The Dark Days Club by Alison Goodman
BOOKS BY ALISON GOODMAN
Singing the Dogstar Blues
A New Kind of Death (originally titled Killing the Rabbit)
Eon
Eona
The Dark Days Club
VIKING
An Imprint of Penguin Random House LLC
375 Hudson Street
New York, New York 10014
First published in the United States of America by Viking, an Imprint of Penguin Random House LLC, 2016
Copyright © 2016 by Alison Goodman
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eBook ISBN 978-1-101-59202-1
LIBRARY OF CONGRESS CATALOGING-IN-PUBLICATION DATA
Goodman, Alison.
The Dark Days Club / Alison Goodman.
pages cm—(Lady Helen ; book 1)
Summary: “In April 1812, as she is preparing for her debut presentation to Queen Charlotte, Lady Helen Wrexhall finds herself in the middle of a conspiracy reaching to the very top of society, and learns the truth about her mother, who died ten years ago”—Provided by publisher.
ISBN 978-0-670-78547-6 (hardcover)
[1. Courts and courtiers—Fiction. 2. Conspiracies—Fiction. 3. Secrets—Fiction. 4. Supernatural—Fiction. 5. Charlotte, Queen, consort of George III, King of Great Britain, 1744–1818—Fiction. 6. London (England)—History—19th century—Fiction. 7. Great Britain—History—1800–1837—Fiction.] I. Title.
PZ7.G61352Dar 2016
[Fic]—dc23 2015006792
Version_1
To my mother, Charmaine Goodman, who gave me my first Georgette Heyer book to read and started my lifelong passion for all things Regency
Contents
Books by Alison Goodman
Title Page
Copyright
Dedication
Prologue
Chapter One
Chapter Two
Chapter Three
Chapter Four
Chapter Five
Chapter Six
Chapter Seven
Chapter Eight
Chapter Nine
Chapter Ten
Chapter Eleven
Chapter Twelve
Chapter Thirteen
Chapter Fourteen
Chapter Fifteen
Chapter Sixteen
Chapter Seventeen
Chapter Eighteen
Chapter Nineteen
Chapter Twenty
Chapter Twenty-One
Chapter Twenty-Two
Chapter Twenty-Three
Chapter Twenty-Four
Chapter Twenty-Five
Chapter Twenty-Six
Chapter Twenty-Seven
Chapter Twenty-Eight
Chapter Twenty-Nine
Chapter Thirty
Author’s Note
Acknowledgments
About the Author
In 1810 the British King, George III, descended into a melancholy madness from which he would never recover.
In 1811 his son, the Prince of Wales—fat, frivolous, and forty-nine—was declared his regent, and given care of a country that was at war and in deep recession. The new Prince Regent, or “Prinny,” as he was commonly known, immediately gave a sumptuous party for over two thousand members of the upper class, which set the tone for his regency: nine years of staggering extravagance, relentless scandal, and the constant threat of rioting and revolution.
In 1812, Prinny had been regent for one year. Britain was on the brink of war with America, and in its tenth year of almost continuous war with France and its emperor, Napoleon Bonaparte. None of these countries, however, knew there was another, even older war being waged: a secret battle that had started centuries before against a demonic horde hidden in plain sight across the cities, towns, and villages of the world. Only a small group of people stood in the way of this multitude and its insidious predation upon humankind.
London, late April 1812: a month that had seen violent civil unrest, savage battles on the Continent, and the rumblings of aggression from the new American nation. It was also the month in which Queen Charlotte—after a two-year hiatus—returned to the practice of holding drawing rooms for the presentation of young ladies into high society. A battleground of a different kind.
One
Wednesday, 29 April 1812
IN THE SUN-WARMED quiet of her uncle’s library, Lady Helen Wrexhall spread the skirt of her muslin morning gown and sank into the deep curtsy required for Royal presentation: back held straight, head slightly bowed, left knee bent so low, it nearly touched the floor. And, of course, face set into a serene Court smile.
“Your Majesty is correct,” she said to the blue brocade sofa doing duty as Queen Charlotte. “I am the daughter of Lady Catherine, Countess of Hayden.”
Helen glanced sideways at her reflection in the glass-fronted bookcase that lined the wall: the best place in the town house to view the whole of her tall self. The curtsy was good—it should be, after so many weeks of practice—but she sounded far too surly. She tried again.
“Yes, Your Highness, I am indeed the daughter of Lady Catherine.”
No, too jaunty. She rose from the curtsy and dropped the folds of her gown, opening her fingers into long spreads of frustration. Her aunt had told her to find a tone that acknowledged her connection to Lady Catherine but also maintained a dignified distance from it. A great deal of meaning to place upon a few words. She backed a few steps away from the blue silk bulk of the substitute queen. Flanking Her Majesty were two matching brocade armchairs: the princesses Mary and Augusta. Helen eyed the makeshift Royals, already sensing disaster. Tomorrow she would be curtsying to the real Royal ladies, and there could be no room for awkwardness or mistakes. She had to have an answer ready about her mother, just in case Queen Charlotte mentioned the infamous Countess of Hayden.
