The Poisonwood Bible by Barbara Kingsolver
Then he looked at her with his one eye turned mean and said, "You of all people."
She turned red and breathed out like she does. She said, "Even something precious can get shabby in the course of things. Considering what they're up against here, that might not be such a bad attitude for them to take."
After that Mama put pins back in her mouth, so no more talking.
He didn't say anything,Yes or No, just turned his back and went
on out. He doesn't approve talking back. If that was me, oh, boy.
That razor strop burns so bad, after you go to bed your legs still feel
stripedy like a zebra horse.
I'll tell you one thing that Father has sure wore out bad: his old green swivel rocker in the living room of our house where we live in Bethlehem, Georgia.You can see white threads in the shape of a bottom. It doesn't look very polite. And nobody but him did it, either. He sits there of an evening and reads and reads. Once in a while he reads to us out loud when we have our scripture stories. Sometimes I get to picking my scabs and think about cartoons instead of Jesus, and He sees me doing that. But Jesus loves me and this I know: nobody can sit in that green swivel rocker but Father.
Mama says there's another man and lady with two little girls and a baby living in our house in Bethlehem, Georgia. The man is the minister while we're gone. I hope they know about Father's chair because if they sit in it, oh, boy. They'11 get it.
Adah
IT WAS NEITHER DIABOLICAL NOR DIVINE; it but shook the doors of the prison house of my disposition; and like the captives qfPhilippi, that which stood within ran forth. So feel I. Living in the Congo shakes open the prison house of my disposition and lets all the wicked hoodoo Adahs run forth.
To amuse my depraved Ada self during homework time I wrote down that quote from memory on a small triangular piece of paper and passed it to Leah, with the query: FROM WHAT BOOK OF THE BIBLE? Leah fancies herself Our Father's star pupil in matters Biblical. Star Pupil: Eipup Rats. Miss Rat-pup read the quote, nodding solemnly, and wrote underneath, The book of Luke. I'm not sure which verse.
Hah! I can laugh very hard without even smiling on the outside.
The quote is from The Strange Case of Dr. Jekyll and Mr. Hyde, which I have read many times. I have a strong sympathy for Dr. Jekyll's dark desires and for Mr. Hyde's crooked body.
Before we fled Bethlehem's drear libraries I had also recently read The Pilgrim's Progress and Paradise Lost, which have weaker plot lines than Dr. Jekyll, and many other books Our Father does not know about, including the poems of Miss Emily Dickinson and Tales of the Grotesque and Arabesque by Edgar Allan Poe. I am fond of Mr. Poe and his telltale Raven: Erom Reven!
Mother is the one who notices, and tells naught. She started it all, reading the Psalms and various Family Classics aloud to Leah and me. Mother has a pagan's appreciation for the Bible, being devoted
THE POISONWOOD BIBLE 56
to such phrases as "purge me with hyssop," and "strong bulls of Bashan have beset me round," and "thou hast put off my sackcloth and girded me with gladness." Likely she would run through the fields dressed in sackcloth, hunting hyssop amongst the wild bulls, if not obligated to the higher plane of Motherhood. She is especially beset by Leah's and my status as exceptional children. When we entered the first grade, we were examined by the spinster principal of Bethlehem Elementary, Miss Leep, who announced that we were gifted: Leah, on account of her nonchalant dazzling scores on reading-comprehension tests, and myself by association, as I am presumed to have the same brain insofar as the intact parts go. This was a shock to Mother, who up to that point had offered us no education higher than the names of the wildflowers growing in the roadside ditches where we walked barefoot (when Our Father's scorching eyes were not upon us: Sun o put o not upon us!) from the parsonage to the corner market. My earliest Mother memories lie laughing blue-eyed in the grass, child herself, rolling side to side as Rachel and Leah decorated her all over with purple-clover jewelry. Once Leah and I were gifted, though, everything changed. Mother seemed sobered by this news from our teachers, as if she had earned a special punishment from God. She became secretive and efficient. She reined in our nature walks and settled down to business with a library card.
She need not have troubled with secrecy, for all Our Father noticed. On first hearing Miss Leep's news he merely rolled his eyes, as if two dogs in his yard had reportedly been caught whistling "Dixie." He warned Mother not to flout God's Will by expecting too much for us. "Sending a girl to college is like pouring water in your shoes," he still loves to say, as often as possible. "It's hard to say which is worse, seeing it run out and waste the water, or seeing it hold in and wreck the shoes."
