The Twelfth Card by Jeffery Deaver
Sachs nodded. And together she and the heavy detective walked toward the safe house. A silence thick as sand rested between them. Finally Sellitto glanced at her leg and said, "Limp's back."
"Back?"
"Yeah, when you were clearing the houses, across the street, I looked out the window. Seemed like you were walking fine."
"Sometimes it just fixes itself."
Sellitto shrugged. "Funny how stuff like that happens."
"Funny."
He knew what she'd done for him. He was telling her so. Then he added: "Okay, we got the shooter. But that's only half the job. We need the prick that hired him and his partner--who we gotta assume just took over Boyd's assignment. Get on the grid, Detective." Sellitto said this in a voice as gruff as any that Rhyme could muster.
This was the best thanks he could've given her: just knowing that he was back.
*
Often the most important piece of evidence is the last one you find.
Any good CS searcher'll assess the scene and immediately target the fragile items that are subject to evaporation, contamination by rain, dissipation by wind, and so on, leaving the obvious--like the literal smoking gun--to be collected later.
If the scene's secure, Lincoln Rhyme often said, the good stuff ain't going anywhere.
In both Boyd's residence and the safe house across the street, Sachs had collected latent prints, rolled up the trace, collected fluid samples from the toilet for DNA analysis, scraped floor and furniture surfaces, cut portions of the carpet for fiber samples and photographed and videoed the entire sites. Only then did she turn her attention to the larger and more obvious things. She arranged to have the acid and cyanide transported to the department's hazardousevidence holding center in the Bronx, and processed the improvised explosive device contained in the transistor radio.
She examined and logged in weapons and ammunition, the cash, coils of rope, tools. Dozens of other items that might prove helpful.
Finally Sachs picked up a small, white envelope that was sitting on a shelf near the front door of the safe house.
Inside was a single sheet of paper.
She read it. Then she gave a fast laugh. She read the letter again. And called Rhyme, thinking to herself: Brother, were we wrong.
*
"So," Rhyme said to Cooper as both men stared at the computer screen. "I'm betting a hundred bucks you're going to find more pure carbon, just like what was on the map hidden under his pillow on Elizabeth Street. You want to put some money on it? Any takers?"
"Too late," said the tech, as the analyzer beeped and the trace-elements analysis from the paper popped up in front of them. "Not that I would've bet anyway." He shoved his glasses higher on his nose and said, "And, yep, carbon. One hundred percent."
Carbon. Which could be found in charcoal or ash or a number of other substances.
But which could also be diamond dust.
"What's the business world's latest abomination of the English language?" the criminalist asked, his mood lighthearted once again. "We were one-eighty on this one."
Oh, they hadn't been off base about Boyd's being the perp or the fact he'd been hired to kill Geneva. No, it was the motive they'd blown completely. Everything they'd speculated about the early civil rights movement, about the present-day implications of Charles Singleton's setup in the Freedmen's Trust robbery, about the Fourteenth Amendment conspiracy . . . they'd been totally wrong.
Geneva Settle had been targeted to die simply because she'd seen something she shouldn't have: a jewelry robbery being planned.
The letter Amelia had found in his safe house contained diagrams of various buildings in Midtown, including the African-American museum. The note read: A black girl, fifth floor in this window, 2 October, about 0830. She saw my delivery van when he was parked in a alley behind the Jewelry echange. Saw enough to guess the plans of mine. Kill her.
The library window near the microfiche reader where Geneva was attacked was circled on the diagram.
In addition to the misspelling, the language of the note was unusual, which, to a criminalist, was good; it's far easier to trace the unusual than the common. Rhyme had Cooper send a copy to Parker Kincaid, a former FBI document examiner outside of D.C., currently in private practice. Like Rhyme, Kincaid was sometimes recruited by his old employer and other law enforcement agencies to consult in cases involving documents and handwriting. Kincaid's reply email said he'd get back to them as soon as he could.