It did not seem likely. Ten years had passed since Helen’s mother and father had drowned at sea. Surely Lady Catherine would not be on the mind of a queen burdened by a mad husband and a profligate son running the country to ruin. Helen pressed her palms together. Even she could not remember much about her mother. Lady Catherine’s name was only uttered as a reproach in her aunt and uncle’s house, and her brother never mentioned their mother anymore. Yet that morning at breakfast, Aunt Leonore had suddenly told Helen to practice a graceful answer to a possible Royal inquiry. Perhaps the Crown never forgot a noblewoman whose name was shrouded in rumor. Especially when those rumors were wound tight around the word treason.
One more time, then. Helen held up the edges of her gown and glided into the low obeisance.
“Yes, Your Majesty. My mother was Lady Catherine.”
That was better; the less said, the smaller the chance of making a mistake.
Helen lifted her face to receive the Royal kiss on her forehead, rose from the curtsy, then gathered up her imaginary train and backed away from the sofa—the most difficult maneuver in the whole Court Presentation. Lud, she hoped she did not trip or lose control of her curtsy tomorrow. It was the first official Queen’s Drawing Room since the King’s madness had returned two years ago, and there had been a desperate scramble by mothers to secure their daughters a plac
Helen sat on the sofa and slumped against the stiff cushions. It was no good dwelling on possible mishaps; she had done all that she could to prepare for the day. Her dance master had drilled her interminably on every movement of the ceremony. He’d even brought in his dainty wife to demonstrate how to slip a porcelain bourdaloue—shaped, amusingly, like a lady’s slipper—up under the hoop of her Court gown in case she needed to relieve herself during the long wait to be called. Now that was a difficult maneuver, Helen thought, her unruly sense of humor rising into a smile. Especially in a screened corner of a Royal stateroom. What if someone dropped one? Her imagination conjured the sound of smashing porcelain and the stink of warm spreading piss.
No, that would not be so funny. And she, for one, was not going to tempt fate. Tomorrow morning she would drink nothing. At least, nothing after her cup of chocolate.
On that sensible resolution, Helen turned her attention to the stack of ladies’ magazines her aunt had left on the gilt side table—an unsubtle reminder to find a riding dress she liked. She picked up the new edition of La Belle Assemblée and curled her legs under herself on the sofa, tucking the hem of her gown around the soft soles of her kid leather slippers. Aunt would take a fit if she saw her sitting in such a graceless way, but she felt so twitchy—so unbecomingly lively—that it was best to keep herself folded up as tight as a new parasol.
It was a bad case of presentation nerves. Nothing more.
She stared fiercely at the magazine as if it could rid her of the knowledge that these nerves had appeared long before any thought of her presentation. They had started at least six months ago, just after her eighteenth birthday, a deep energy that made her follow her curiosity beyond the bounds of propriety. She had made midnight forays into her uncle’s study and his private papers; paid breathless visits up to the silent attic stacked full of chairs; even danced a lone, wild reel in the billiard room. All, she had to admit, for no reason beyond the thrill of it, and the need to rid her body of this unseemly vigor.
The other explanation for her nerves sat at the back of her mind like a hundredweight: her mother’s blood. Although never said aloud by her aunt and uncle, the fear that she would have her mother’s wild streak had sat heavily upon their faces when they first took her in. Even then, when she was only eight years old, the implication had been clear to Helen—she must be on guard against her own nature. After all, it had been her mother’s reckless pursuit of intrigue and excitement that had killed her and her husband, leaving their two children orphaned. Helen thought she had escaped that legacy of restless energy. She had read Mr. Locke and found his radical philosophy—that men created themselves from the sum of their own experiences and choices—far more amenable than the idea of a predestined nature. So, she told herself firmly as she turned pages, this worsening of her nerves did not mean she was like her mother. It was just a normal response to the prospect of curtsying before the Queen.
She lingered for a moment at a fascinating article about mythology, then resolutely flipped to the fashion pages, stopping at the illustration of an impossibly elongated woman in a bright green riding outfit. Helen clicked her tongue. Apparently, the fashions for spring 1812 were to be more military than the army itself. The taste for black braid and frogged clasps had run wild.
“Barnett, where is my niece?” Aunt Leonore’s voice carried through the town house hallway to the library.
Helen jerked upright. According to the gilt clock on the mantel, only twenty minutes had passed since Aunt had left to view the latest caricatures at Ackermann’s Repository. It was usually a two-hour expedition; something must have happened. She heard the butler’s lower tones directing his mistress to the library, and then the increasing volume of her aunt’s voice as she approached, talking as if she were already in the room. Helen swung her feet to the floor. Three quick flicks smoothed out the telltale creases in her muslin. She positioned the magazine on her lap and gave one last tug at the high waist of her bodice.