And so I shall never have opportunity to have my leather wrecked by college, but I do owe a great debt to Miss Leep for saving me from the elementary discard heap. A principal less observant would have placed Leah in Gifted, and Adah in Special Ed with the mongoloids and all six of Bethlehem's thumb-sucking, ear-pulling
GENESIS 57
Crawley children, and there would I remain, to learn how to pull my own ear. Overjoyed, null and void, Mongoloid. I still have a fellow feeling for that almond-tasting word.
Oh, but it did unsettle the matrons of Bethlehem to see the poor thing boosted into a class ahead of their own children, there to become dazzling slick-quick at mathematics. In third grade I began to sum up our grocery bill in my head, silently write it down and hand it over, faster than Delma Royce could total it on her cash register. This became a famous event and never failed to draw a crowd. I had no idea why. I merely felt drawn in by those rattling, loose numbers needing their call to order. No one seemed to realize calculating sums requires only the most basic machinery and good concentration. Poetry is far more difficult. And palindromes, with their perfect, satisfying taste: Draw a level award! Yet it is always the thin gray grocery sums that make an impression.
My hobby is to ignore the awards and excel when I choose. I can read and write French, which in Kilanga is spoken by all who ever passed through the Underdowns' school. My sisters seem not to have slowed down long enough to learn French. Speaking, as I said?along with the rest of life's acrobatics?can be seen in a certain light as a distraction.
When I-finish reading a book from front to back, I read it back to front. It is a different book, back to front, and you can learn new things from it. It from things new learn can you and front to back book different a is it?
You can agree or not, as you like. This is another way to read it, although I am told a normal brain will not grasp it: Ti morf sgniht wen nrael nac uoy dna tnorf ot kcab koob tnereffid a si ti. The normal, I understand, can see words my way only if they are adequately poetic: Poor Dan is in a droop.
My own name, as I am accustomed to think of it, is Ecirp Nelle Hada. Sometimes I write it this way without thinking, and people turn up startled. To them I am only Adah or, to my sisters sometimes, the drear monosyllabic Ade, lemonade, Band-Aid, frayed blockade, switchblade renegade, call a spade a spade.
THE POISONWOOD BIBLE 58
I prefer Ada as it goes either way, like me. I am a perfect palindrome. Damn mad! Across the cover of my notebook I have written as a warning to others:
ELAPSED OR ESTEEMED, ALL ADE MEETS ERODES PALE!
For my twin sister's name I prefer the spelling Lee, as that makes her?from the back-court position from which I generally watch her?the slippery length of muscle that she is.
The Congo is a fine place to learn how to read the same book many times. When the rain pours down especially, we have long hours of captivity, in which my sisters determinedly grow bored. But are there books, books there are! Rattling words on the page calling my eyes to dance with them. Everyone else will finish with the singular plowing through, and Ada still has discoveries ahead and behind.
When the rainy season fell on us in Kilanga, it fell like a plague. We were warned to expect rain in October, but at the close of July? surprising no one in Kilanga but ourselves?
the serene heavens above began to dump buckets. Stekcub pmud! It rained pitchforks, as Mother says. It rained cats and dogs frogs bogs then it rained snakes and lizards. A pestilence of rain we received, the likes of which we had never seen or dreamed about in Georgia.
Under the eave of the porch our charge Methuselah screamed like a drowning man in his cage. Methuselah is an African Grey parrot with a fine scaly look to his head, a sharp skeptical eye like Miss Leep's, and a scarlet tail. He resides in a remarkable bamboo cage as tall as Ruth May. His perch is a section of a sturdy old-fashioned yardstick, triangular in cross-section. Long ago someone broke off the inches nineteen through thirty-six and assigned these to Methuselah for the conduct of his affairs.
Parrots are known to be long-lived, and among all the world's birds, African Greys are best at imitating human speech. Methuselah may or may not have heard about this, for he mumbles badly. He mumbles to himself all day long like Grandfather Wharton. Mostly he says incomprehensible things in Kikongo but also speaks like Mr.