As she looked over the letter Amelia Sachs shook her head angrily. She recounted the incident of the armed man she and Pulaski had seen outside the museum yesterday--the one who turned out to be a security guard, who'd told them about the valuable contents of the exchange, the multimillion-dollar shipments from Amsterdam and Jerusalem every day.
"Should've mentioned that," she said, shaking her head.
But who could have guessed that Thompson Boyd had been hired to kill Geneva because she'd looked out the window at the wrong time?
"But why steal the microfiche?" Sellitto asked.
"To lead us off, of course. Which it did pretty damn well." Rhyme sighed. "Here we were running around, thinking of constitutional law conspiracies. Boyd probably had no clue what Geneva was reading." He turned to the girl, who sat nearby cradling a cup of hot chocolate. "Someone, whoever wrote that note, saw you from the street. He or Boyd contacted the librarian to find out who you were and when you'd be back, so Boyd could be there, waiting for you. Dr. Barry was killed because he could connect you to them . . . . Now, think back to a week ago. You looked out the window at eight-thirty and saw a van and somebody in the alley. Do you remember what you saw?"
The girl squinted and looked down. "I don't know. I looked out the window a bunch. When I get tired of reading I walk around some, you know. I can't remember anything specific."
For ten minutes Sachs talked with Geneva, trying to coax her recollections into coming up with an image. But to recall a specific person and a delivery van on the busy streets of Midtown from a glance a week ago was too much for the girl's memory.
Rhyme called the director of the American Jewelry Exchange and told him what they'd learned. Asked if he had any idea who might be trying a heist, the man replied, "Fuck, no clue. It happens more than you'd think, though."
"We found traces of pure carbon in some of the evidence. Diamond dust, we're thinking."
"Oh, that'd mean they'd checked the alley near the loading dock probably. Nobody from outside gets near the cutting rooms, but, hey, you polish product, you get dust. It ends up in the vacuum cleaner bags and on everything we throw out."
The man chuckled, not much troubled by the news of the impending burglary. "I tell you, though, whoever's going after us's got some balls. We got the best fucking security in the city. Everybody thinks it's like on TV. We have guys come in to buy their girlfriends rings and they look around and ask where's those invisible beams that you wear goggles to see, you know? Well, the answer is they don't make any fucking invisible-beam machines. 'Cause if you can walk around the beams when you're wearing special goggles, then the bad guys are going to buy special fucking goggles and walk around them, right? Real alarms aren't like that. If a fly farts in our vault, the alarm goes off. And, fact is, the system's so tight a fly can't even get inside."
"I should have known," Lincoln Rhyme snapped after they hung up. "Look at the chart! Look at what we found in the first safe house." He nodded toward the reference to the map that had been found on Elizabeth Street. It showed only a basic outline of the library where Geneva was attacked. The jewelry exchange across the street was drawn in much greater detail, as were the nearby alleys, doors and loading docks--entrance and exit routes to and from the exchange, not the museum.
Two detectives from downtown had interrogated Boyd to find out the identity of the person behind the heist, the one who'd hired him, but he was stonewalling.
Sellitto then checked NYPD Larceny for suspicious activity reports in the diamo
They now turned to the evidence from Boyd's safe house and residence, in hopes of finding the mastermind of the theft. They examined the guns, the chemicals, the tools and the rest of the items, but there was nothing that they hadn't found before: more bits of orange paint, acid stains and crumbs of falafel and smears of yogurt, Boyd's favorite meal, it seemed. They ran the serial numbers on the money and came up with nothing from Treasury, and none of the bills yielded any fingerprints. To withdraw this much money from an account was risky for the man who hired Boyd because any such large transactions have to be reported under money laundering rules. But a fast check of recent large cash withdrawals from area banks came up with no leads. This was curious, Rhyme reflected, though he concluded that the perp had probably withdrawn small amounts of the cash over time for Boyd's fee.
The unsub was one of the few people on earth, it seemed, who didn't own a cell phone, or, if he did, his was an anonymous prepaid unit--there were no billing records--and he'd managed to dispose of it before he was caught. A look at Jeanne Starke's home phone bill yielded nothing suspicious except a half-dozen calls to payphones in Manhattan, Queens or Brooklyn, but there was no regular pattern to the locations.
