World Without End by Ken Follett
All the houses were locked and shuttered. On some doorsteps he saw a shrouded form that he presumed was a dead body. There were a few people on the streets, but mostly the poorer sort. The desolation was unnerving. Florence was the greatest city in the Christian world, a noisy commercial metropolis producing thousands of yards of fine woolen cloth every day, a market where vast sums of money were paid over on no more security than a letter from Antwerp or the verbal promise of a prince. Walking through these silent, empty streets was like seeing an injured horse that has fallen and cannot get up: immense strength was suddenly brought to nothing. He saw no one from his circle of acquaintance. His friends were keeping indoors, he presumed--those that were still alive.
He went first to a square nearby, in the old Roman city, where he was building a fountain for the municipality. He had devised an elaborate system to recycle almost all the water during Florence's long, dry summers.
But, when he reached the square, he could see immediately that no one was working on the site. The underground pipes had been put in and covered over before he fell ill, and the first course of masonry for the stepped plinth around the pool had been laid. However, the dusty, neglected look of the stones told him that no work had been done for days. Worse, a small pyramid of mortar on a wooden board had hardened into a solid mass that gave off a puff of dust when he kicked it. There were even some tools lying on the ground. It was a miracle they had not been stolen.
The fountain was going to be stunning. In Merthin's workshop, the best stone carver in the city was sculpting the centerpiece--or had been. Merthin was disappointed that work had stopped. Surely not all the builders had died? Perhaps they were waiting to see whether Merthin would recover.
This was the smallest of his three projects, albeit a prestigious one. He left the square and headed north to inspect another one. But as he walked he worried. He had not yet met anyone knowledgeable enough to give him a wider perspective. What was left of the city government? Was the plague easing off or getting worse? What about the rest of Italy?
One thing at a time, he told himself.
He was building a home for Giulielmo Caroli, the older brother of Buonaventura. It was to be a real palazzo, a high double-fronted house designed around a grand staircase wider than some of the city's streets. The ground-floor wall was already up. The facade was battered, or inclined, at ground level, the slight protrusion giving an impression of fortification; but above were elegant pointed-arch two-light windows with a trefoil. The design said that the people inside were both powerful and refined, which was what the Caroli family wanted.
The scaffolding had been erected for the second floor, but no one was working. There should have been five masons laying stones. The only person on-site was a elderly man who acted as caretaker and lived in a wooden hut at the back. Merthin found him cooking a chicken over a fire. The fool had used costly marble slabs for his hearth. "Where is everyone?" Merthin said abruptly.
The caretaker leaped to his feet. "Signor Caroli died, and his son Agostino wouldn't pay the men, so they left, those that weren't already dead themselves."
That was a blow. The Caroli family was one of the richest in Florence. If they felt they could no longer afford to build, the crisis was severe indeed.
"So Agostino is alive?"
"Yes, master, I saw him this morning."
Merthin knew young Agostino. He was not as clever as his father or his uncle Buonaventura, so he compensated by being extremely cautious and conservative. He would not recommence building until he was sure the family finances had recovered from the effects of the plague.
However, Merthin felt confident his third and largest project would continue. He was building a church for an order of friars much favored by the city's merchants. The site was south of the river, so he crossed the new bridge.
This bridge had been finished only two years ago. In fact Merthin had done some work on it, under the leading designer, the painter Taddeo Gaddi. The bridge had to withstand fast-flowing water when the winter snows melted, and Merthin had helped with the design of the piers. Now, as he crossed, he was dismayed to see that all the little goldsmiths' shops on the bridge were closed--another bad sign.
The Church of Sant' Anna dei Frari was his most ambitious project to date. It was a big church, more like a cathedral--the friars were rich--though nothing like the cathedral at Kingsbridge. Italy had Gothic cathedrals, Milan being one of the greatest, but modern-minded Italians did not like the architecture of France and England: they regarded huge windows and flying buttresses as a foreign fetish. The obsession with light, which made sense in the gloomy northwest of Europe, seemed perverse in sunny Italy, where people sought shade and coolness. Italians identified with the classical architecture of ancient Rome, the ruins of which were all around them. They liked gable ends and round arches, and they rejected ornate exterior sculpture in favor of decorative patterns of different-colored stone and marble.
But Merthin was going to surprise even the Florentines with this church. The plan was a series of squares, each topped by a dome--five in a row, and two either side of the crossing. He had heard about domes back in England, but had never seen one until he visited Siena Cathedral. There were none in Florence. The clerestory would be a row of round windows, or oculi. Instead of narrow pillars that reached yearningly for Heaven, this church would have circles, complete in themselves, with the air of earthbound self-sufficiency that characterized the commercial people of Florence.