GENESIS 59
Poe's Raven a desultory English. On the first day of rain, he raised his head and screeched through the roar of the storm his best two phrases in our language: first, in Mama Tataba's side-slant voice, "Wake up, Brothah FowelslWake up, Brothah Fowels!" Then in a low-pitched growl,"Piss off, Methuselah!" The Reverend Price looked up from his desk by the window and made note of the words "Piss off." The morally suspect ghost of Brother Fowles was thick upon us.
"That," the Reverend declared, "is a Catholic bird." Mother looked up from her sewing. My sisters and I shifted in our chairs, expecting Father to assign Methuselah "The Verse."
The dreaded Verse is our household punishment. Other lucky children might merely be thrashed for their sins, but we Price girls are castigated with the Holy Bible. The Reverend will level his gaze and declare, "You have The Verse." Then slowly, as we squirm on his hook, he writes on a piece of paper, for example: Jeremiah 48:18. Then say ye good-bye to sunshine or the Hardy Boys for an afternoon as you, poor sinner, must labor with a pencil in your good left hand to copy out Jeremiah 48:18, "Come down from your throne of glory and sit in the mire, O daughter that dwells in Dibon," and additionally, the ninety-nine verses that follow it. One hundred full verses exactly copied out in longhand, because it is the final one that reveals your crime. In the case of Jeremiah 48:18, the end is Jeremiah 50:31, "Lo! I am against you, O Insolence! saith the oracle of the Lord, the God of hosts; For your day has come, your time of reckoning." Only upon reaching that one-hundredth verse do you finally understand you are being punished for the sin of insolence. Although you might well have predicted it.
, He sometimes has us copy from Old King James, but prefers to use the American Translation that includes his peculiarly beloved Apocrypha. That is one pet project of the Reverend's: getting other Baptists to swallow the Apocrypha.
I have wondered, incidentally: does Our Father have his Bibles so entirely in mind that he can select an instructive verse and calculate backward to the one-hundredth previous? Or does he sit up nights
THE POISONWOOD BIBLE 60
searching out a Verse for every potential infraction, and store this ammunition at the ready for his daughters? Either way, it is as impressive as my grocery sums in the Piggly Wiggly. We all, especially Rachel, live in terror of the cursed Verse.
But in the case of the cursing parrot that first long rainy day, Methuselah could not be made to copy the Bible. Curiously exempt from the Reverend's rules was Methuselah, in the same way Our Father was finding the Congolese people beyond his power. Methuselah was a sly little representative of Africa itself, living openly in our household. One might argue, even, that he was here
first. ?. ? ??'?? ?'??. ??;?; ?:?
We listened to parrot prattle and sat confined, uncomfortably close to Our Father. For five solid hours of downpour we watched small red frogs with immense, cartoonlike toes squeeze in around the windows and hop steadily up the walls. Our all-weather coats hung on their six pegs; possibly they were meant for all weather but
this.
Our house is made of mud-battered walls and palm thatch, but is different from all other houses in Kilanga. In the first place it is larger, with a wide front room and two bedrooms in back, one of ?which resembles a hospital scene from Florence Nightingale's time, as it is chock-full of cots under triangles of mosquito net for the family surplus of girls. The kitchen is a separate hut, behind the main house. In the clearing beyond stands our latrine, unashamed, despite the vile curses rained upon it daily by Rachel. The chicken house is back there too. Unlike the other villagers' houses, our windows are square panes of glass and our foundation and floor are cement. All other houses have floors of dirt. Curt, subvert, overexert. We see village women constantly sweeping their huts and the barren clearings in front of their homes with palm-frond brooms, and Rachel with her usual shrewdness points out you could sweep a floor like that plumb to China and never get it clean. By the grace of God and cement our family has been spared that frustration.
