The Waves by Virginia Woolf
"So I thought that night in early autumn when we came together and dined once more at Hampton Court. Our discomfort was at first considerable, for each by that time was committed to a statement, and the other person coming along the road to the meeting-place dressed like this or that, with a stick or without seemed to contradict it. I saw Jinny look at Susan's earthy fingers and then hide her own; I, considering Neville, so neat and exact, felt the nebulosity of my own life blurred with all these phrases. He then boasted, because he was ashamed of one room and one person and his own success. Louis and Rhoda, the conspirators, the spies at table, who take notes, felt 'After all, Bernard can make the waiter fetch us rolls a contact denied us.' We saw for a moment laid out among us the body of the complete human being whom we have failed to be, but at the same time, cannot forget. All that we might have been we saw; all that we had missed, and we grudged for a moment the other's claim, as children when the cake is cut, the one cake, the only cake, watch their slice diminishing.
"However, we had our bottle of wine, and under that seduction lost our enmity, and stopped comparing. And, half-way through dinner, we felt enlarge itself round us the huge blackness of what is outside us, of what we are not. The wind, the rush of wheels became the roar of time, and we rushed where? And who were we? We were extinguished for a moment, went out like sparks in burnt paper and the blackness roared. Past time, past history we went. For me this lasts but one second. It is ended by my own pugnacity. I strike the table with a spoon. If I could measure things with compasses I would, but since my only measure is a phrase, I make phrases I forget what, on this occasion. We became six people at a table in Hampton Court. We rose and walked together 'down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough. And then Neville, Jinny, Susan and I as a wave breaks, burst asunder, surrendered to the next leaf, to the precise bird, to a child with a hoop, to a prancing dog, to the warmth that is hoarded in woods after a hot day, to the lights twisted like white ribbon on rippled waters. We drew apart; we were consumed in the darkness of the trees leaving Rhoda and Louis to stand on the terrace by the urn.
"When we returned from that immersion how sweet, how deep! and came to the surface and saw the conspirators still standing there it was with some compunction. We had lost what they had kept. We interrupted. But we were tired, and whether it had been good or bad, accomplished or left undone, the dusky veil was falling upon our endeavours; the lights were sinking as we paused for a moment upon the terrace that overlooks the river. The steamers were landing their trippers on the bank; there was a distant cheering, the sound of singing, as if people waved their hats and joined in some last song. The sound of the chorus came across the water and I felt leap up that old impulse, which has moved me all my life, to be thrown up and down on the roar of other people's voices, singing the same song; to be tossed up and down on the roar of almost senseless merriment, sentiment, triumph, desire. But not now. No! I could not collect myself; I could not distinguish myself; I could not help letting fall the things that had made me a minute ago eager, amused, jealous, vigilant and hosts of other things into the water. I could not recover myself from that endless throwing away, dissipation, flooding forth without our willing it and rushing soundlessly away out there under die arches of the bridge, round some clump of trees or an island, out where seabirds sit on stakes, over the roughened water to become waves in the sea I could not recover myself from that dissipation. So we parted.
"Was this then, this streaming away mixed with Susan, Jinny, Neville, Rhoda, Louis, a sort of death ? A new assembly of elements? Some hint of what was to come? The note was scribbled, the book shut, for I am an intermittent student. I do not say my lessons by any means at the stated hour. Later, walking down Fleet Street at the rush hour, I recalled that moment; I continued it. 'Must I for ever,' I said, 'beat my spoon on the tablecloth? Shall I not, too, consent?' The omnibuses were clogged; one came up behind another and stopped with a click, like a link added to a stone chain. People passed.
"Multitudinous, carrying attache-cases, dodging with incredible celerity in and out, they went past like a river in spate. They went past roaring like a train in a tunnel. Seizing my chance I crossed; dived down a dark passage and entered the shop where they cut my hair. I leant my head back and was swathed in a sheet. Looking-glasses confronted me in which I could see my pinioned body and people passing; stopping, looking, and going on indifferent. The hairdresser began to move his scissors to and fro. I felt myself powerless to stop the oscillations of the cold steel. So we are cut and laid in swathes, I said; so we lie side by side on the damp meadows, withered branches and flowering. We have no more to expose ourselves on the bare hedges to the wind and snow; no more to carry ourselves erect when the gale sweeps, to bear our burden upheld; or stay, unmurmuring, on those pallid noondays when the bird creeps close to the bough and the damp whitens the leaf. We are cut, we are fallen. We are become part of that unfeeling universe that sleeps when we are at our quickest and burns red when we lie asleep. We have renounced our station and lie now flat, withered and how soon forgotten! Upon which I saw an expression in the tail of the eye of the hairdresser as if something interested him in the street.
