The Maples Stories by John Updike

  The policeman was a receding blue dot. ‘Let’s,’ Joan agreed, standing promptly, sand raining from her, the gay alacrity of her acceptance perhaps forced but the lustrous volume of her body, and her gait beside his, which he unthinkingly matched, and the weight of warm sun on his shoulders as they walked, real enough – real enough, Richard thought, for now.

  The bathing-suited section thinned behind them. As they turned the point, they saw naked bodies: freckled redheads with slack and milky bellies; swart brunettes standing upright as if to hold their nut-hard faces closer to the sun; sleeping men, their testicles like dropped fruit slowly rotting; a row of buttocks like the scallop on a doily; a bearded man doing yoga on his head, the fork of his legs appearing to implore the sky. Among these Boschian apparitions the policeman moved gently, cumbersome in his belt and gun, whispering, nearly touching the naked listeners, who nodded and began, singly and in groups, to put on their clothes. The couple who had trespassed, inviting this counter-invasion, could not be distinguished from the numerous naked others; all were being punished.

  Joan went up to a trio, two boys and a girl, as they struggled into their worn jeans, their widths of leather and sleeveless vests, their sandals and strange soft hats. She asked them, ‘Are you being kicked off?’

  The boys straightened and gazed at her – her conservative bikini, her pleasant plumpness, her sympathetic smile – and said nothing. The penis of one boy, Richard noticed, hung heavy a few inches from her hand. Joan turned and returned to her husband’s side.

  ‘What did they tell you?’ he asked.

  ‘Nothing. They just stared at me. Like I was a nincompoop.’

  ‘There have been two revolutions in the last ten years,’ he told her. ‘One, women learned to say “fuck.” Two, the oppressed learned to despise their sympathizers.’

  He added, ‘Or maybe they just resented being approached when they were putting on their pants. It’s a touchy moment, for males.’

  The nudists, paradoxically, brought more clothing to the beach than the bourgeoisie; they distinguished themselves, walking up the beach to the point, by being dressed head to toe, in denim and felt, as if they had strolled straight from the urban core of the counterculture. Now, as the young cop moved among them like a sorrowing angel, they bent and huddled in the obsequious poses of redressing.

  ‘My God,’ Joan said, ‘it’s Masaccio’s Expulsion from Paradise.’ And Richard felt her heart in the fatty casing of her body plump up, pleased with this link, satisfied to have demonstrated once again to herself the relevance of a humanistic education to modern experience.

  * * *

  All that afternoon, as, returned from the beach, he pushed a balky lawn mower through the wiry grass around their rented house, Richard thought about nakedness. He thought of Adam and Eve (‘Who told thee that thou wast naked?’) and of Noah beheld naked by Ham, and of Susanna and the elders. He thought of himself as a child, having a sunbath on the second-story porch with his mother, who had been, in her provincial way, an avant-gardist, a health faddist. Yellow jackets would come visit, the porch was so warm. An hour seemed forever; his embarrassment penetrated and stretched every minute. His mother’s skin was a pale landscape on the rim of his vision; he didn’t look at it, any more than he bothered to look at the hills enclosing their little West Virginia town, which he assumed he would never leave.

  He recalled a remark of Rodin’s, that a woman undressing was like the sun piercing through clouds. The afternoon’s gathering cloudiness slid shadows across the lawn, burnishing the wiry grass. He had once loved a woman who had slept beside a mirror. In her bed the first time, he glanced to his right and was startled to see them both, reflected naked. His legs and hers looked prodigiously long, parallel. She must have felt his attention leave her, for she turned her head; duplicated in the mirror, her face appeared beneath the duplicate of his. The mirror was an arm’s length from the bed. What fascinated him in it was not her body but his own – its length, its glow, its hair, its parallel toes so marvellously removed from his small, startled, sheepish head.

  There had been, he remembered, a noise downstairs. Their eyes had widened into one another’s, the mirror forgotten. He whispered, ‘What is it?’ Milkmen, mailmen, the dog, the furnace.

  She offered, ‘The wind?’