Sellitto's heroics had, however, yielded some good evidence: fingerprints on the dynamite and the guts of the explosive transistor radio. The FBI's IAFIS and local print databases resulted in a name: Jon Earle Wilson. He'd done time in Ohio and New Jersey for an assortment of crimes, including arson, bombmaking and insurance fraud. But he'd fallen off the radar of the local authorities, Cooper reported. LKA was Brooklyn but that was a vacant lot.
"I don't want the last known address. I want the presently known. Get the feds on it too."
"Will do."
The doorbell rang. Everybody was on edge with the main perp and accomplice still unaccounted for and they looked at the doorway cautiously. Sellitto had answered the bell and he stepped into the lab with an African-American boy, midteens, tall, wearing calf-length shorts and a Knicks jersey. He was carrying a heavy shopping bag. He blinked in surprise at the sight of Lincoln Rhyme--and then at everything else in the room.
"Yo, yo, Geneva. What happenin'?"
She looked at him with a frown.
"Yo, I'm Rudy." He laughed. "You ain't remember me."
Geneva nodded. "Yeah. I think so. You're--"
"Ronelle's brother."
The girl said to Rhyme, "A girl in my class."
"How'd you know I was here?"
"Word up. Ronee hear it from somebody."
"Keesh probably. I told her," Geneva said to Rhyme.
The boy looked around the lab again then back to Geneva. "Yo, what it is, some of the girls got some shit together for you. You know, you ain't be in school and all so they thought you might want something to read. I say, damn, give the girl a Game-Boy, but they said, no, she like books. So they got it up for you with these."
"Really?"
"Word. Ain't no homework or nothing like that. Shit you can read for the fun of it."
"Who?"
"Ronelle, some other girls, don't know. Here. Weigh a ton."
"Well, thanks."
She took the bag.
"Girls tell me, say ever'thing gonna be cool."
Geneva gave a sour laugh and thanked him again, told him to say hello to the other kids in her class. The boy left. Geneva glanced down into the bag. She lifted out a book by Laura Ingalls Wilder. Geneva gave another laugh. "Don't know what they're thinking of. I read this, must be seven years ago." She dropped it back in the bag. "Anyway, it was nice of them."
"And useful," Thom said pointedly. "Not much here for you to read, I'm afraid." A sour glance at Rhyme. "I keep working on him. Music. He listens to music a lot now. Even threatens to write some tunes himself. But reading fiction? We haven't gotten that far yet."
Geneva gave him an amused smile and she took the heavy bag and walked toward the hallway as Rhyme said, "Thank you for airing laundry, Thom. In any case, now Geneva can read to her heart's content, which I'm sure she'd rather do than listening to your tedious editorializing. And as for my leisure time? I guess I don't have much of it, you know, trying to catch killers and all." His eyes returned to the evidence charts.
THOMPSON BOYD'S RESIDENCE AND PRIMARY SAFE HOUSE
* More falafel and yogurt, orange paint trace, as before.
* Cash (fee for job?) $100,000 in new bills. Untraceable. Probably withdrawn in small amounts over time.
* Weapons (guns, billy club, rope) traced to prior crime scenes.
* Acid and cyanide traced to prior crime scenes, no links to manufacturers.
* No cell phone found. Other telephone records not helpful.
* Tools traced to prior crime scenes.
* Letter revealing that G. Settle was targeted because she was a witness to a jewelry heist in the planning. More pure carbon--identified as diamond dust trace.
* Sent to Parker Kincaid in Washington, D.C., for document examination.
* Improvised explosive device, as part of booby trap. Fingerprints are those of convicted bomb maker Jon Earle Wilson. Presently searching for him.
POTTERS' FIELD SCENE (1868)
* Tavern in Gallows Heights--located in the Eighties on the Upper West Side, mixed neighborhood in the 1860s.
* Potters' Field was possible hangout for Boss Tweed and other corrupt New York politicians.
* Charles came here July 15, 1868.
* Burned down following explosion, presumably just after Charles's visit. To hide his secret?