"What interested the hairdresser? What did the hairdresser see in the street? It is thus that I am recalled. (For I am no mystic; something always plucks at me curiosity, envy, admiration, interest in hairdressers and the like bring me to the surface.) While he brushed the fluff from my coat I took pains to assure myself of his identity and then, swinging my stick, I went into the Strand, and evoked to serve as opposite to myself the figure of Rhoda always so furtive, always with fear in her eyes, always seeking some pillar in the desert, to find which she had gone; she had killed herself. 'Wait,' I said, putting my arm in imagination (thus we consort with our friends) through her arm. 'Wait until these omnibuses have gone by. Do not cross so dangerously. These men are your brothers.' In persuading her I was also persuading my own soul. For this is not one life; nor do I always know if I am man or woman, Bernard or Neville, Louis, Susan, Jinny or Rhoda so strange is the contact of one with another.
"Swinging my stick, with my hair newly cut and the nape of my neck tingling, I went past all those trays of penny toys imported from Germany that men hold out in the street by St. Paul's St. Paul's, the brooding hen with spread wings from whose shelter run omnibuses and streams of men and women at the rush hour. I thought how Louis would mount those steps in his neat suit with his cane in his hand and his angular, rather detached gait. With his Australian accent ('My father, a banker at Brisbane') he would come, I thought, with greater respect to these old ceremonies than I do, who have heard the same lullabies for a thousand years. I am always impressed, as I enter, by die rubbed noses; the polished brasses; the flapping and the chanting, while one boy's voice wails round the dome like some lost and wandering dove. The recumbency and the peace of the dead impress me warriors at rest under their old banners. Then I scoff at the floridity and absurdity of some scrolloping tomb; and the trumpets and the victories and die coats of arms and die certainty, so sonorously repeated, of resurrection, of eternal life. My wandering and inquisitive eye then shows me an awe-stricken child; a shuffling pensioner; or the obeisances of tired shop-girls burdened with heaven knows what strife in their poor thin breasts come to solace themselves in the rush hour. I stray and look and wonder and sometimes, rather furtively, try to rise on the shaft of somebody else's prayer into the dome, out, beyond, wherever they go. But then like the lost and wailing dove, I find myself failing, fluttering, descendi
ng and perching upon some curious gargoyle, some battered nose or absurd tombstone, with humour, widi wonder, and so again watch the sightseers with their Baedekers shuffling past, while the boy's voice soars in the dome and the organ now and then indulges in a moment of elephantine triumph. How then, I asked, would Louis roof us all in? How would he confine us, make us one, with his red ink, with his very fine nib? The voice petered out in the dome, wailing.
"So into the street again, swinging my stick, looking at wire trays in stationers' shop-windows, at baskets of fruit grown in the colonies, murmuring Pillicock sat on Pillicock's Hill, or Hark, hark, the dogs do bark, or The World's great age begins anew, or Come away, come away, death mingling nonsense and poetry, floating in the stream. Something always has to be done next. Tuesday follows Monday; Wednesday, Tuesday. Each spreads the same ripple. The being grows rings, like a tree. Like a tree, leaves fall.
"For one day as I leant over a gate that led into a field, the rhythm stopped: the rhymes and the hummings, the nonsense and the poetry. A space was cleared in my mind. I saw through the thick leaves of habit. Leaning over the gate I regretted so much litter, so much unaccomplishment and separation, for one cannot cross London to see a friend, life being so full of engagements; nor take ship to India and see a naked man spearing fish in blue water. I said life had been imperfect, an unfinished phrase. It had been impossible for me, taking snuff as I do from any bagman met in a train, to keep coherency that sense of the generations, of women carrying red pitchers to the Nile, of the nightingale who sings among conquests and migrations. It had been too vast an undertaking, I said, and how can I go on lifting my foot perpetually to climb the stair? I addressed my self as one would speak to a companion with whom one is voyaging to the North Pole.