In the front room our dining table looks to have come off a wrecked ship, and there is an immense rolltop desk (possibly from
, GENESIS 61
the same ship) used by Our Father for writing his sermons. The desk has wooden legs and cast-iron chicken's feet, each clutching a huge glass marble, though three of the marbles are cracked and one is gone, replaced by a chink of coconut husk in the interest of a level writing surface. In our parents' room, more furniture: a wooden bureau and an old phonograph cabinet with no workings inside. All brought by other brave Baptists before us, though it is hard to see quite how, unless one envisions a time when other means of travel were allowed, and more than forty-four pounds. We also have a dining table and a rough handmade cupboard, containing a jumble-sale assortment of glass and plastic dishes and cups, one too few of everything, so we sisters have to bargain knives for forks while we eat. The cabinet also contains an ancient cracked plate commemorating the World's Fair in St. Louis, Missouri, and a plastic cup bearing the nose and ears of a mouse. And in the midst of this rabble, serene as the Virgin Mother in her barnful of shepherds and scabby livestock, one amazing, beautiful thing: a large, oval white platter painted with delicate blue forget-me-nots, bone china, so fine that sunlight passes through it. Its origin is unfathomable. If we forgot ourselves we might worship it.
Outdoors we have a long shady porch our mother in her Mississippi-born way calls a veranda. My sisters and I love to lounge there in the hammocks, and we longed for refuge there even on the day of our first downpour. But the storm lashed sideways, battering the walls and poor Methuselah. When his screaming got too pathetic to bear, our grim-faced mother brought in his cage and set it on the floor by the window, where Methuselah continued his loud, random commentary. In addition to papism, the Reverend probably suspected this noisy creature of latent femaleness.
The deluge finally stopped just before sunset. The world looked stepped on and drenched, but my sisters ran out squealing like the first free pigs off the ark, eager to see what the flood had left us. A low cloud in the air turned out to be tiny flying antlike creatures by the millions. They hovered just above the ground, making a long, low hum that stretched to the end of the world. Their bodies made
THE POISONWOOD BIBLE 62
clicking sounds as we swatted them away from us. We hesitated at the edge of the yard, where the muddy clearing grades into a long grass slope, then charged on into the grass, until our way was barred by the thousand crossed branches of the forest's edge: avocado, palms, tall wild sugar-cane thickets.This forest obscures our view of the river, and any other distance. The village's single dirt road skirts our yard and runs past us into the village to the south; on the north it disappears into the woods.Though -we watch MamaTataba vanish that way and return again, intact, with her water buckets full, our mother did not yet trust the path to swallow and deliver her children. So we turned and tromped back up the hill toward the pair of flowery round h
ibiscus bushes that flank the steps to our porch.
What a landing party we were as we stalked about, identically dressed in saddle oxfords, long-tailed shirts, and pastel cotton pants, but all so different. Leah went first as always, Goddess of the Hunt, her weasel-colored pixie haircut springing with energy, her muscles working together like parts of a clock. Then came the rest of us: Ruth May with pigtails flying behind her, hurrying mightily because she is youngest and believes the last shall be first. And then Rachel, our family's own Queen of Sheba, blinking her white eyelashes, flicking her long whitish hair as if she were the palomino horse she once craved to own. Queen Rachel drifted along several paces behind, looking elsewhere. She was almost sixteen and above it all, yet still unwilling for us to find something good without her. Last of all came Adah the monster, Quasimodo, dragging her right side behind her left in her body's permanent stepsong sing: left . . . behind, left . . . behind.
This is our permanent order: Leah, Ruth May, Rachel, Adah. Neither chronological nor alphabetical but it rarely varies, unless Ruth May gets distracted and falls out of line.
At the foot of the hibiscus bush we discovered a fallen nest of baby birds, all drowned. My sisters were thrilled by the little naked, winged bodies like storybook griffins, and by the horrible fact they were dead. Then we found the garden. Rachel screamed triumphantly that it was ruined once and for all. Leah fell to her knees
GENESIS 63
in a demonstration of grief on Our Father's behalf. The torrent had swamped the flat bed and the seeds rushed out like runaway boats. We found them everywhere in caches in the tall grass at the edge of the patch. Most had already sprouted in the previous weeks, but their little roots had not held them to the Reverend Farmer's flat-as-Kansas beds against the torrent. Leah walked along on her knees, gathering up sprouts in her shirttail, as she probably imagined Saca-jaweah would have done in the same situation.
Later Our Father came out to survey the damage, and Leah helped him sort out the seeds by kind. He declared he would make them grow, in the name of God, or he would plant again (the Reverend, like any prophet worth his salt, had held some seeds in reserve) if only the sun would ever come out and dry up this accursed mire.
