The Apothecary's Daughter by Julie Klassen
Praise for Julie Klassen’s first book,
Lady of Milkweed Manor
“Both readers of faith fiction and general readers of historical romance should enjoy this lovely first offering from Klassen.”
—Publishers Weekly
“Klassen has written an amazing historical novel. Her style may remind readers of Jane Austen and Lawana Blackwell, and she handles a 19th-century taboo with grace, style and respect.”
—Patsy Glans, Romantic Times
“It’s a rare book that forces me to press the pause button on my life and simply devour the story—this is one such book. Well-written, emotionally charged, unexpected plot twists, and an amazing balance of foreshadowing with backstory all lend to a remarkable debut novel by author Julie Klassen. The tension builds throughout and keeps the reader guessing until the last page.”
—Michelle Griep, Novel Reviews
“This was an excellent first novel and one of the best historical novels I’ve read this year. I am looking forward to Julie Klassen’s next book. HIGHLY recommended.”
—Deborah Khuanghlawn, Books-Movies-Chinesefood
“A delightful first novel. Julie Klassen weaves a compelling story . . . fully imagined. I loved it!”
—Beverly Lewis, New York Times bestselling author
“The characters are strong—the writing excellent—and the love that blooms for Charlotte, in many ways and with many characters, will leave you immensely and blissfully happy that good things actually do come to good people after their dues have been paid.”
—Amy Lignor, Once Upon a Romance
“Ms. Klassen has penned an exquisite first novel that echoes the era of Jane Austen in both setting and style. . . . This novel engaged me from the first page, and I can highly recommend Lady of Milkweed Manor to anyone who delights in Regency romance.”
—Tamela McCann, Historical Novels Review
“. . . not only a beautiful tale but a fascinating study of women’s roles in a time not so terribly distant. I’d say bravo on a fine debut, and here’s hoping for another finely crafted historical from Klassen soon.”
—Violet Nesdoly, Blogcritics
“Lady of Milkweed Manor is beautifully crafted with characters that will live on in your heart long after you’ve closed the last page.”
—Kim Vogel Sawyer, bestselling author
“A strong and entertaining story that you’ll finish with a sigh. Read it and tell your friends to buy it too.”
—Lauraine Snelling, bestselling author
“This is truly one of the most emotionally gripping novels I’ve ever read and it is sure to make my best of 2008 list. My heart pounded with anticipation so many times I lost count. . . . This story is so full of passion that it will make your heart sing.”
—Michelle Sutton, Edgy Inspirational Author
The
Apothecary's
Daughter
JULIE KLASSEN
The Apothecary’s Daughter
Copyright © 2008
Julie Klassen
Cover design by Jennifer Parker
Cover photography by Mike Habermann
Scripture quotations are from the King James Version of the Bible.
All rights reserved. No part of this publication may be reproduced, stored in a retrieval system, or transmitted in any form or by any means—electronic, mechanical, photocopying, recording, or otherwise—without the prior written permission of the publisher. The only exception is brief quotations in printed reviews.
Published by Bethany House Publishers
11400 Hampshire Avenue South
Bloomington, Minnesota 55438
Bethany House Publishers is a division of
Baker Publishing Group, Grand Rapids, Michigan.
Printed in the United States of America
* * *
Library of Congress Cataloging-in-Publication Data
Klassen, Julie.
The apothecary’s daughter / Julie Klassen.
p. cm.
ISBN 978-0-7642-0480-7 (pbk.)
1. Young women—Fiction. 2. Villages—England—Fiction. 3. Fathers and daughters—Fiction. 4. Family secrets—Fiction. 5. Pharmacy—Fiction. 6. London (England)—Fiction. I. Title.
PS3611.L37A66 2008
813’.6—dc22
2008041671
* * *
In memory of my funny, creative, hardworking father
HAROLD “BUD” THEISEN
———
OCTOBER 1937 – AUGUST 2008
SHEPHERD’S PURSE
This plant is a remarkable instance of the truth of an observation
which there is too frequently room to make, namely,
that Providence has made the most useful things most common
and for that reason we neglect them. . . .
—CULPEPER’S COMPLETE HERBAL & ENGLISH PHYSICIAN
Contents
Prologue
Part I
Chapter 1
Chapter 2
Chapter 3
Chapter 4
Chapter 5
Part II
Chapter 6
Chapter 7
Chapter 8
Chapter 9
Chapter 10
Chapter 11
Chapter 12
Chapter 13
Chapter 14
Chapter 15
Chapter 16
Chapter 17
Chapter 18
Chapter 19
Chapter 20
Chapter 21
Chapter 22
Chapter 23
Chapter 24
Chapter 25
Chapter 26
Chapter 27
Chapter 28
Chapter 29
Chapter 30
Chapter 31
Chapter 32
Chapter 33
Chapter 34
Chapter 35
Chapter 36
Chapter 37
Chapter 38
Chapter 39
Chapter 40
Chapter 41
Chapter 42
Chapter 43
Chapter 44
Chapter 45
Chapter 46
Chapter 47
Part III
Chapter 48
Chapter 49
Chapter 50
Epilogue
Author’s Note
Reading Group Discussion Questions
About the Author
PROLOGUE
I remember it clearly, although it was years ago now. For I remember everything.
