The Things They Carried by Tim O'Brien
"Well, maybe not. But I had the chance and I blew it. The stink, that's what got to me. I couldn't take that goddamn awful smell."
"If you don't want to say more—"
"I do want to."
"All right then. Slow and sweet, take your time."
The road descended into the outskirts of town, turning northwest past the junior college and the tennis courts, then past Chautauqua Park, where the picnic tables were spread with sheets of colored plastic and where picnickers sat in lawn chairs and listened to the high school band playing Sousa marches under the band shell. The music faded after a few blocks. He drove beneath a canopy of elms, then along a stretch of open shore, then past the municipal docks, where a woman in pedal pushers stood casting for bullheads. There were no other fish in the lake except for perch and a few worthless carp. It was a bad lake for swimming and fishing both.
He drove slowly. No hurry, nowhere to go. Inside the Chevy the air was cool and oily-smelling, and he took pleasure in the steady sounds of the engine and air-conditioning. A tour bus feeling, in a way, except the town he was touring seemed dead. Through the windows, as if in a stop-motion photograph, the place looked as if it had been hit by nerve gas, everything still and lifeless, even the people. The town could not talk, and would not listen. "How'd you like to hear about the war?" he might have asked, but the place could only blink and shrug. It had no memory, therefore no guilt. The taxes got paid and the votes got counted and the agencies of government did their work briskly and politely. It was a brisk, polite town. It did not know shit about shit, and did not care to know.
Norman Bowker leaned back and considered what he might've said on the subject. He knew shit. It was his specialty. The smell, in particular, but also the numerous varieties of texture and taste. Someday he'd give a lecture on the topic. Put on a suit and tie and stand up in front of the Kiwanis club and tell the fuckers about all the wonderful shit he knew. Pass out samples, maybe.
Smiling at this, he clamped the steering wheel slightly right of center, which produced a smooth clockwise motion against the curve of the road. The Chevy seemed to know its own way.
The sun was lower now. Five fifty-five, he decided—six o'clock, tops.
Along an unused railway spur, four workmen labored in the shadowy red heat, setting up a platform and steel launchers for the evening fireworks. They were dressed alike in khaki trousers, work shirts, visored caps, and brown boots. Their faces were dark and smudgy. "Want to hear about the Silver Star I almost won?" Norman Bowker whispered, but none of the workmen looked up. Later they would blow color into the sky. The lake would sparkle with reds and blues and greens, like a mirror, and the picnickers would make low sounds of appreciation.
"Well, see, it never stopped raining," he would've said. "The muck was everywhere, you couldn't get away from it."
He would have paused a second.
Then he would have told about the night they bivouacked in a field along the Song Tra Bong. A big swampy field beside the river. There was a ville nearby, fifty meters downstream, and right away a dozen old mama-sans ran out and started yelling. A crazy scene, he would've said. The mama-sans just stood there in the rain, soaking wet, yapping away about how this field was bad news. Number ten, they said. Evil ground. Not a good spot for good GIs. Finally Lieutenant Jimmy Cross had to get out his pistol and fire off a few rounds just to shoo them away. By then it was almost dark. So they set up a perimeter, ate chow, then crawled under their ponchos and tried to settle in for the night.
But the rain kept getting worse. And by midnight the field turned into soup.
"Just this deep, oozy soup," he would've said. "Like sewage or something. Thick and mushy. You couldn't sleep. You couldn't even lie down, not for long, because you'd start to sink under the soup. Real clammy. You could feel the crud coming up inside your boots and pants."
Here, Norman Bowker would have squinted against the low sun. He would have kept his voice cool, no self-pity.
"But the worst part," he would've said quietly, "was the smell. Partly it was the river—a dead-fish smell—but it was something else, too. Finally somebody figured it out. What this was, it was a shit field. The village toilet. No indoor plumbing, right? So they used the field. I mean, we were camped in a goddamn shit field."
He imagined Sally Kramer closing her eyes.
If she were here with him, in the car, she would've said, "Stop it. I don't like that word."
"That's what it was."
"All right, but you don't have to use that word."
"Fine. What should we call it?"
She would have glared at him. "I don't know. Just stop it."
Clearly, he thought, this was not a story for Sally Kramer. She was Sally Gustafson now. No doubt Max would've liked it, the irony in particular, but Max had become a pure idea, which was its own irony. It was just too bad. If his father were here, riding shotgun around the lake, the old man might have glanced over for a second, understanding perfectly well that it was not a question of offensive language but of fact. His father would have sighed and folded his arms and waited.
"A shit field," Norman Bowker would have said. "And later that night I could've won the Silver Star for valor."
"Right," his father would've murmured, "I hear you."
The Chevy rolled smoothly across a viaduct and up the narrow tar road. To the right was open lake. To the left, across the road, most of the lawns were scorched dry like October corn. Hopelessly, round and round, a rotating sprinkler scattered lake water on Dr. Mason's vegetable garden. Already the prairie had been baked dry, but in August it would get worse. The lake would turn green with algae, and the golf course would burn up, and the dragonflies would crack open for want of good water.
The big Chevy curved past Centennial Beach and the A&W root beer stand.