  ‘It sounded like a door opening.’

  As they listened again, her breath fanned his mouth. A footstep distinctly betrayed itself beneath them. At the same moment as he tugged to pull the sheets over their heads, she sharply flung them aside. She disengaged herself from him, lifting her leg like the near figure in Renoir’s Bathers. He was alone in the mirror; the mirror had become a screaming witness to the fact that he was where he should not be (‘Dirt is matter in the wrong place,’ his mother used to say) and that he was in no condition for fight or flight. He was jutting out, ‘sticking up at you like a hatrack,’ as the phrase went through Molly Bloom’s mind. He had hidden on the sunporch with his bunched clothes clutched to his aching front.

  He squatted now to cut the stubborn tufts by the boat shed with the hand clippers, and imperfectly remembered a quotation from one of the Japanese masters of shungā, to the effect that the phallus in these pictures was exaggerated because if it were drawn in its natural size it would be negligible.

  She had returned, his lover, still naked, saying, ‘Nothing.’ She had walked naked through her own downstairs, a trespasser from Eden, past chairs and prints and lamps, eclipsing them, unafraid to encounter a burglar, a milkman, a husband; and her nakedness, returning, had been as calm and broad as that of Titian’s Venus, flooding him from within like a swallowed sun.

  He thought of Titian’s Venus, wringing her hair with two firm hands. He thought of Manet’s Olympia, of Goya’s Maja. Of shamelessness. He thought of Edna Pontellier, Kate Chopin’s heroine, walking in the last year of that most buttoned-up of centuries down to the Gulf and, before swimming to her death, casting off all her clothes. How strange and awful it seemed to stand naked under the sky! How delicious!

  He remembered himself a month ago, coming alone to this same house, this house into whose lightless, damp cellar he was easing, step by step, the balky mower, its duty done. He had volunteered to come alone and open up the house, to test it; it was a new rental for them. Joan had assented easily; there was something in her, these days, that also wanted to be alone. Half the stores on the island were not yet open for the summer. He had bought some days’ worth of meals, and lived in rooms of a profound chastity and silence. One morning he had walked through a mile of huckleberry and wild grape to a pond. Its rim of beach was scarcely a stride wide; only the turds and shed feathers of wild swans testified to other presences. The swans, suspended in the sun-irradiated mist upon the pond’s surface, seemed gods to him, perfect and infinitely removed. Not a house, not a car looked down from the hills of sand and scrub that enclosed the pond. Such pure emptiness under the sky seemed an opportunity it would be sacrilegious to waste. Richard took off his clothes, all; he sat on a rough warm rock, in the pose of Rodin’s Thinker. He stood and at the water’s edge became a prophet, a baptist. Ripples of light reflected from the water onto his legs. He yearned to do something transcendent, something obscene; he stretched his arms and could not touch the sky. The sun intensified. As mist burned from the surface of the pond, the swans stirred, flapping their wings in aloof, Olympian tumult. For a second, sex dropped from him and he seemed indeed the divinely shaped center of a concentric Creation; his very skin felt beautiful – no, he felt beauty rippling upon it, as if the Creation were loving him, licking him. Then, the next second, glancing down, he saw himself to be less than sublimely alone, for dozens of busy coppery bodies, ticks, were crawling up through the hair of his legs, as happy in his giant warmth as he was in the warmth of the sun.

  The sky was an even gray now, weathered silver like the shingles on this island. As he went into the house to reward himself with a drink, he remembered, from an old sociology text, a nine
teenth-century American farmer’s boasting that though he had sired eleven children he had never seen his wife’s body naked. And from another book, perhaps by John Gunther, the assertion, of some port in West Africa, that this was the last city on the coast where a young woman could walk naked down the main street without attracting attention. And from an old Time review, years ago, revolutions ago, of the Brigitte Bardot picture that for a few frames displayed her, from behind, bare from head to toe: Time had quipped that, though the movie had a naked woman in it, so did most American homes around eleven o’clock at night.