Even at sunset, the two of them did not come in for supper. Mama Tataba bent over the table in our mother's large white apron, which made her look' counterfeit and comic, as though acting the role of maid in a play. She watched him steadily out the window, smiling her peculiar downturned smile, and made satisfied clicks with her tongue against her teeth. We set ourselves to the task of eating her cooking, fried plantain and the luxury of some canned meat.
She turned red and breathed out like she does. She said, "Even something precious can get shabby in the course of things. Considering what they're up against here, that might not be such a bad attitude for them to take."
After that Mama put pins back in her mouth, so no more talking.
He didn't say anything,Yes or No, just turned his back and went
on out. He doesn't approve talking back. If that was me, oh, boy.
That razor strop burns so bad, after you go to bed your legs still feel
stripedy like a zebra horse.
I'll tell you one thing that Father has sure wore out bad: his old green swivel rocker in the living room of our house where we live in Bethlehem, Georgia.You can see white threads in the shape of a bottom. It doesn't look very polite. And nobody but him did it, either. He sits there of an evening and reads and reads. Once in a while he reads to us out loud when we have our scripture stories. Sometimes I get to picking my scabs and think about cartoons instead of Jesus, and He sees me doing that. But Jesus loves me and this I know: nobody can sit in that green swivel rocker but Father.
Mama says there's another man and lady with two little girls and a baby living in our house in Bethlehem, Georgia. The man is the minister while we're gone. I hope they know about Father's chair because if they sit in it, oh, boy. They'11 get it.
Adah
IT WAS NEITHER DIABOLICAL NOR DIVINE; it but shook the doors of the prison house of my disposition; and like the captives qfPhilippi, that which stood within ran forth. So feel I. Living in the Congo shakes open the prison house of my disposition and lets all the wicked hoodoo Adahs run forth.
To amuse my depraved Ada self during homework time I wrote down that quote from memory on a small triangular piece of paper and passed it to Leah, with the query: FROM WHAT BOOK OF THE BIBLE? Leah fancies herself Our Father's star pupil in matters Biblical. Star Pupil: Eipup Rats. Miss Rat-pup read the quote, nodding solemnly, and wrote underneath, The book of Luke. I'm not sure which verse.
Hah! I can laugh very hard without even smiling on the outside.
The quote is from The Strange Case of Dr. Jekyll and Mr. Hyde, which I have read many times. I have a strong sympathy for Dr. Jekyll's dark desires and for Mr. Hyde's crooked body.
Before we fled Bethlehem's drear libraries I had also recently read The Pilgrim's Progress and Paradise Lost, which have weaker plot lines than Dr. Jekyll, and many other books Our Father does not know about, including the poems of Miss Emily Dickinson and Tales of the Grotesque and Arabesque by Edgar Allan Poe. I am fond of Mr. Poe and his telltale Raven: Erom Reven!
Mother is the one who notices, and tells naught. She started it all, reading the Psalms and various Family Classics aloud to Leah and me. Mother has a pagan's appreciation for the Bible, being devoted
THE POISONWOOD BIBLE 56
to such phrases as "purge me with hyssop," and "strong bulls of Bashan have beset me round," and "thou hast put off my sackcloth and girded me with gladness." Likely she would run through the fields dressed in sackcloth, hunting hyssop amongst the wild bulls, if not obligated to the higher plane of Motherhood. She is especially beset by Leah's and my status as exceptional children. When we entered the first grade, we were examined by the spinster principal of Bethlehem Elementary, Miss Leep, who announced that we were gifted: Leah, on account of her nonchalant dazzling scores on reading-comprehension tests, and myself by association, as I am presumed to have the same brain insofar as the intact parts go. This was a shock to Mother, who up to that point had offered us no education higher than the names of the wildflowers growing in the roadside ditches where we walked barefoot (when Our Father's scorching eyes were not upon us: Sun o put o not upon us!) from the parsonage to the corner market. My earliest Mother memories lie laughing blue-eyed in the grass, child herself, rolling side to side as Rachel and Leah decorated her all over with purple-clover jewelry. Once Leah and I were gifted, though, everything changed. Mother seemed sobered by this news from our teachers, as if she had earned a special punishment from God. She became secretive and efficient. She reined in our nature walks and settled down to business with a library card.
