought she was depressed?’

  ‘Her ex was interviewed for the misper report. He’s adamant she wasn’t.’

  ‘And there’s nothing else linking her to the quarry? No belongings? She’d not been here before or anything?’

  ‘No.’

  Flea finned on, the umbilical lead – the air and communication line that linked her to the surface – trailing gently behind. Quarry number eight was a notorious suicide spot. Maybe the police search adviser, Stuart Pearce, disagreed with the family about Lucy Mahoney’s state of mind. Maybe that was why he’d put this particular pin in the map and detailed them to do this search. Either that or he was grasping at straws. She’d encountered Stuart Pearce before. She thought it was the latter.

  ‘Could she swim, Wellard? I forgot to ask.’

  ‘Yeah. She was a good swimmer.’

  ‘Then if she’s a suicide she’ll have weighted herself down. A rucksack or something. Which means she’ll be near the edge. Let’s run this pendulum search pattern out to ten metres. No way she’ll be further out than that. Then we’ll switch to the other side of the quarry.’

  ‘Uh, Sarge, there’s a problem with that. You do that pattern and it’ll take you to deeper than fifty metres.’

  Wellard had the quarry schematic. Flea had already studied it surfaceside. When the quarry company had made finger-shaped holes to pack explosives they’d used ten-metre-long drills, which meant that the quarry, before they’d turned off the pumps and allowed it to flood, had been blasted away in ten-metre slices. At one end it was between twenty and thirty metres. At the other end it was deeper. It dropped to more than fifty metres. The Health and Safety Executive’s rules were clear: no police diver was cleared to dive deeper than fifty. Ever.

  ‘Sarge? Did you hear me? You’ll be down to fifty metres at the end of this arc. Maybe more.’

  She cleared her throat. ‘Did you eat all the banana bread?’

  ‘Eh?’

  That morning before work she’d baked banana bread for the team. It wasn’t the sort of thing she usually did. She was the boss but she’d never been mumsy with them – she was the second youngest, only Wellard was younger. And it wasn’t because she loved cooking either. They’d had a bad, bad time recently: one of them was on compassionate leave and probably wouldn’t be back after what he’d gone through earlier that week. And then there’d been her foul moods, too: a nightmare to live with for the last two years. She had to give them something in return every now and then.

  ‘We ate it. But, Sarge, some of those pockets are way over fifty deep. We’re supposed to get one of those maniac techie divers in to do something like this.’

  ‘Whose side are you on, Wellard? Ours or the HSE’s?’

  Silence. Or, rather, the sound of Wellard’s silent grumbling. When it came to being an old woman Wellard had the whole team beat hands down. ‘OK. But if you’re going to do it I’m turning this voice panel down. The whole quarry can hear you and we’ve got a viewing gallery today.’

  ‘Who?’

  ‘There’s a traffic unit cruised by to get a look, sitting up there on the grout dunes. Think they’re having their coffee.’

  ‘I don’t suppose the audience includes that tit of a search adviser, does it?’

  ‘Not yet.’

  ‘Nice,’ she said, sarcastic now. ‘Just, it’s sometimes considered etiquette for the search adviser to get his arse out of bed when he’s hauled a team out like this.’

  She slowed. In the darkening water ahead a net was slung across her path. Beyond it was the fifty-metre section, where the water was darker and bluer. Colder. It was such uncertain territory that the company had rigged up netting to prevent access to the recreational divers who sometimes used the quarry for practice. She gripped the net, clicked on her divelight and shone it through to where the quarry floor dropped precipitously away.

  She might have had only one previous encounter with Pearce but it was enough. She wasn’t going to let him get one up on her. Even if it meant breaking all her professional rules and going deeper than fifty, she was damned if she wasn’t going to complete the search. There was a sign set in concrete to her right, the words covered in algae. Danger: depths exceeding fifty metres. Random checks on dive computers are in force in this quarry. Do not dive beyond your capabilities.

  Good place to hang your dive computer, she thought, touching the sign. Just take your wrist unit off, hang it on one of the nails, then collect it on the way back up. No one checking later would be any the wiser that you’d gone deeper than fifty, and the surface unit didn’t generate a computerized dive record. It was the sort of trick Dad had pulled when he was alive. An extreme-sports diver, he’d do anything to push the limits, get to the depth he wanted to be.

  She used her dive knife to make a cut in the netting, then carefully slipped off her dive computer and hooked it on to the sign. Switching on her torch she slid through into the enclosure, following the beam down into the darkness.

  With her compass lubber line set hard against the north-west notch she began to swim down, down and down, following the lie of the rock, keeping about two metres from the bottom. Wellard paid out the lifeline behind her. The schematic was accurate – it was deep here. She went sl
owly, letting the torch guide her, doing sums in her head. No computer. She’d have to work out bottom times and decompression stops in her head.

  A movement in the dark to her right. She whipped the torch towards it and stared into the beam, keeping herself steady in the water, letting herself float horizontally. There weren’t any fish in quarry number eight. It had been flooded for years now and the company hadn’t introduced any stock. No nearby rivers so there probably wouldn’t even be crayfish. And, anyway, that movement hadn’t been a fish. It had been too big.

  Her heart beat low in her chest. She kept her breathing steady – too deep and she’d start to rise, too shallow and she’d lose buoyancy. Nothing should, or could, be moving down here: there were no currents in the quarry. Everything should be motionless. She began to swim towards where she’d seen the movement.

  ‘Sarge?’ Surfaceside, Wellard had noticed the diversion instantly. ‘Everything OK?’

 
No Previous Page Next Page
Should you have any enquiry, please contact us via [email protected]