"I spoke to that self who has been with me in many tremendous adventures; the faithful man who sits over the fire when everybody has gone to bed, stirring the cinders with a poker; the man who has been so mysteriously and with sudden accretions of being built up, in a beech wood, sitting by a willow tree on a bank, leaning over a parapet at Hampton Court; the man who has collected himself in moments of emergency and banged his spoon on the table, saying, 'I will not consent.'
"This self now as I leant over the gate looking down over fields rolling in waves of colour beneath me made no answer. He threw up no opposition. He attempted no phrase. His fist did not form. I waited. I listened. Nothing came, nothing. I cried then with a sudden conviction of complete desertion, Now there is nothing. No fin breaks the waste of this immeasurable sea. Life has destroyed me. No echo comes when I speak, no varied words. This is more truly death than the death of friends, than the death of youth. I am the swathed figure in the hairdresser's shop taking up only so much space.
"The scene beneath me withered. It was like the eclipse when the sun went out and left the earth, flourishing in full summer foliage, withered, brittle, false. Also I saw on a winding road in a dust dance the groups we had made, how they came together, how they ate together, how they met in this room or that. I saw my own indefatigable busyness how I had rushed from one to the other, fetched and carried, travelled and returned, joined this group and that, here kissed, here withdrawn; always kept hard at it by some extraordinary purpose with my nose to the ground like a dog on the scent; with an occasional toss of the head, an occasional cry of amazement, despair and then back again with my nose to the scent. What a litter what a confusion; with here birth, here death; succulence and sweetness; effort and anguish; and myself always running hither and thither. Now it was done with. I had no more appetites to glut; no more stings in me with which to poison people; no more sharp teeth and clutching hands or desire to feel the pear and the grape and the sun beating down from the orchard wall.
"The woods had vanished; the earth was a waste of shadow. No sound broke the silence of the wintry landscape. No cock crowed; no smoke rose; no train moved. A man without a self, I said. A heavy body leaning on a gate. A dead man. With dis- passionate despair, with entire disillusionment I surveyed the dust dance; my life, my friends' lives, and those fabulous presences, men with brooms, women writing, the willow tree by the river clouds and phantoms made of dust too, of dust that changed, as clouds lose and gain and take gold or red and lose their summits and billow this way and that, mutable, vain. I, carrying a notebook, making phrases, had recorded merely changes; a shadow, I had been sedulous to take note of shadows. How can I proceed now, I said, without a self, weightless and visionless, through a world weightless, without illusion?
"The heaviness of my despondency thrust open the gate I leant on and pushed me, an elderly man, a heavy man with gray hair, through the colourless field, the empty field. No more to hear echoes, no more to see phantoms, to conjure up no opposition, but to walk always unshadowed making no impress upon the dead earth. If even there had been sheep munching, pushing one foot after another, or a bird, or a man driving a spade into the earth, had there been a bramble to trip me, or a ditch, damp with soaked leaves, into which to fall but no, the melancholy path led along the level, to more wintriness, and pallor and the equal and uninteresting view of the same landscape. "How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness some one walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge, slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
"So the landscape returned to me; so I saw fields rolling in waves of colour beneath me, but now with this difference; I saw but was not seen. I walked unshadowed; I came unheralded. From me had dropped the old cloak, the old response; the hollowed hand that beats back sounds. Thin, as a ghost, leaving no trace where I trod, perceiving merely, I walked alone in a new world, never trodden; brushing new flowers, unable to speak save in a child's words of one syllable; without shelter from phrases I who have made so many; unattended, I who have always gone with my kind; solitary I who have always had some one to share the empty grate, or the cupboard with its hanging loop of gold.
"But how describe the world seen without a self? There are no words. Blue, red even they distract, even they hide with thickness instead of letting the light through. How describe or say anything in articulate words again? save that it fades, save that it undergoes a gradual transformation, becomes, even in the course of one short walk, habitual this scene also. Blindness returns as one moves and one leaf repeats another. Loveliness returns as one looks with all its train of phantom phrases. One breathes in and out substantial breath; down in the valley the train draws across the fields lop-eared with smoke.