The double doors opened halfway. Barnett stood for a stately moment in the gap—a well-judged pause in which a person could uncurl herself. But for once Helen was ready. His eyes met hers in warm collusion, then he pushed the doors fully apart and stepped aside. Aunt Leonore entered midsentence, still clad in her scarlet pelisse, working one blue glove from her hand, and trailed by Murphett, her lady’s maid.
“. . . you will not credit this, my dear, but I am sure it is the truth. I would not have given it a moment’s notice if only Mrs. Shoreham had the telling of it, but I met Lady Beck, and you know I have the highest faith in her . . .” Aunt Leonore paused, searching for the right accolade.
“Her spies?” Helen supplied. She sent a quick glance of thanks to Barnett as he bowed and quietly backed from the room, drawing the doors closed.
Aunt Leonore stifled a smile. “You know very well I was not thinking such a thing. Her prudence.” She held out the glove. Murphett promptly stepped forward to drape it over her arm.
“So what did the prudent Lady Beck tell you?” Helen asked, her curiosity sparking.
For an instant Aunt Leonore’s excited smile locked into a strange, stiff grimace. It was such a brief pause in the quicksilver of her expressions that Helen almost missed it. She focused more closely on her aunt’s face: the grimace was gone, replaced by a tiny sideways pull of her mouth and a drawing around the eyes. Some kind of unhappy realization, quickly hidden. Helen knew she was right—reading expressions was her one true accomplishment. When she concentrated properly on a face, her accuracy was startling and a little disturbing. It certainly made her aunt and uncle uneasy, and they had forbidden her to voice her observations about anyone, especially themselves. Girls were meant to paint screens, sob out ballads, and play the pianoforte, not see through the masks of polite society.
“It is very cold out today,” her aunt said. “I hope we do not have another spring like last year.”
The abrupt change of subject silenced Helen for a moment. Aunt was definitely hiding something. She tried again. “What did Lady Beck say to bring you back so soon?”
Her aunt started work on the other glove, her eyes finding La Belle Assemblée on Helen’s lap. “Did you find a riding habit you liked? We must discuss the design with Mr. Duray this week if we want it before the Season truly starts.”
The tightness around her aunt’s mouth—a clear refusal—stopped Helen asking a third time. She would wait until Murphett left the room.
“I have found nothing I like,” she said. “The gowns this Season are all so overdone.” She wrinkled her nose, belatedly remembering that she had resolved not to do so anymore. She knew it was not her best feature, being a little on the long, narrow side, but then Helen was painfully aware that almost everything about herself was on the long, narrow side. As well as being much taller than average, she was scarecrow-thin—according to her older brother, Andrew—although her friends assured her she was celestially slender. Even so, Helen had a mirror, and she knew she was a Long Meg who definitely did not look adorable when she wrinkled her nose.
Aunt Leonore pulled the second glove free. “You would dress yourself like a Quaker if I let you.”
Helen held up the magazine, still open at the offending illustration. “But look, at least twenty-five frogs on the bodice alone. Is it too much to ask for a dress that won’t scare the horse?”
Aunt Leonore gave her loud cackle—the one that had earned her the title Lady Laugh amongst her friends and Lady Hee-Haw amongst her enemies. “Not this Season, my dear. It is all military flimflam
“Bonaparte has a lot to answer for,” Helen said. “First Europe, and now our fashion.” She flipped the magazine closed and rested it on her lap.
“You really do have your mother’s grim sense of humor.” Aunt Leonore lifted her chin as Murphett unbuttoned the bodice of her pelisse. “God rest her soul.”
Helen kept her eyes down, feigning interest in the magazine cover. It was best not to show any response to the rare mentions of her mother, especially those concerning shared traits. They were never meant as compliments.
“Promise me you won’t make such deplorable jests at Almack’s,” her aunt continued.
“No jests,” Helen promised dutifully, but could not help adding, “Perhaps I should not speak again until I am married.”
Her aunt gave a soft snort. “That would certainly help my nerves.” She held out her arms, and Murphett deftly pulled the scarlet coat free. “No, my dear, I don’t want you to be silent. That would be just as bad. Promise me you will have some proper conversation ready for your dance partners. And make your little quips less political. It does not do for a girl your age to be so aware.” She settled on the sofa next to Helen.
“Will that be all, my lady?” Murphett asked.
“Yes, thank you.”
As Murphett curtsied and exited, pulling the doors closed, Aunt Leonore’s face sagged into the worn pathways of her fifty-four years. She tweaked and smoothed the folds of her blue walking dress, the rearrangements bringing a waft of rose perfume from the fine crepe. Helen saw the fussing for what it was—procrastination—and studied her aunt’s features again. A mix of sadness and anxiety.
The sadness disappeared, replaced by irritation. “Do stop staring, Helen.”
Helen picked at a loose thread in the binding of La Belle Assemblée. “What is troubling you, Aunt? Something has taken the excitement from your news.”
“You read me, didn’t you?” her aunt said. “You know your uncle and I have asked you not to do so.”