She need not have troubled with secrecy, for all Our Father noticed. On first hearing Miss Leep's news he merely rolled his eyes, as if two dogs in his yard had reportedly been caught whistling "Dixie." He warned Mother not to flout God's Will by expecting too much for us. "Sending a girl to college is like pouring water in your shoes," he still loves to say, as often as possible. "It's hard to say which is worse, seeing it run out and waste the water, or seeing it hold in and wreck the shoes."
And so I shall never have opportunity to have my leather wrecked by college, but I do owe a great debt to Miss Leep for saving me from the elementary discard heap. A principal less observant would have placed Leah in Gifted, and Adah in Special Ed with the mongoloids and all six of Bethlehem's thumb-sucking, ear-pulling
GENESIS 57
Crawley children, and there would I remain, to learn how to pull my own ear. Overjoyed, null and void, Mongoloid. I still have a fellow feeling for that almond-tasting word.
Oh, but it did unsettle the matrons of Bethlehem to see the poor thing boosted into a class ahead of their own children, there to become dazzling slick-quick at mathematics. In third grade I began to sum up our grocery bill in my head, silently write it down and hand it over, faster than Delma Royce could total it on her cash register. This became a famous event and never failed to draw a crowd. I had no idea why. I merely felt drawn in by those rattling, loose numbers needing their call to order. No one seemed to realize calculating sums requires only the most basic machinery and good concentration. Poetry is far more difficult. And palindromes, with their perfect, satisfying taste: Draw a level award! Yet it is always the thin gray grocery sums that make an impression.
My hobby is to ignore the awards and excel when I choose. I can read and write French, which in Kilanga is spoken by all who ever passed through the Underdowns' school. My sisters seem not to have slowed down long enough to learn French. Speaking, as I said?along with the rest of life's acrobatics?can be seen in a certain light as a distraction.
When I-finish reading a book from front to back, I read it back to front. It is a different book, back to front, and you can learn new things from it. It from things new learn can you and front to back book different a is it?
You can agree or not, as you like. This is another way to read it, although I am told a normal brain will not grasp it: Ti morf sgniht wen nrael nac uoy dna tnorf ot kcab koob tnereffid a si ti. The normal, I understand, can see words my way only if they are adequately poetic: Poor Dan is in a droop.
My own name, as I am accustomed to think of it, is Ecirp Nelle Hada. Sometimes I write it this way without thinking, and people turn up startled. To them I am only Adah or, to my sisters sometimes, the drear monosyllabic Ade, lemonade, Band-Aid, frayed blockade, switchblade renegade, call a spade a spade.
THE POISONWOOD BIBLE 58
I prefer Ada as it goes either way, like me. I am a perfect palindrome. Damn mad! Across the cover of my notebook I have written as a warning to others:
ELAPSED OR ESTEEMED, ALL ADE MEETS ERODES PALE!
For my twin sister's name I prefer the spelling Lee, as that makes her?from the back-court position from which I generally watch her?the slippery length of muscle that she is.
The Congo is a fine place to learn how to read the same book many times. When the rain pours down especially, we have long hours of captivity, in which my sisters determinedly grow bored. But are there books, books there are! Rattling words on the page calling my eyes to dance with them. Everyone else will finish with the singular plowing through, and Ada still has discoveries ahead and behind.
When the rainy season fell on us in Kilanga, it fell like a plague. We were warned to expect rain in October, but at the close of July? surprising no one in Kilanga but ourselves?
Under the eave of the porch our charge Methuselah screamed like a drowning man in his cage. Methuselah is an African Grey parrot with a fine scaly look to his head, a sharp skeptical eye like Miss Leep's, and a scarlet tail. He resides in a remarkable bamboo cage as tall as Ruth May. His perch is a section of a sturdy old-fashioned yardstick, triangular in cross-section. Long ago someone broke off the inches nineteen through thirty-six and assigned these to Methuselah for the conduct of his affairs.
Parrots are known to be long-lived, and among all the world's birds, African Greys are best at imitating human speech. Methuselah may or may not have heard about this, for he mumbles badly. He mumbles to himself all day long like Grandfather Wharton. Mostly he says incomprehensible things in Kikongo but also speaks like Mr.