"But for a moment I had sat on the turf somewhere high above the flow of the sea and the sounds of the woods, had seen the house, the garden, and the waves breaking. The old nurse who turns the pages of the picture-book had stopped and had said, 'Look. This is the truth.'
"So I was thinking as I came along Shaftesbury Avenue tonight. I was thinking of that picture in the picture-book. And when I met you in the place where one goes to hang up one's coat I said to myself, 'It does not matter whom I meet. All this little affair of "being" is over. Who this is I do not know; nor care; we will dine together.' So I hung up my coat, tapped you on the shoulder, and said, 'Sit with me.'
"Now the meal is finished; we are surrounded by peelings and bread-crumbs. I have tried to break off this bunch and hand it you; but whether there is substance or truth in it I do not know. Nor do I know exactly where we are. What city does that stretch of sky look down upon? Is it Paris, is it London where we sit or some southern city of pink-washed houses lying under cypresses, under high mountains, where eagles soar? I do not at this momen
t feel certain.
"I begin now to forget; I begin to doubt the fixity of tables, the reality of here and now, to tap my knuckles smartly upon the edges of apparently solid objects and say, 'Are you hard?' I have seen so many different things, have made so many different sentences. I have lost in the process of eating and drinking and rubbing my eyes along surfaces that diin, hard shell which cases the soul, which, in youth, shuts one in hence the fierceness, and the tap, tap, tap of the remorseless beaks of the young. And now I ask, 'Who am I?' I have been talking of Bernard, Neville, Jinny, Susan, Rhoda and Louis. Am I all of them? Am I one and distinct? I do not know. We sat here together. But now Percival is dead, and Rhoda is dead; we are divided; we are not here. Yet I cannot find any obstacle separating us. There is no division between me and them. As I talked I felt, 'I am you.' This difference we make so much of, this identity we so feverishly cherish, was overcome. Yes, ever since old Mrs. Constable lifted her sponge and pouring warm water over me covered me with flesh I have been sensitive, percipient. Here on my brow is the blow I got when Percival fell. Here on the nape of my neck is the kiss Jinny gave Louis. My eyes fill with Susan's tears. I see far away, quivering like a gold thread, the pillar Rhoda saw, and feel the rush of the wind of her flight when she leapt.
"However, we had our bottle of wine, and under that seduction lost our enmity, and stopped comparing. And, half-way through dinner, we felt enlarge itself round us the huge blackness of what is outside us, of what we are not. The wind, the rush of wheels became the roar of time, and we rushed where? And who were we? We were extinguished for a moment, went out like sparks in burnt paper and the blackness roared. Past time, past history we went. For me this lasts but one second. It is ended by my own pugnacity. I strike the table with a spoon. If I could measure things with compasses I would, but since my only measure is a phrase, I make phrases I forget what, on this occasion. We became six people at a table in Hampton Court. We rose and walked together 'down the avenue. In the thin, the unreal twilight, fitfully like the echo of voices laughing down some alley, geniality returned to me and flesh. Against the gateway, against some cedar tree I saw blaze bright, Neville, Jinny, Rhoda, Louis, Susan and myself, our life, our identity. Still King William seemed an unreal monarch and his crown mere tinsel. But we against the brick, against the branches, we six, out of how many million millions, for one moment out of what measureless abundance of past time and time to come, burnt there triumphant. The moment was all; the moment was enough. And then Neville, Jinny, Susan and I as a wave breaks, burst asunder, surrendered to the next leaf, to the precise bird, to a child with a hoop, to a prancing dog, to the warmth that is hoarded in woods after a hot day, to the lights twisted like white ribbon on rippled waters. We drew apart; we were consumed in the darkness of the trees leaving Rhoda and Louis to stand on the terrace by the urn.
