The Brothers Karamazov by Fyodor Dostoyevsky
He was perhaps predisposed to mysticism. And the birth of his deformed child, and its death, had, as though by special design, been accompanied by another strange and marvelous event, which, as he said later, had left a "stamp" upon his soul. It happened that, on the very night after the burial of his child, Marfa was awakened [pg 102] by the wail of a newborn baby. She was frightened and waked her husband. He listened and said he thought it was more like some one groaning, "it might be a woman." He got up and dressed. It was a rather warm night in May. As he went down the steps, he distinctly heard groans coming from the garden. But the gate from the yard into the garden was locked at night, and there was no other way of entering it, for it was enclosed all round by a strong, high fence. Going back into the house, Grigory lighted a lantern, took the garden key, and taking no notice of the hysterical fears of his wife, who was still persuaded that she heard a child crying, and that it was her own baby crying and calling for her, went into the garden in silence. There he heard at once that the groans came from the bath-house that stood near the garden gate, and that they were the groans of a woman. Opening the door of the bath-house, he saw a sight which petrified him. An idiot girl, who wandered about the streets and was known to the whole town by the nickname of Lizaveta Smerdyastchaya (Stinking Lizaveta), had got into the bath-house and had just given birth to a child. She lay dying with the baby beside her. She said nothing, for she had never been able to speak. But her story needs a chapter to itself.
Chapter II. Lizaveta
There was one circumstance which struck Grigory particularly, and confirmed a very unpleasant and revolting suspicion. This Lizaveta was a dwarfish creature, "not five foot within a wee bit," as many of the pious old women said pathetically about her, after her death. Her broad, healthy, red face had a look of blank idiocy and the fixed stare in her eyes was unpleasant, in spite of their meek expression. She wandered about, summer and winter alike, barefooted, wearing nothing but a hempen smock. Her coarse, almost black hair curled like lamb's wool, and formed a sort of huge cap on her head. It was always crusted with mud, and had leaves, bits of stick, and shavings clinging to it, as she always slept on the ground and in the dirt. Her father, a homeless, sickly drunkard, [pg 103] called Ilya, had lost everything and lived many years as a workman with some well-to-do tradespeople. Her mother had long been dead. Spiteful and diseased, Ilya used to beat Lizaveta inhumanly whenever she returned to him. But she rarely did so, for every one in the town was ready to look after her as being an idiot, and so specially dear to God. Ilya's employers, and many others in the town, especially of the tradespeople, tried to clothe her better, and always rigged her out with high boots and sheepskin coat for the winter. But, although she allowed them to dress her up without resisting, she usually went away, preferably to the cathedral porch, and taking off all that had been given her--kerchief, sheepskin, skirt or boots--she left them there and walked away barefoot in her smock as before. It happened on one occasion that a new governor of the province, making a tour of inspection in our town, saw Lizaveta, and was wounded in his tenderest susceptibilities. And though he was told she was an idiot, he pronounced that for a young woman of twenty to wander about in nothing but a smock was a breach of the proprieties, and must not occur again. But the governor went his way, and Lizaveta was left as she was. At last her father died, which made her even more acceptable in the eyes of the religious persons of the town, as an orphan. In fact, every one seemed to like her; even the boys did not tease her, and the boys of our town, especially the schoolboys, are a mischievous set. She would walk into strange houses, and no one drove her away. Every one was kind to her and gave her something. If she were given a copper, she would take it, and at once drop it in the alms-jug of the church or prison. If she were given a roll or bun in the market, she would hand it to the first child she met. Sometimes she would stop one of the richest ladies in the town and give it to her, and the lady would be pleased to take it. She herself never tasted anything but black bread and water. If she went into an expensive shop, where there were costly goods or money lying about, no one kept watch on her, for they knew that if she saw thousands of roubles overlooked by them, she would not have touched a farthing. She scarcely ever went to church. She slept either in the church porch or climbed over a hurdle (there are many hurdles instead of fences to this day in our town) into a kitchen garden. She used at least once a week to turn up "at home," that is at the house of her [pg 104] father's former employers, and in the winter went there every night, and slept either in the passage or the cowhouse. People were amazed that she could stand such a life, but she was accustomed to it, and, although she was so tiny, she was of a robust constitution. Some of the townspeople declared that she did all this only from pride, but that is hardly credible. She could hardly speak, and only from time to time uttered an inarticulate grunt. How could she have been proud?