He was disappointed, but not surprised, to see that there were no masons on the scaffolding, no laborers moving the great stones, no mortar-making women stirring with their giant paddles. This site was as quiet as the other two. However, in this case he felt confident he could get the project restarted. A religious order had a life of its own, independent of individuals. He walked around the site and entered the friary.
The place was silent. Monasteries were supposed to be so, of course, but there was a quality to this silence that unnerved him. He passed from the vestibule into the waiting room. There was usually a brother on duty here, studying the scriptures in between attending to visitors, but today the room was empty. With grim apprehension, Merthin went through another door and found himself in the cloisters. The quadrangle was deserted. "Hello!" he called out. "Is anyone there?" His voice echoed around the stone arcades.
He searched the place. All the friars were gone. In the kitchen he found three men sitting at the table, eating ham and drinking wine. They wore the costly clothes of merchants, but they had matted hair, untrimmed beards, and dirty hands: they were paupers wearing dead men's garments. When he walked in, they looked guilty but defiant. He said: "Where are the holy brothers?"
"All dead," said one of the men.
"All?"
"Every one. They took care of the sick, you see, and so they caught the disease."
The man was drunk, Merthin could see. However, he seemed to be telling the truth. These three were too comfortable, sitting in the monastery, eating the friars' food and drinking their wine. They clearly knew there was no one left to object.
Merthin returned to the site of the new church. The walls of the choir and transepts were up, and the oculi in the clerestory were visible. He sat in the middle of the crossing, amid stacks of stones, looking at his work. For how long would the project be stalled? If all the friars were dead, who would get their money? As far as he knew, they were not part of a larger order. The bishop might claim the inheritance, and so might the pope. There was a legal tangle here that could take years to resolve.
This morning he had resolved to throw himself into his work as a way of healing the wound of Silvia's death. Now it was clear that, at least for the present, he had no work. Ever since he began to repair the roof of St. Mark's church in Kingsbridge, ten years ago, he had had at least one building project on the go. Without one, he was lost. It made him feel panicky.
He had woken up to find his whole life in ruins. The fact that he was suddenly ver
He did not even know where to go next. He would go home, eventually, but he could not spend all day playing with his three-year-old and talking to Maria. So he stayed where he was, sitting on a carved stone disc intended for a column, looking along what would be the nave.
As the sun rolled down the curve of the afternoon, he began to remember his illness. He had felt sure he would die. So few survived that he did not expect to be among the lucky ones. In his more lucid moments, he had reviewed his life as if it were over. He had come to some grand realization, he knew, but since recovering he had been unable to recall what it was. Now, in the tranquility of the unfinished church, he recalled concluding that he had made one huge mistake in his life. What was it? He had quarreled with Elfric, he had had sex with Griselda, he had rejected Elizabeth Clerk...All these decisions had caused trouble, but none counted as the mistake of a lifetime.
Lying on the bed, sweating, coughing, tormented by thirst, he had almost wanted to die; but not quite. Something had kept him alive--and now it came back to him.
He had wanted to see Caris again.
That was his reason for living. In his delirium he had seen her face, and had wept with grief that he might die here, thousands of miles away from her. The mistake of his life had been to leave her.
As he at last retrieved that elusive memory, and realized the blinding truth of the revelation, he was filled with an odd kind of happiness.
It did not make sense, he reflected. She had joined the nunnery. She had refused to see him and explain herself. But his soul was not rational, and it was telling him that he should be where she was.
He wondered what she was doing now, while he sat in a half-built church in a city nearly destroyed by a plague. The last he had heard was that she had been consecrated by the bishop. That decision was irrevocable--or so they said: Caris had never accepted what other people told her were the rules. On the other hand, once she had made her own decision, it was generally impossible to change her mind. There was no doubt she was strongly committed to her new life.
It made no difference. He wanted to see her again. Not to do so would be the second biggest mistake of his life.
And now he was free. His ties with Florence were all broken. His wife was dead, and so were all his relations by marriage except for three children. The only family he had here was his daughter, Lolla, and he would take her with him. She was so young he felt she would hardly notice that they had left.
It was a momentous move, he told himself. He would first have to prove Alessandro's will, and make arrangements for the children--Agostino Caroli would help him with that. Then he would have to turn his wealth into gold and arrange for it to be transferred to England. The Caroli family could do that, too, if their international network was still intact. Most daunting, he would have to undertake the thousand-mile journey from Florence across Europe to Kingsbridge. And all that without having any idea how Caris would receive him when at last he arrived.