"When we returned from that immersion how sweet, how deep! and came to the surface and saw the conspirators still standing there it was with some compunction. We had lost what they had kept. We interrupted. But we were tired, and whether it had been good or bad, accomplished or left undone, the dusky veil was falling upon our endeavours; the lights were sinking as we paused for a moment upon the terrace that overlooks the river. The steamers were landing their trippers on the bank; there was a distant cheering, the sound of singing, as if people waved their hats and joined in some last song. The sound of the chorus came across the water and I felt leap up that old impulse, which has moved me all my life, to be thrown up and down on the roar of other people's voices, singing the same song; to be tossed up and down on the roar of almost senseless merriment, sentiment, triumph, desire. But not now. No! I could not collect myself; I could not distinguish myself; I could not help letting fall the things that had made me a minute ago eager, amused, jealous, vigilant and hosts of other things into the water. I could not recover myself from that endless throwing away, dissipation, flooding forth without our willing it and rushing soundlessly away out there under die arches of the bridge, round some clump of trees or an island, out where seabirds sit on stakes, over the roughened water to become waves in the sea I could not recover myself from that dissipation. So we parted.
"Was this then, this streaming away mixed with Susan, Jinny, Neville, Rhoda, Louis, a sort of death ? A new assembly of elements? Some hint of what was to come? The note was scribbled, the book shut, for I am an intermittent student. I do not say my lessons by any means at the stated hour. Later, walking down Fleet Street at the rush hour, I recalled that moment; I continued it. 'Must I for ever,' I said, 'beat my spoon on the tablecloth? Shall I not, too, consent?' The omnibuses were clogged; one came up behind another and stopped with a click, like a link added to a stone chain. People passed.
"Multitudinous, carrying attache-cases, dodging with incredible celerity in and out, they went past like a river in spate. They went past roaring like a train in a tunnel. Seizing my chance I crossed; dived down a dark passage and entered the shop where they cut my hair. I leant my head back and was swathed in a sheet. Looking-glasses confronted me in which I could see my pinioned body and people passing; stopping, looking, and going on indifferent. The hairdresser began to move his scissors to and fro. I felt myself powerless to stop the oscillations of the cold steel. So we are cut and laid in swathes, I said; so we lie side by side on the damp meadows, withered branches and flowering. We have no more to expose ourselves on the bare hedges to the wind and snow; no more to carry ourselves erect when the gale sweeps, to bear our burden upheld; or stay, unmurmuring, on those pallid noondays when the bird creeps close to the bough and the damp whitens the leaf. We are cut, we are fallen. We are become part of that unfeeling universe that sleeps when we are at our quickest and burns red when we lie asleep. We have renounced our station and lie now flat, withered and how soon forgotten! Upon which I saw an expression in the tail of the eye of the hairdresser as if something interested him in the street.
"What interested the hairdresser? What did the hairdresser see in the street? It is thus that I am recalled. (For I am no mystic; something always plucks at me curiosity, envy, admiration, interest in hairdressers and the like bring me to the surface.) While he brushed the fluff from my coat I took pains to assure myself of his identity and then, swinging my stick, I went into the Strand, and evoked to serve as opposite to myself the figure of Rhoda always so furtive, always with fear in her eyes, always seeking some pillar in the desert, to find which she had gone; she had killed herself. 'Wait,' I said, putting my arm in imagination (thus we consort with our friends) through her arm. 'Wait until these omnibuses have gone by. Do not cross so dangerously. These men are your brothers.' In persuading her I was also persuading my own soul. For this is not one life; nor do I always know if I am man or woman, Bernard or Neville, Louis, Susan, Jinny or Rhoda so strange is the contact of one with another.
"Swinging my stick, with my hair newly cut and the nape of my neck tingling, I went past all those trays of penny toys imported from Germany that men hold out in the street by St. Paul's St. Paul's, the brooding hen with spread wings from whose shelter run omnibuses and streams of men and women at the rush hour. I thought how Louis would mount those steps in his neat suit with his cane in his hand and his angular, rather detached gait. With his Australian accent ('My father, a banker at Brisbane') he would come, I thought, with greater respect to these old ceremonies than I do, who have heard the same lullabies for a thousand years. I am always impressed, as I enter, by die rubbed noses; the polished brasses; the flapping and the chanting, while one boy's voice wails round the dome like some lost and wandering dove. The recumbency and the peace of the dead impress me warriors at rest under their old banners. Then I scoff at the floridity and absurdity of some scrolloping tomb; and the trumpets and the victories and die coats of arms and die certainty, so sonorously repeated, of resurrection, of eternal life. My wandering and inquisitive eye then shows me an awe-stricken child; a shuffling pensioner; or the obeisances of tired shop-girls burdened with heaven knows what strife in their poor thin breasts come to solace themselves in the rush hour. I stray and look and wonder and sometimes, rather furtively, try to rise on the shaft of somebody else's prayer into the dome, out, beyond, wherever they go. But then like the lost and wailing dove, I find myself failing, fluttering, descendi
"So into the street again, swinging my stick, looking at wire trays in stationers' shop-windows, at baskets of fruit grown in the colonies, murmuring Pillicock sat on Pillicock's Hill, or Hark, hark, the dogs do bark, or The World's great age begins anew, or Come away, come away, death mingling nonsense and poetry, floating in the stream. Something always has to be done next. Tuesday follows Monday; Wednesday, Tuesday. Each spreads the same ripple. The being grows rings, like a tree. Like a tree, leaves fall.