GENESIS 59
Poe's Raven a desultory English. On the first day of rain, he raised his head and screeched through the roar of the storm his best two phrases in our language: first, in Mama Tataba's side-slant voice, "Wake up, Brothah FowelslWake up, Brothah Fowels!" Then in a low-pitched growl,"Piss off, Methuselah!" The Reverend Price looked up from his desk by the window and made note of the words "Piss off." The morally suspect ghost of Brother Fowles was thick upon us.
"That," the Reverend declared, "is a Catholic bird." Mother looked up from her sewing. My sisters and I shifted in our chairs, expecting Father to assign Methuselah "The Verse."
The dreaded Verse is our household punishment. Other lucky children might merely be thrashed for their sins, but we Price girls are castigated with the Holy Bible. The Reverend will level his gaze and declare, "You have The Verse." Then slowly, as we squirm on his hook, he writes on a piece of paper, for example: Jeremiah 48:18. Then say ye good-bye to sunshine or the Hardy Boys for an afternoon as you, poor sinner, must labor with a pencil in your good left hand to copy out Jeremiah 48:18, "Come down from your throne of glory and sit in the mire, O daughter that dwells in Dibon," and additionally, the ninety-nine verses that follow it. One hundred full verses exactly copied out in longhand, because it is the final one that reveals your crime. In the case of Jeremiah 48:18, the end is Jeremiah 50:31, "Lo! I am against you, O Insolence! saith the oracle of the Lord, the God of hosts; For your day has come, your time of reckoning." Only upon reaching that one-hundredth verse do you finally understand you are being punished for the sin of insolence. Although you might well have predicted it.
, He sometimes has us copy from Old King James, but prefers to use the American Translation that includes his peculiarly beloved Apocrypha. That is one pet project of the Reverend's: getting other Baptists to swallow the Apocrypha.
I have wondered, incidentally: does Our Father have his Bibles so entirely in mind that he can select an instructive verse and calculate backward to the one-hundredth previous? Or does he sit up nights
THE POISONWOOD BIBLE 60
searching out a Verse for every potential infraction, and store this ammunition at the ready for his daughters? Either way, it is as impressive as my grocery sums in the Piggly Wiggly. We all, especially Rachel, live in terror of the cursed Verse.
But in the case of the cursing parrot that first long rainy day, Methuselah could not be made to copy the Bible. Curiously exempt from the Reverend's rules was Methuselah, in the same way Our Father was finding the Congolese people beyond his power. Methuselah was a sly little representative of Africa itself, living openly in our household. One might argue, even, that he was here
first. ?. ? ??'?? ?'??. ??;?; ?:?
We listened to parrot prattle and sat confined, uncomfortably close to Our Father. For five solid hours of downpour we watched small red frogs with immense, cartoonlike toes squeeze in around the windows and hop steadily up the walls. Our all-weather coats hung on their six pegs; possibly they were meant for all weather but
this.
Our house is made of mud-battered walls and palm thatch, but is different from all other houses in Kilanga. In the first place it is larger, with a wide front room and two bedrooms in back, one of ?which resembles a hospital scene from Florence Nightingale's time, as it is chock-full of cots under triangles of mosquito net for the family surplus of girls. The kitchen is a separate hut, behind the main house. In the clearing beyond stands our latrine, unashamed, despite the vile curses rained upon it daily by Rachel. The chicken house is back there too. Unlike the other villagers' houses, our windows are square panes of glass and our foundation and floor are cement. All other houses have floors of dirt. Curt, subvert, overexert. We see village women constantly sweeping their huts and the barren clearings in front of their homes with palm-frond brooms, and Rachel with her usual shrewdness points out you could sweep a floor like that plumb to China and never get it clean. By the grace of God and cement our family has been spared that frustration.
In the front room our dining table looks to have come off a wrecked ship, and there is an immense rolltop desk (possibly from
, GENESIS 61
the same ship) used by Our Father for writing his sermons. The desk has wooden legs and cast-iron chicken's feet, each clutching a huge glass marble, though three of the marbles are cracked and one is gone, replaced by a chink of coconut husk in the interest of a level writing surface. In our parents' room, more furniture: a wooden bureau and an old phonograph cabinet with no workings inside. All brought by other brave Baptists before us, though it is hard to see quite how, unless one envisions a time when other means of travel were allowed, and more than forty-four pounds. We also have a dining table and a rough handmade cupboard, containing a jumble-sale assortment of glass and plastic dishes and cups, one too few of everything, so we sisters have to bargain knives for forks while we eat. The cabinet also contains an ancient cracked plate commemorating the World's Fair in St. Louis, Missouri, and a plastic cup bearing the nose and ears of a mouse. And in the midst of this rabble, serene as the Virgin Mother in her barnful of shepherds and scabby livestock, one amazing, beautiful thing: a large, oval white platter painted with delicate blue forget-me-nots, bone china, so fine that sunlight passes through it. Its origin is unfathomable. If we forgot ourselves we might worship it.