  Eleven o’clock. The Maples have been out to dinner; Bean is spending the night with a friend. Their bedroom within this house is white and breezy, white even to the bureaus and chairs, and the ceiling so low their shadows seem to rest upon their heads.

  Joan stands at the foot of the bed and kicks off her shoes. Her face, foreshortened in the act of looking down, appears to pout as she undoes the snaps on her skirt and lets the zipper fling into view a white V of slip. She lets her skirt drop, retrieves it with a foot, places it in a drawer. Then the jersey lifts, decapitating her and gathering her hair into a cloud, a fist, that collapses when her face is again revealed, preoccupied. A head-toss, profiled. Auto lights from the road caress the house and then forget. An unexpected sequence: Joan pulls down her underpants in a quick shimmy before – with two hands, arms crossed – pulling up her slip. Above her waist, the bunched nylon snags; she halts in the pose of Michelangelo’s slave, of Munch’s madonna, of Ingres’s urn-bearer, seen from the front, unbarbered. The slip unsnags, the snakeskin slides, the process continues. With a squint of effort she uncouples the snaps at her back and flips the bra toward the hamper in the hall. Her half-brown breasts bounce. Toward the bed she says, in her voice of displeasure, ‘Don’t you have something better to do? Than watch me?’

  Richard has been lying on the bed half dressed, a strip-show audience of one, holding his applause. He answers truthfully, ‘No.’

  He jumps up and finishes undressing, his shadow whirling about his head. The two of them stand close, as close as at the beach when she had returned from being rejected by the young persons, a girl and two boys, one boy’s heavy penis hanging inches from her hand. Like I was a nincompoop. Her husband had not been sympathetic. They are back on the beach; she is remembering. Again he feels her heart in the fatty casing of her body plump up. She looks at him, her eyes blue as a morning sea, and smiles. ‘No,’ Joan says, in complacent firm denial. Richard feels thrilled, invaded. This nakedness is new to them.

  SEPARATING

  THE DAY WAS FAIR. Brilliant. All that June the weather had mocked the Maples’ internal misery with solid sunlight – golden shafts and cascades of green in which their conversations had wormed unseeing, their sad murmuring selves the only stain in Nature. Usually by this time of the year they had acquired tans; but when they met their elder daughter’s plane on her return from a year in England they were almost as pale as she, though Judith was too dazzled by the sunny opulent jumble of her native land to notice. They did not spoil her homecoming by telling her immediately. Wait a few days, let her recover from jet lag, had been one of their formulations, in that string of gray dialogues - over coffee, over cocktails, over Cointreau – that had shaped the strategy of their dissolution, while the earth performed its annual stunt of renewal unnoticed beyond their closed windows. Richard had thought to leave at Easter; Joan had insisted they wait until the four children were at last assembled, with all exams passed and ceremonies attended, and the bauble of summer to console them. So he had drudged away, in love, in dread, repairing screens, getting the mowers sharpened, rolling and patching their new tennis court.

  The court, clay, had come through its first winter pitted and windswept bare of redcoat. Years ago the Maples had observed how often, among their friends, divorce followed a dramatic home improvement, as if the marriage were making one last effort to live; their own previous worst crisis had come amid the plaster dust and exposed plumbing of a kitchen renovation. Yet, a summer ago, as canary-yellow bulldozers churned a grassy, daisy-dotted knoll into a muddy plateau, and a crew of pigtailed young men raked and tamped clay into a plane, this transformation did not strike them as ominous, but festive in its impudence; their marriage could rend the earth for fun. The next spring, waking each day at dawn to a sliding sensation as if the bed were being tipped, Richard found the barren tennis court – its net and tapes still rolled in the barn – an environment congruous with his mood of purposeful desolation, and the crumbling of handfuls of clay into cracks and holes (dogs had frolicked on the court in a thaw; rivulets had eroded trenches) an activity suitably elemental and interminable. In his sealed heart he hoped the day would never come.