It happened one clear, warm, moonlight night in September (many years ago) five or six drunken revelers were returning from the club at a very late hour, according to our provincial notions. They passed through the "back-way," which led between the back gardens of the houses, with hurdles on either side. This way leads out on to the bridge over the long, stinking pool which we were accustomed to call a river. Among the nettles and burdocks under the hurdle our revelers saw Lizaveta asleep. They stopped to look at her, laughing, and began jesting with unbridled licentiousness. It occurred to one young gentleman to make the whimsical inquiry whether any one could possibly look upon such an animal as a woman, and so forth.... They all pronounced with lofty repugnance that it was impossible. But Fyodor Pavlovitch, who was among them, sprang forward and declared that it was by no means impossible, and that, indeed, there was a certain piquancy about it, and so on.... It is true that at that time he was overdoing his part as a buffoon. He liked to put himself forward and entertain the company, ostensibly on equal terms, of course, though in reality he was on a servile footing with them. It was just at the time when he had received the news of his first wife's death in Petersburg, and, with crape upon his hat, was drinking and behaving so shamelessly that even the most reckless among us were shocked at the sight of him. The revelers, of course, laughed at this unexpected opinion; and one of them even began challenging him to act upon it. The others repelled the idea even more emphatically, although still with the utmost hilarity, and at last they went on their way. Later on, Fyodor Pavlovitch swore that he had gone with them, and perhaps it was so, no one knows for certain, and no one ever knew. But five or six months later, all the town was talking, with intense and sincere indignation, of Lizaveta's condition, and trying to find out [pg 105] who was the miscreant who had wronged her. Then suddenly a terrible rumor was all over the town that this miscreant was no other than Fyodor Pavlovitch. Who set the rumor going? Of that drunken band five had left the town and the only one still among us was an elderly and much respected civil councilor, the father of grown-up daughters, who could hardly have spread the tale, even if there had been any foundation for it. But rumor pointed straight at Fyodor Pavlovitch, and persisted in pointing at him. Of course this was no great grievance to him: he would not have troubled to contradict a set of tradespeople. In those days he was proud, and did not condescend to talk except in his own circle of the officials and nobles, whom he entertained so well.
At the time, Grigory stood up for his master vigorously. He provoked quarrels and altercations in defense of him and succeeded in bringing some people round to his side. "It's the wench's own fault," he asserted, and the culprit was Karp, a dangerous convict, who had escaped from prison and whose name was well known to us, as he had hidden in our town. This conjecture sounded plausible, for it was remembered that Karp had been in the neighborhood just at that time in the autumn, and had robbed three people. But this affair and all the talk about it did not estrange popular sympathy from the poor idiot. She was better looked after than ever. A well-to-do merchant's widow named Kondratyev arranged to take her into her house at the end of A
Grigory rushed to Marfa and sent her to Lizaveta, while he ran to fetch an old midwife who lived close by. They saved the baby, but Lizaveta died at dawn. Grigory took the baby, brought it home, and making his wife sit down, put it on her lap. "A child of God--an [pg 106] orphan is akin to all," he said, "and to us above others. Our little lost one has sent us this, who has come from the devil's son and a holy innocent. Nurse him and weep no more."
So Marfa brought up the child. He was christened Pavel, to which people were not slow in adding Fyodorovitch (son of Fyodor). Fyodor Pavlovitch did not object to any of this, and thought it amusing, though he persisted vigorously in denying his responsibility. The townspeople were pleased at his adopting the foundling. Later on, Fyodor Pavlovitch invented a surname for the child, calling him Smerdyakov, after his mother's nickname.
So this Smerdyakov became Fyodor Pavlovitch's second servant, and was living in the lodge with Grigory and Marfa at the time our story begins. He was employed as cook. I ought to say something of this Smerdyakov, but I am ashamed of keeping my readers' attention so long occupied with these common menials, and I will go back to my story, hoping to say more of Smerdyakov in the course of it.
Chapter III. The Confession Of A Passionate Heart--In Verse
Alyosha remained for some time irresolute after hearing the command his father shouted to him from the carriage. But in spite of his uneasiness he did not stand still. That was not his way. He went at once to the kitchen to find out what his father had been doing above. Then he set off, trusting that on the way he would find some answer to the doubt tormenting him. I hasten to add that his father's shouts, commanding him to return home "with his mattress and pillow" did not frighten him in the least. He understood perfectly that those peremptory shouts were merely "a flourish" to produce an effect. In the same way a tradesman in our town who was celebrating his name-day with a party of friends, getting angry at being refused more vodka, smashed up his own crockery and furniture and tore his own and his wife's clothes, and finally broke his windows, all for the sake of effect. Next day, of course, when he was sober, he regretted the broken cups and saucers. Alyosha knew that his father would let him go back to the monastery [pg 107] next day, possibly even that evening. Moreover, he was fully persuaded that his father might hurt any one else, but would not hurt him. Alyosha was certain that no one in the whole world ever would want to hurt him, and, what is more, he knew that no one could hurt him. This was for him an axiom, assumed once for all without question, and he went his way without hesitation, relying on it.