I The year was 1810. I was a girl of fifteen, standing on the arched Honeystreet Bridge—which I often did when I was not needed in Father’s shop—gazing upon the brightly painted boats that floated past. There a blue barge, and there a yellow-and-white narrowboat. In reality, I was searching. Searching the face of every person on every narrowboat that passed by on the newly completed K and A Canal. There were not many women, but a few. For though men worked the canals as pilots, navigators, and merchants, entire families sometimes lived aboard—as wives and children made for less costly crews.
My mother had disappeared on one of those narrowboats two months before, or so the villagers whispered when they thought I could not hear. I suppose I hoped she would return as she left, declaring her absence a lark, an adventure, a mistake . . . anything. How many hours had I stood there? How many boats had I seen pass beneath that bridge—boats with names like the Britannia, Radiant, or Perseverance? Where had they come from, I always wondered, and where were they bound? What cargo did they bear—spices from the West Indies, perhaps, or tea from China? Coal from the Midlands or timber from as far away as Norway? How often I dreamt
That day, however, I watched the yellow-and-white narrowboat for another reason. A gangly boy with a cinched bag slung over his shoulder climbed unsteadily from the moored boat. My father, standing on the bank, extended his hand in greeting, just as the boy leaned over and was sick.
I winced. Not a very propitious beginning for a new apprentice. Father’s shoes were likely spoilt.
I sighed. I knew I should go down to them. Father had not seen me there or he would have called for my help. He always did. With Mother gone and my only brother slow of mind, many responsibilities for both the household and shop fell to me.
But no. I would wait and meet young Mr. Baylor later, once he’d had a chance to collect himself. I would brew ginger tea for him and find an old cloth for Father’s shoes. But first I wanted a few more moments on the bridge.
Several minutes later, a red-and-blue narrowboat approached from the west, from as far away as Bristol, perhaps, on its way to the Thames and then to London some eighty miles east. A man led one boat-horse along the towpath. A lone person sat in the curved bow deck. Far behind, aft of the cabin, two crewmen stood on the tiller deck.
As the boat drew nearer, I saw that the figure in the bow was a woman, head low, as if in prayer. Or perhaps she was reading. A wide bonnet concealed her face from the sun, from me. My heart leapt. Something about the woman’s posture and tilt of her head struck me as familiar. Mother loved to read.
I leaned across the wide brick ledge, peering hard, heart beating. The boat drew closer. I saw that the man leading the horse was deeply tanned and broad-shouldered. The man she left us for? As he led the boat-horse along the strip of land beneath the bridge, he disappeared from view. The bow of the boat reached the shadow of the bridge, and one of the crewmen gaped up at me. I barely saw him. Instead I read the vessel’s name painted in decorative lettering on the side, The Gypsy, and I thought, How apt. Still, I could not see the woman’s face.
I whirled and raced to the other side of the bridge, hoping my angle would be better, that I would see her from that side as they passed.
Perhaps she does not even realize where she is, I thought, engrossed as she was in her reading. Should I call to her?
I only stared, afraid to be a fool before this woman, before the men labouring at the nearby timber mill. If only I could see her face. . . .
I squinted. Tried to focus. Dimly, I heard a voice. Someone was calling my name.
“Lilly!”
The boat passed further down the canal and she began to disappear all over again. Look up! I urged silently. See me.
The woman stood and looked up, but away from me—ahead toward the man and horse. The back of my mind registered pounding footsteps. The voice grew urgent. Is she calling me?
“Lilly!”
“Here I am!” I called.
The woman turned around. She held a hand to her forehead, shielding her eyes from the sun. Her brow wrinkled in perplexity as she stared back. I raised my hand and waved.
The woman slowly, tentatively, raised her own hand. Not in greeting, but in somber salute. The motion revealed her face—a stranger’s face—kind and plain. In her hand, not a book but a rumple of cloth. Mending.
A hand shook my shoulder. “Lilly?”
Numbly, I tore my eyes from the fading sight of the woman and turned. My younger brother, Charlie, stood before me, clearly agitated and breathing hard. “I called you. Why did you not answer?”
“I . . . thought . . .” I blinked away the pathetic vision of what I had thought and in its place saw his wide eyes, his frightened tear-streaked face. “What is it, Charlie?”
“ ’Tis Mary. Oh, how she shakes! Father sent me. He needs—” He paused, eyes searching the air above me.
“He needs what?” Pulse accelerating, I grasped him by both arms, frustrated at his limited ability to focus, to remember.
He winced and bit his pronounced lower lip.
“Valerian?” I prompted. “Hyssop?”
He shook his head, still squinting in attempted concentration.
“Musk pod? Peony?”
“Peony!” he shouted. “Yes!”
I was incredulous. “But we have syrup of peony on the shelf. The jar marked S: Poeniae.”
“Father says ’tis empty!”