"For one day as I leant over a gate that led into a field, the rhythm stopped: the rhymes and the hummings, the nonsense and the poetry. A space was cleared in my mind. I saw through the thick leaves of habit. Leaning over the gate I regretted so much litter, so much unaccomplishment and separation, for one cannot cross London to see a friend, life being so full of engagements; nor take ship to India and see a naked man spearing fish in blue water. I said life had been imperfect, an unfinished phrase. It had been impossible for me, taking snuff as I do from any bagman met in a train, to keep coherency that sense of the generations, of women carrying red pitchers to the Nile, of the nightingale who sings among conquests and migrations. It had been too vast an undertaking, I said, and how can I go on lifting my foot perpetually to climb the stair? I addressed my self as one would speak to a companion with whom one is voyaging to the North Pole.
"I spoke to that self who has been with me in many tremendous adventures; the faithful man who sits over the fire when everybody has gone to bed, stirring the cinders with a poker; the man who has been so mysteriously and with sudden accretions of being built up, in a beech wood, sitting by a willow tree on a bank, leaning over a parapet at Hampton Court; the man who has collected himself in moments of emergency and banged his spoon on the table, saying, 'I will not consent.'
"This self now as I leant over the gate looking down over fields rolling in waves of colour beneath me made no answer. He threw up no opposition. He attempted no phrase. His fist did not form. I waited. I listened. Nothing came, nothing. I cried then with a sudden conviction of complete desertion, Now there is nothing. No fin breaks the waste of this immeasurable sea. Life has destroyed me. No echo comes when I speak, no varied words. This is more truly death than the death of friends, than the death of youth. I am the swathed figure in the hairdresser's shop taking up only so much space.
"The scene beneath me withered. It was like the eclipse when the sun went out and left the earth, flourishing in full summer foliage, withered, brittle, false. Also I saw on a winding road in a dust dance the groups we had made, how they came together, how they ate together, how they met in this room or that. I saw my own indefatigable busyness how I had rushed from one to the other, fetched and carried, travelled and returned, joined this group and that, here kissed, here withdrawn; always kept hard at it by some extraordinary purpose with my nose to the ground like a dog on the scent; with an occasional toss of the head, an occasional cry of amazement, despair and then back again with my nose to the scent. What a litter what a confusion; with here birth, here death; succulence and sweetness; effort and anguish; and myself always running hither and thither. Now it was done with. I had no more appetites to glut; no more stings in me with which to poison people; no more sharp teeth and clutching hands or desire to feel the pear and the grape and the sun beating down from the orchard wall.
"The woods had vanished; the earth was a waste of shadow. No sound broke the silence of the wintry landscape. No cock crowed; no smoke rose; no train moved. A man without a self, I said. A heavy body leaning on a gate. A dead man. With dis- passionate despair, with entire disillusionment I surveyed the dust dance; my life, my friends' lives, and those fabulous presences, men with brooms, women writing, the willow tree by the river clouds and phantoms made of dust too, of dust that changed, as clouds lose and gain and take gold or red and lose their summits and billow this way and that, mutable, vain. I, carrying a notebook, making phrases, had recorded merely changes; a shadow, I had been sedulous to take note of shadows. How can I proceed now, I said, without a self, weightless and visionless, through a world weightless, without illusion?