It was his eighth revolution around the lake.
He followed the road past the handsome houses with their docks and wooden shingles. Back to Slater Park, across the causeway, around to Sunset Park, as though riding on tracks.
The two little boys were still trudging along on their seven-mile hike.
Out on the lake, the man in the stalled motorboat still fiddled with his engine. The pair of mud hens floated like wooden decoys, and the water-skiers looked tanned and athletic, and the high school band was packing up its instruments, and the woman in pedal pushers patiently rebaited her hook for another try.
Quaint, he thought.
A hot summer day and it was all very quaint and remote. The four workmen had almost completed their preparations for the evening fireworks.
Facing the sun again, Norman Bowker decided it was nearly seven o'clock. Not much later the tired radio announcer confirmed it, his voice rocking itself into a deep Sunday snooze. If Max Arnold were here, he would say something about the announcer's fatigue, and relate it to the bright pink in the sky, and the war, and courage. A pity that Max was gone. And a pity about his father, who had his own war and who now preferred silence.
Still, there was so much to say.
How the rain never stopped. How the cold worked into your bones. Sometimes the bravest thing on earth was to sit through the night and feel the cold in your bones. Courage was not always a matter of yes or no. Sometimes it came in degrees, like the cold; sometimes you were very brave up to a point and then beyond that point you were not so brave. In certain situations you could do incredible things, you could advance toward enemy fire, but in other situations, which were not nearly so bad, you had trouble keeping your eyes open. Sometimes, like that night in the shit field, the difference between courage and cowardice was something small and stupid.
The way the earth bubbled. And the smell.
In a soft voice, without flourishes, he would have told the exact truth.
"Late in the night," he would've said, "we took some mortar fire."
He would've explained how it was still raining, and how the clouds were pasted to the field, and how the mortar rounds seemed to c
The field was boiling. The shells made deep slushy craters, opening up all those years of waste, centuries worth, and the smell came bubbling out of the earth. Two rounds hit close by. Then a third, even closer, and immediately, off to his left, he heard somebody screaming. It was Kiowa—he knew that. The sound was ragged and clotted up, but even so he knew the voice. A strange gargling noise. Rolling sideways, he crawled toward the screaming in the dark. The rain was hard and steady. Along the perimeter there were quick bursts of gunfire. Another round hit nearby, spraying up shit and water, and for a few moments he ducked down beneath the mud. He heard the valves in his heart. He heard the quick, feathering action of the hinges. Extraordinary, he thought. As he came up, a pair of red flares puffed open, a soft blurry glow, and in the glow he saw Kiowa's wide-open eyes settling down into the scum. All he could do was watch. He heard himself moan. Then he moved again, crabbing forward, but when he got there Kiowa was almost completely under. There was a knee. There was an arm and a gold wrist-watch and part of a boot.
He could not describe what happened next, not ever, but he would've tried anyway. He would've spoken carefully so as to make it real for anyone who would listen.
There were bubbles where Kiowa's head should've been.
The left hand was curled open; the fingers were filthy; the wristwatch gave off a green phosphorescent shine as it slipped beneath the thick waters.
He would've talked about this, and how he grabbed Kiowa by the boot and tried to pull him out. He pulled hard but Kiowa was gone, and then suddenly he felt himself going, too. The shit was in his nose and eyes. There were flares and mortar rounds, and the stink was everywhere—it was inside him, in his lungs—and he could no longer tolerate it. Not here, he thought. Not like this. He released Kiowa's boot and watched it slide away. Slowly, working his way up, he hoisted himself out of the deep mud, and then he lay still and tasted the shit in his mouth and closed his eyes and listened to the rain and explosions and bubbling sounds.
He was alone.
He had lost his weapon but it didn't matter. All he wanted was a bath.
Nothing else. A hot soapy bath.
Circling the lake, Norman Bowker remembered how his friend Kiowa had disappeared under the waste and water.
"I didn't flip out," he would've said. "I was cool. If things had gone right, if it hadn't been for that smell, I could've won the Silver Star."
A good war story, he thought, but it was not a war for war stories, nor for talk of valor, and nobody in town wanted to know about the terrible stink. They wanted good intentions and good deeds. But the town was not to blame, really. It was a nice little town, very prosperous, with neat houses and all the sanitary conveniences.
Norman Bowker lit a cigarette and cranked open his window. Seven thirty-five, he decided.
The lake had divided into two halves. One half still glistened, the other was caught in shadow. Along the causeway, the two little boys marched on. The man in the stalled motorboat yanked frantically on the cord to his engine, and the two mud hens sought supper at the bottom of the lake, tails bobbing. He passed Sunset Park once again, and more houses, and the junior college and the tennis courts, and the picnickers, who now sat waiting for the evening fireworks. The high school band was gone. The woman in pedal pushers patiently toyed with her line.
Although it was not yet dusk, the A&W was already awash in neon lights.
He maneuvered his father's Chevy into one of the parking slots, let the engine idle, and sat back. The place was doing a good holiday business. Mostly kids, it seemed, and a few farmers in for the day. He did not recognize any of the faces. A slim, hipless young carhop passed by, but when he hit the horn, she did not seem to notice. Her eyes slid sideways. She hooked a tray to the window of a Firebird, laughing lightly, leaning forward to chat with the three boys inside.