Dear Lord, no.
“Oh, Lilly! How she jerks about! Will she die?”
“No,” I bit out. Running from the bridge, I yelled over my shoulder, “Tell Father to set water to boil!”
I knew of only one place to get peony root. One nearby garden where it grew. I began perspiring—not from exertion, but from fear. Fear for my oldest friend. Fear for myself. For to trespass in this garden was to break the law and risk his wrath. But he was far away at university, was he not? Lord, let him be far away. . . .
I ran.
I had always loved to run, across the vale, or up the chalk hills beyond Bedsley Priors. But this time I felt no pleasure in the exercise. I ran because I had no other choice—it would take far too long to return home and hitch up the gig. True, Mrs. Mimpurse had often admonished me not to go running about the village, that I was practically a young lady now and ought to behave as such. But I knew our kindly neighbor would not blame me for running this time. For Mary was her daughter.
I ran up the Sands Road and veered right onto the High Street, nearly colliding with a man coming out of the wheelwright’s.
“Sorry, Mr. Hughes!” I called, without breaking stride.
I sprinted across the village green, around the enclosed churchyard, past the Owens’ farm, and up the lane to Marlow House. Once there, I darted around the stone garden wall, ducking to keep out of sight as I ran toward the closed garden gate. Fear gripped me, but I had only to imagine Mary, writhing in pain, and I pushed the gate open, wincing at its high-pitched screech. Rushing across the path to the gardener’s shed, I threw back the door and grabbed the first spade I saw. Dashing to the cluster of staked peonies—the late Lady Marlow’s prized peonies—I swallowed, realizing I had no time to be neat or exacting.
As I lanced the soil with the spade, I heard the first cry of alarm. A man yelled “Stop!” but I shoved the spade in again, deeper now. I heard footfalls and cursing on the other side of the wall. Mr. Timms, the surly gardener, I supposed. Another few seconds and I would reach the roots. I put all of my slight weight on the spade and jerked the handle back and forth. Come on. . . .
Just as I pulled up the plant by its roots, a man’s head and shoulders appeared over the garden wall. Not surly Mr. Timms. Worse.
“Stop where you are,” the young man ordered. “Those are my mother’s.”
Steady . . . I tried to find my voice, to explain, but found I could not speak. I knew Roderick Marlow put peony blossoms on his mother’s grave every spring. I knew he was infamously cruel.
“I need one . . .” I finally croaked out, “for a friend.”
“Do not move! I am calling the constable.”
I had no time to explain and no time to wait for the constable. I darted across the garden, and again I heard him curse. Over my shoulder I glimpsed him hauling himself up and over the garden wall. Heard his feet hit the ground and pebbles fly as he bolted after me, his long stride stretching no doubt twice the length of my own. I ran through the garden gate and slammed it closed with all my strength. His exclamation of pain and anger chased me across the lawn. There I glimpsed a groom leading out a tall black horse—already saddled.
No.
The gate screeched open behind me. Roderick Marlow whistled and shouted, “Bring my horse. Quick!”
Immediately, I changed course. I knew that if I followed the open road as I had come, he would overtake me seconds. I could not let that happen. Instead I headed for the wood, pushing past branches that scratched at my arms and legs. Horse hooves beat the ground behind me as I wove through the trees. I left the wood and ran across a narrow pasture—a sheep fence crosse
I ran along the hedge, and there it was. I stopped abruptly, my back to the seemingly impenetrable wall of privet. Far too tall to jump. Too dense to push through. Roderick Marlow leapt from his horse and came striding toward me, anger in his eyes and riding crop in hand. I swallowed, suddenly grateful that my long frock covered the bottom reaches of the hedge behind me. Wait until he is a little further from his horse. One second more. . . .
Suddenly I turned and dove into a hole in the privet, the tunnel barely large enough for a child to wriggle through. Dug, I knew, by the vicar’s hound. Terror gripped my heart as I felt Roderick’s hand trying to grip me. Fingers clawed at my skirt hems as I scrambled through the hedge and stumbled to my feet on the other side. He swore in frustration, and I knew he was not giving up. If only the horse would bolt. But I doubted such a well-trained beast would dare. At least it might take a second or two for him to regain his mount. I dashed across the churchyard and out its front gate, and ran down the High Street. I saw the sign for my father’s shop ahead, just as I again heard pounding hooves behind. If I can just make it inside and deliver the root, he can do what he likes with me then. Just let me reach Mary in time.
I ran through the door and gave it a shove. But Roderick Marlow caught it and pushed in behind me, the shop bell jingling crazily. He grabbed my arm before I could hand the plant to my startled father.
Roderick raised the crop in his hand.
“Roderick Rupert Marlow!” Maude Mimpurse commanded. “Put that down and unhand the girl. Lillian Grace Haswell. What have I told you about running through town like a stray?”
Roderick froze, and I was stunned to see him lower his arm in mute submission. That’s right, I remembered to my immense relief. Our robust, dark-haired neighbor had once worked as the Marlows’ nurserymaid. Her powers of persuasion were legendary.