"The heaviness of my despondency thrust open the gate I leant on and pushed me, an elderly man, a heavy man with gray hair, through the colourless field, the empty field. No more to hear echoes, no more to see phantoms, to conjure up no opposition, but to walk always unshadowed making no impress upon the dead earth. If even there had been sheep munching, pushing one foot after another, or a bird, or a man driving a spade into the earth, had there been a bramble to trip me, or a ditch, damp with soaked leaves, into which to fall but no, the melancholy path led along the level, to more wintriness, and pallor and the equal and uninteresting view of the same landscape. "How then does light return to the world after the eclipse of the sun? Miraculously. Frailly. In thin stripes. It hangs like a glass cage. It is a hoop to be fractured by a tiny jar. There is a spark there. Next moment a flush of dun. Then a vapour as if earth were breathing in and out, once, twice, for the first time. Then under the dullness some one walks with a green light. Then off twists a white wraith. The woods throb blue and green, and gradually the fields drink in red, gold, brown. Suddenly a river snatches a blue light. The earth absorbs colour like a sponge, slowly drinking water. It puts on weight; rounds itself; hangs pendent; settles and swings beneath our feet.
"So the landscape returned to me; so I saw fields rolling in waves of colour beneath me, but now with this difference; I saw but was not seen. I walked unshadowed; I came unheralded. From me had dropped the old cloak, the old response; the hollowed hand that beats back sounds. Thin, as a ghost, leaving no trace where I trod, perceiving merely, I walked alone in a new world, never trodden; brushing new flowers, unable to speak save in a child's words of one syllable; without shelter from phrases I who have made so many; unattended, I who have always gone with my kind; solitary I who have always had some one to share the empty grate, or the cupboard with its hanging loop of gold.
"But how describe the world seen without a self? There are no words. Blue, red even they distract, even they hide with thickness instead of letting the light through. How describe or say anything in articulate words again? save that it fades, save that it undergoes a gradual transformation, becomes, even in the course of one short walk, habitual this scene also. Blindness returns as one moves and one leaf repeats another. Loveliness returns as one looks with all its train of phantom phrases. One breathes in and out substantial breath; down in the valley the train draws across the fields lop-eared with smoke.
"But for a moment I had sat on the turf somewhere high above the flow of the sea and the sounds of the woods, had seen the house, the garden, and the waves breaking. The old nurse who turns the pages of the picture-book had stopped and had said, 'Look. This is the truth.'
"So I was thinking as I came along Shaftesbury Avenue tonight. I was thinking of that picture in the picture-book. And when I met you in the place where one goes to hang up one's coat I said to myself, 'It does not matter whom I meet. All this little affair of "being" is over. Who this is I do not know; nor care; we will dine together.' So I hung up my coat, tapped you on the shoulder, and said, 'Sit with me.'
"Now the meal is finished; we are surrounded by peelings and bread-crumbs. I have tried to break off this bunch and hand it you; but whether there is substance or truth in it I do not know. Nor do I know exactly where we are. What city does that stretch of sky look down upon? Is it Paris, is it London where we sit or some southern city of pink-washed houses lying under cypresses, under high mountains, where eagles soar? I do not at this momen
"I begin now to forget; I begin to doubt the fixity of tables, the reality of here and now, to tap my knuckles smartly upon the edges of apparently solid objects and say, 'Are you hard?' I have seen so many different things, have made so many different sentences. I have lost in the process of eating and drinking and rubbing my eyes along surfaces that diin, hard shell which cases the soul, which, in youth, shuts one in hence the fierceness, and the tap, tap, tap of the remorseless beaks of the young. And now I ask, 'Who am I?' I have been talking of Bernard, Neville, Jinny, Susan, Rhoda and Louis. Am I all of them? Am I one and distinct? I do not know. We sat here together. But now Percival is dead, and Rhoda is dead; we are divided; we are not here. Yet I cannot find any obstacle separating us. There is no division between me and them. As I talked I felt, 'I am you.' This difference we make so much of, this identity we so feverishly cherish, was overcome. Yes, ever since old Mrs. Constable lifted her sponge and pouring warm water over me covered me with flesh I have been sensitive, percipient. Here on my brow is the blow I got when Percival fell. Here on the nape of my neck is the kiss Jinny gave Louis. My eyes fill with Susan's tears. I see far away, quivering like a gold thread, the pillar Rhoda saw, and feel the rush of the wind of her flight when she leapt.