He felt invisible in the soft twilight. Straight ahead, over the take-out counter, swarms of mosquitoes electrocuted themselves against an aluminum Pest-Rid machine.
It was a calm, quiet summer evening.
He honked again, this time leaning on the horn. The young carhop turned slowly, as if puzzled, then said something to the boys in the Firebird and moved reluctantly toward him. Pinned to her shirt was a badge that said EAT MAMA BURGERS.
When she reached his window, she stood straight up so that all he could see was the badge.
"Mama Burger," he said. "Maybe some fries, too."
The girl sighed, leaned down, and shook her head. Her eyes were as fluffy and airy-light as cotton candy.
"You blind?" she said.
She put out her hand and tapped an intercom attached to a steel post.
"Punch the button and place your order. All I do is carry the dumb trays."
She stared at him for a moment. Briefly, he thought, a question lingered in her fuzzy eyes, but then she turned and punched the button for him and returned to her friends in the Firebird.
The intercom squeaked and said, "Order."
"Mama Burger and fries," Norman Bowker said.
"Affirmative, copy clear. No rootie-tootie?"
"Rootie-tootie?"
"You know, man—root beer."
"A small one."
"Roger-dodger. Repeat: one Mama, one fries, one small beer. Fire for effect. Stand by."
The intercom squeaked and went dead.
"Out," said Norman Bowker.
When the girl brought his tray, he ate quickly, without looking up. The tired radio announcer in Des Moines gave the time, almost eight-thirty. Dark was pressing in tight now, and he wished there were somewhere to go. In the morning he'd check out job possibilities. Shoot a few buckets down at the Y, maybe wash the Chevy.
He finished his root beer and pushed the intercom button.
"Order," said the tinny voice.
"All done."
"That's it?"
"I guess so."
"Hey, loosen up," the voice said. "What you really need, friend?"
Norman Bowker smiled.
"Well," he said, "how'd you like to hear about—"
He stopped and shook his head.
"Hear what, man?"
"Nothing."
"Well, hey," the intercom said, "I'm sure as fuck not going anywhere. Screwed to a post, for God sake. Go ahead, try me."
"Nothing."
"You sure?"
"Positive. All done."
The intercom made a light sound of disappointment. "Your choice, I guess. Over an' out."
"Out," said Norman Bowker.
On his tenth turn around the lake he passed the hiking boys for the last time. The man in the stalled motorboat was gone; the mud hens were gone. Beyond the lake, over Sally Gustafson's house, the sun had left a smudge of purple on the horizon. The band shell was deserted, and the woman in pedal pushers quietly reeled in her line, and Dr. Mason's sprinkler went round and round.
On his eleventh revolution he switched off the air-conditioning, opened up his window, and rested his elbow comfortably on the sill, driving with one hand.
There was nothing to say.
He could not talk about it and never would. The evening was smooth and warm.
If it had been possible, which it wasn't, he would have explained how his friend Kiowa slipped away that night beneath the dark swampy field. He was folded in with the war; he was part of the waste.
Turning on his headlights, driving slowly, Norman Bowker r
He wished he could've explained some of this. How he had been braver than he ever thought possible, but how he had not been so brave as he wanted to be. The distinction was important. Max Arnold, who loved fine lines, would've appreciated it. And his father, who already knew, would've nodded.
"The truth," Norman Bowker would've said, "is I let the guy go."
"Maybe he was already gone."
"He wasn't."
"But maybe."
"No, I could feel it. He wasn't. Some things you can feel."
His father would have been quiet for a while, watching the headlights against the narrow tar road.
"Well, anyway," the old man would've said, "there's still the seven medals."
"I suppose."
"Seven honeys."
"Right."
On his twelfth revolution, the sky went crazy with color.
He pulled into Sunset Park and stopped in the shadow of a picnic shelter. After a time he got out, walked down to the beach, and waded into the lake without undressing. The water felt warm against his skin. He put his head under. He opened his lips, very slightly, for the taste, then he stood up and folded his arms and watched the fireworks. For a small town, he decided, it was a pretty good show.
Notes
"Speaking of Courage" was written in 1975 at the suggestion of Norman Bowker, who three years later hanged himself in the locker room of a YMCA in his hometown in central Iowa.
In the spring of 1975, near the time of Saigon's final collapse, I received a long, disjointed letter in which Bowker described the problem of finding a meaningful use for his life after the war. He had worked briefly as an automotive parts salesman, a janitor, a car wash attendant, and a short-order cook at the local A&W fast-food franchise. None of these jobs, he said, had lasted more than ten weeks. He lived with his parents, who supported him, and who treated him with kindness and obvious love. At one point he had enrolled in the junior college in his hometown, but the course work, he said, seemed too abstract, too distant, with nothing real or tangible at stake, certainly not the stakes of a war. He dropped out after eight months. He spent his mornings in bed. In the afternoons he played pickup basketball at the Y, and then at night he drove around town in his father's car, mostly alone, or with a six-pack of beer, cruising.