* Body in basement, man, presumably killed by Charles Singleton.
* Shot in forehead by .36 Navy Colt loaded with .39-caliber ball (type of weapon Charles Singleton owned).
* Gold coins.
* Man was armed with Derringer.
* No identification.
* Had ring with name "Winskinskie" on it.
* Means "doorman" or "gatekeeper" in Delaware Indian language.
* Currently searching other meanings.
EAST HARLEM SCENE (GENEVA'S GREAT-AUNT'S APARTMENT) * Used cigarette and 9mm round as explosive device to distract officers. Merit brand, not traceable.
* Friction ridge prints: None. Glove-prints only.
* Poisonous gas device:
* Glass jar, foil, candleholder. Untraceable.
* Cyanide and sulfuric acid. Neither containing markers. Untraceable.
* Clear liquid similar to that found on Elizabeth Street.
* Determined to be Murine.
* Small flakes of orange paint. Posing as construction or highway worker?
ELIZABETH STREET SAFE HOUSE SCENE
* Used electrical booby trap.
* Fingerprints: None. Glove prints only.
* Security camera and monitor; no leads.
* Tarot deck, missing the twelfth card; no leads.
* Map with diagram of museum where G. Settle was attacked and buildings across the street.
* Trace:
* Falafel and yogurt.
* Wood scrapings from desk with traces of pure sulfuric acid.
* Clear liquid, not explosive. Sent to FBI lab.
* Determined to be Murine.
* More fibers from rope. Garrotte?
* Pure carbon found in map.
* Determined to be additional diamond dust.
* Safe house was rented, for cash, to Billy Todd Hammil. Fits Unsub 109's description, but no leads to an actual Hammil.
AFRICAN-AMERICAN MUSEUM SCENE
* Rape pack:
* Tarot card, twelfth card in deck, The Hanged Man,
* Smiley-face bag.
* Too generic to trace.
* Box cutter.
* Trojan condoms.
* Duct tape.
* Jasmine scent.
* Unknown item bought for $5.95. Probably a stocking cap.
* Receipt, indicating store was in New York City, discount variety store or drugstore.
* Most likely purchased in a store on Mulberry Street, Little Italy. Unsub identified by clerk.
* Fingerprints:
* Unsub wore latex or vinyl gloves.
* Prints on items in rape pack belonged to person with small hands, no IAFIS hits. Positive ID for clerk's.
* Trace:
* Cotton-rope fibers, some with traces of human blood. Garrotte?
* Sent to CODIS.
* No DNA match in CODIS.
* Popcorn and cotton candy with traces of canine urine.
* Weapons:
* Billy club or martial arts weapon.
* Pistol is a North American Arms .22 rimfire magnum, Black Widow or Mini-Master.
* Makes own bullets, bored-out slugs filled with needles. No match in IBIS or DRUGFIRE.
* Motive:
* G. Settle was a witness to a crime in the planning--at the American Jewelry Exchange across the street from the African-American museum.
* Profile of incident sent to VICAP and NCIC.
* Murder in Amarillo, TX, five years ago. Similar M.O.--staged crime scene (apparently ritual killing, but real motive unknown).
* Victim was a retired prison guard.
* Composite picture sent to Texas prison.
* Identified as Thompson G. Boyd, executions control officer.
* Murder in Ohio, three years ago. Similar M.O.--staged crime scene (apparently sexual assault, but real motive probably hired killing). Files missing.
PROFILE OF UNSUB 109
* Determined to be Thompson G. Boyd, former executions control officer, from Amarillo, TX.
* Presently in custody.
PROFILE OF PERSON HIRING UNSUB 109
* No information at this time.
PROFILE OF UNSUB 109'S ACCOMPLICE
* Black male.
* Late 30's, early 40's.
* Six feet.
* Solidly built.
* Wearing green combat jacket.
* Ex-convict.
* Has a limp.
* Reportedly armed.
* Clean-shaven.
* Black do-rag.
* Awaiting additional witnesses and security tapes.
* Tape inconclusive, sent to lab for analysis.