  Now it was here. A Friday. Judith was reacclimated; all four children were assembled, before jobs and camps and visits again scattered them. Joan thought they should be told one by one. Richard was for making an announcement at the table. She said, ‘I think just making an announcement is a cop-out. They’ll start quarrelling and playing to each other instead of focusing. They’re each individuals, you know, not just some corporate obstacle to your freedom.’

  ‘O.K., O.K. I agree.’ Joan’s plan was exact. That evening, they were giving Judith a belated welcome-home dinner, of lobster and champagne. Then, the party over, they, the two of them, who nineteen years before would push her in a baby carriage along Fifth Avenue to Washington Square, were to walk her out of the house, to the bridge across the salt creek, and tell her, swearing her to secrecy. Then Richard Jr, who was going directly from work to a rock concert in Boston, would be told, either late, when he had returned on the train, or early Saturday morning, before he went off to his job; he was seventeen and employed as one of a golf-course maintenance crew. Then the two younger children, John and Margaret, could, as the morning wore on, be informed.

  ‘Mopped up, as it were,’ Richard said.

  ‘Do you have any better plan? That leaves you the rest of Saturday to answer any questions, pack, and make your wonderful departure.’

  ‘No,’ he said, meaning he had no better plan, and agreed to hers, though to him it showed an edge of false order, a hidden plea for control, like Joan’s long chore-lists and financial accountings and, in the days when he first knew her, her overly-copious lecture notes. Her plan turned one hurdle for him into four – four knife-sharp walls, each with a sheer blind drop on the other side.

  All spring he had moved through a world of insides and outsides, of barriers and partitions. He and Joan stood as a thin barrier between the children and the truth. Each moment was a partition, with the past on one side and the future on the other, a future containing this unthinkable now. Beyond four knifelike walls a new life for him waited vaguely. His skull cupped a secret, a white face, a face both frightened and soothing, both strange and known, that he wanted to shield from tears, which he felt all about him, solid as the sunlight. So haunted, he had become obsessed with battening down the house against his absence, replacing screens and sash cords, hinges and latches – a Houdini making things snug before his escape.

  The lock. He had still to replace a lock on one of the doors of the screened porch. The task, like most such, proved more difficult than he had imagined. The old lock, aluminum frozen by corrosion, had been deliberately rendered obsolete by manufacturers. Three hardware stores had nothing that even approximately matched the mortised hole that its removal (surprisingly easy) left. Another hole had to be gouged, with bits too small and saws too big, and the old hole fitted with a block of wood – the chisels dull, the saw rusty, his fingers thick with lack of sleep. The sun poured down, beyond the porch, on a world of neglect. The bushes already needed pruning, the windward side of the house was shedding flakes of paint, rain would get in when he was gone. Insects, rot, death. His family, the family he was about to lose, filtered through the edges of his awareness as he struggled with screw holes, splinters, opaque instructions, minutiae of metal.

  Ju
dith sat on the porch, a princess returned from exile. She regaled them with stories of fuel shortages, of bomb scares in the Underground, of Pakistani workmen loudly lusting after her as she walked past on her way to dance school. Joan came and went, in and out of the house, calmer than she should have been, praising his struggles with the lock as if this were one more and not the last of their long succession of shared chores. The younger of his sons, John, now at fifteen suddenly, unwittingly handsome, for a few minutes held the rickety screen door while his father clumsily hammered and chiselled, each blow a kind of sob in Richard’s ears. His younger daughter, having been at a slumber party the night before, slept on the porch hammock through all the noise – heavy and pink, trusting and forsaken. Time, like the sunlight, continued relentlessly; the sunlight slowly slanted. To day was one of the longest days, but not long enough. The lock clicked, worked. He was through. He had a drink; he drank it on the porch, listening to his daughter. ‘It was so sweet,’ she was saying, ‘during the worst of it, how all the butchers and bakery shops kept open by candlelight. They’re all so plucky and cute. From the papers, things sounded so much worse here – people shooting people in gas lines, and everybody freezing.’

  Richard asked her, ‘Do you still want to live in England forever?’ Forever: the concept, now a reality upon him, pressed and scratched at the back of his throat.