Outdoors we have a long shady porch our mother in her Mississippi-born way calls a veranda. My sisters and I love to lounge there in the hammocks, and we longed for refuge there even on the day of our first downpour. But the storm lashed sideways, battering the walls and poor Methuselah. When his screaming got too pathetic to bear, our grim-faced mother brought in his cage and set it on the floor by the window, where Methuselah continued his loud, random commentary. In addition to papism, the Reverend probably suspected this noisy creature of latent femaleness.
The deluge finally stopped just before sunset. The world looked stepped on and drenched, but my sisters ran out squealing like the first free pigs off the ark, eager to see what the flood had left us. A low cloud in the air turned out to be tiny flying antlike creatures by the millions. They hovered just above the ground, making a long, low hum that stretched to the end of the world. Their bodies made
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clicking sounds as we swatted them away from us. We hesitated at the edge of the yard, where the muddy clearing grades into a long grass slope, then charged on into the grass, until our way was barred by the thousand crossed branches of the forest's edge: avocado, palms, tall wild sugar-cane thickets.This forest obscures our view of the river, and any other distance. The village's single dirt road skirts our yard and runs past us into the village to the south; on the north it disappears into the woods.Though -we watch MamaTataba vanish that way and return again, intact, with her water buckets full, our mother did not yet trust the path to swallow and deliver her children. So we turned and tromped back up the hill toward the pair of flowery round h
What a landing party we were as we stalked about, identically dressed in saddle oxfords, long-tailed shirts, and pastel cotton pants, but all so different. Leah went first as always, Goddess of the Hunt, her weasel-colored pixie haircut springing with energy, her muscles working together like parts of a clock. Then came the rest of us: Ruth May with pigtails flying behind her, hurrying mightily because she is youngest and believes the last shall be first. And then Rachel, our family's own Queen of Sheba, blinking her white eyelashes, flicking her long whitish hair as if she were the palomino horse she once craved to own. Queen Rachel drifted along several paces behind, looking elsewhere. She was almost sixteen and above it all, yet still unwilling for us to find something good without her. Last of all came Adah the monster, Quasimodo, dragging her right side behind her left in her body's permanent stepsong sing: left . . . behind, left . . . behind.
This is our permanent order: Leah, Ruth May, Rachel, Adah. Neither chronological nor alphabetical but it rarely varies, unless Ruth May gets distracted and falls out of line.
At the foot of the hibiscus bush we discovered a fallen nest of baby birds, all drowned. My sisters were thrilled by the little naked, winged bodies like storybook griffins, and by the horrible fact they were dead. Then we found the garden. Rachel screamed triumphantly that it was ruined once and for all. Leah fell to her knees
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in a demonstration of grief on Our Father's behalf. The torrent had swamped the flat bed and the seeds rushed out like runaway boats. We found them everywhere in caches in the tall grass at the edge of the patch. Most had already sprouted in the previous weeks, but their little roots had not held them to the Reverend Farmer's flat-as-Kansas beds against the torrent. Leah walked along on her knees, gathering up sprouts in her shirttail, as she probably imagined Saca-jaweah would have done in the same situation.
Later Our Father came out to survey the damage, and Leah helped him sort out the seeds by kind. He declared he would make them grow, in the name of God, or he would plant again (the Reverend, like any prophet worth his salt, had held some seeds in reserve) if only the sun would ever come out and dry up this accursed mire.
Even at sunset, the two of them did not come in for supper. Mama Tataba bent over the table in our mother's large white apron, which made her look' counterfeit and comic, as though acting the role of maid in a play. She watched him steadily out the window, smiling her peculiar downturned smile, and made satisfied clicks with her tongue against her teeth. We set ourselves to the task of eating her cooking, fried plantain and the luxury of some canned meat.