But at that moment an anxiety of a different sort disturbed him, and worried him the more because he could not formulate it. It was the fear of a woman, of Katerina Ivanovna, who had so urgently entreated him in the note handed to him by Madame Hohlakov to come and see her about something. This request and the necessity of going had at once aroused an uneasy feeling in his heart, and this feeling had grown more and more painful all the morning in spite of the scenes at the hermitage and at the Father Superior's. He was not uneasy because he did not know what she would speak of and what he must answer. And he was not afraid of her simply as a woman. Though he knew little of women, he had spent his life, from early childhood till he entered the monastery, entirely with women. He was afraid of that woman, Katerina Ivanovna. He had been afraid of her from the first time he saw her. He had only seen her two or three times, and had only chanced to say a few words to her. He thought of her as a beautiful, proud, imperious girl. It was not her beauty which troubled him, but something else. And the vagueness of his apprehension increased the apprehension itself. The girl's aims were of the noblest, he knew that. She was trying to save his brother Dmitri simply through generosity, though he had already behaved badly to her. Yet, although Alyosha recognized and did justice to all these fine and generous sentiments, a shiver began to run down his back as soon as he drew near her house.
He reflected that he would not find Ivan, who was so intimate a friend, with her, for Ivan was certainly now with his father. Dmitri he was even more certain not to find there, and he had a foreboding of the reason. And so his conversation would be with her alone. He had a great longing to run and see his brother Dmitri before that fateful interview. Without showing him the letter, he could talk to him about it. But Dmitri lived a long way off, and he was sure to be away from home too. Standing still for a minute, [pg 108] he reached a final decision. Crossing himself with a rapid and accustomed gesture, and at once smiling, he turned resolutely in the direction of his terrible lady.
He knew her house. If he went by the High Street and then across the market-place, it was a long way round. Though our town is small, it is scattered, and the houses are far apart. And meanwhile his father was expecting him, and perhaps had not yet forgotten his command. He might be unreasonable, and so he had to make haste to get there and back. So he decided to take a short cut by the back-way, for he knew every inch of the ground. This meant skirting fences, climbing over hurdles, and crossing other people's back-yards, where every one he met knew him and greeted him. In this way he could reach the High Street in half the time.
He had to pass the garden adjoining his father's, and belonging to a little tumbledown house with four windows. The owner of this house, as Alyosha knew, was a bedridden old woman, living with her daughter, who had been a genteel maid-servant in generals' families in Petersburg. Now she had been at home a year, looking after her sick mother. She always dressed up in fine clothes, though her old mother and she had sunk into such poverty that they went every day to Fyodor Pavlovitch's kitchen for soup and bread, which Marfa gave readily. Yet, though the young woman came up for soup, she had never sold any of her dresses, and one of these even had a long train--a fact which Alyosha had learned from Rakitin, who always knew everything that was going on in the town. He had forgotten it as soon as he heard it, but now, on reaching the garden, he remembered the dress with the train, raised his head, which had been bowed in thought, and came upon something quite unexpected.
Over the hurdle in the garden, Dmitri, mounted on something, was leaning forward, gesticulating violently, beckoning to him, obviously afraid to utter a word for fear of being overheard. Alyosha ran up to the hurdle.
"It's a good thing you looked up. I was nearly shouting to you," Mitya said in a joyful, hurried whisper. "Climb in here quickly! How splendid that you've come! I was just thinking of you!"
Alyosha was delighted too, but he did not know how to get over [pg 109] the hurdle. Mitya put his powerful hand under his elbow to help him jump. Tucking up his cassock, Alyosha leapt over the hurdle with the agility of a bare-legged street urchin.
"Well done! Now come along," said Mitya in an enthusiastic whisper.
"Where?" whispered Alyosha, looking about him and finding himself in a deserted garden with no one near but themselves. The garden was small, but the house was at least fifty paces away.
"There's no one here. Why do you whisper?" asked Alyosha.
"Why do I whisper? Deuce take it!" cried Dmitri at the top of his voice. "You see what silly tricks nature plays one. I am here in secret, and on the watch. I'll explain later on, but, knowing it's a secret, I began whispering like a fool, when there's no need. Let us go. Over there. Till then be quiet. I want to kiss you.
Glory to God in the world,
Glory to God in me ...
I was just repeating that, sitting here, befor
The garden was about three acres in extent, and planted with trees only along the fence at the four sides. There were apple-trees, maples, limes and birch-trees. The middle of the garden was an empty grass space, from which several hundredweight of hay was carried in the summer. The garden was let out for a few roubles for the summer. There were also plantations of raspberries and currants and gooseberries laid out along the sides; a kitchen garden had been planted lately near the house.
Dmitri led his brother to the most secluded corner of the garden. There, in a thicket of lime-trees and old bushes of black currant, elder, snowball-tree, and lilac, there stood a tumbledown green summer-house, blackened with age. Its walls were of lattice-work, but there was still a roof which could give shelter. God knows when this summer-house was built. There was a tradition that it had been put up some fifty years before by a retired colonel called von Schmidt, who owned the house at that time. It was all in decay, the floor was rotting, the planks were loose, the woodwork smelled musty. In the summer-house there was a green wooden table fixed in the ground, and round it were some green benches upon which it was still possible to sit. Alyosha had at once observed his [pg 110] brother's exhilarated condition, and on entering the arbor he saw half a bottle of brandy and a wineglass on the table.