It was a decision that required long and careful thought, obviously.
He made up his mind in a few moments.
He was going home.
54
Merthin left Italy in company with a dozen merchants from Florence and Lucca. They took a ship from Genoa to the ancient French port of Marseilles. From there they traveled overland to Avignon, home of the pope for the last forty years or more, and the most lavish court in Europe--as well as the smelliest city Merthin had ever known. There they joined a large group of clergymen and returning pilgrims heading north.
Everyone traveled in groups, the larger the better. The merchants were carrying money and expensive trading goods, and they had men-at-arms to protect them from outlaws. They were happy to have company: priestly robes and pilgrim badges might deter robbers, and even ordinary travelers such as Merthin helped just by swelling the numbers.
Merthin had entrusted most of his fortune to the Caroli family in Florence. Their relatives in England would give him cash. The Carolis carried on this kind of international transaction all the time, and indeed Merthin had used their services nine years ago to transfer a smaller fortune from Kingsbridge to Florence. All the same, he knew that the system was not completely infallible--such families sometimes went bankrupt, especially if they got involved in lending money to untrustworthy types such as kings and princes. That was why he had a large sum in gold florins sewn into his undershirt.
Lolla enjoyed the journey. As the only child in the caravan, she was much fussed over. During the long days on horseback, she sat on the saddle in front of Merthin, his arms holding her safe while his hands held the reins. He sang songs, repeated rhymes, told stories, and talked to her about the things they saw--trees, mills, bridges, churches. She probably did not understand half of what he said, but the sound of his voice kept her happy.
He had never before spent this much time with his daughter. They were together all day, every day, week after week. He hoped the intimacy would make up, in part, for the loss of her mother. It certainly worked the other way around: he would have been terribly lonely without her. She no longer spoke about Mama, but every now and then she would put her arms around his neck and cling to him with desperation, as if frightened to let him go.
He felt regret only when he stood in front of the great cathedral at Chartres, sixty miles outside Paris. There were two towers at its west end. The north tower was unfinished, but the south tower was three hundred and fifty feet high. It reminded him that he had once yearned to design such buildings. He was unlikely to achieve that ambition in Kingsbridge.
He lingered in Paris for two weeks. The plague had not reached here, and it was an immense relief to see the normal life of a great city, with people buying and selling and walking around, instead of empty streets with corpses on the doorsteps. His spirits lifted, and it was only then that he realized how stricken he had been by the horror he had left behind in Florence. He looked at Paris's cathedrals and palaces, making sketches of details that interested him. He had a small notebook made of paper, a new writing material popular in Italy.
Leaving Paris, he teamed up with a noble family returning to Cherbourg. Hearing Lolla talk, the people assumed Merthin was Italian, and he did not disabuse them, for the English were hated passionately in northern France. With the family and their entourage, Merthin crossed Normandy at a leisurely pace, with Lolla on the saddle in front of him and their packhorse following on a leading rein, looking at those churches and abbeys that had survived the devastation of King Edward's invasion almost two years ago.
He could have moved faster, but he told himself he was making the most of an opportunity that might not come again, the chance to see a rich variety of architecture. However, when he was honest with himself he had to admit that he was afraid of what he might find when he reached Kingsbridge.
He was going home to Caris, but she would not be the same Caris he had left behind nine years ago. She might have changed, physically and mentally. Some nuns became grossly fat, their only pleasure in life being food. More likely, Caris might have become ethereally thin, starving herself in an ecstasy of self-denial. By now she could be obsessed with religion, praying all day and flagellating herself for imaginary sins. Or she might be dead.
Those were his wildest nightmares. In his heart he knew she would not be enormously fat or a religious fanatic. And if she were dead he would have heard, as he had heard of the death of her father, Edmund. She was going to be the same Caris, small and neat, quick-witted, organized, and determined. But he was seriously concerned about how she would receive him. How did she feel about him after nine years? Did she think of him with indifference, as a part of her past too remote to care about, the way he thought of, say, Griselda? Or did she still long for him, somewhere deep in her soul? He had no idea, and that was the true cause of his anxiety.
They sailed to Portsmouth and traveled with a party of traders. They left the g
It was a warm summer day, and the sun was shining when they came within sight of their destination. The first thing he saw was the top of the cathedral tower, visible over the trees. At least it had not fallen down, Merthin thought: Elfric's repairs had held for eleven years. It was a pity the tower could not be seen from Mudeford Crossing--what a difference that would make to the numbers visiting the town.
As they came closer, he began to suffer a strange mixture of excitement and fear that made him feel nauseous. For a few moments he was afraid he would have to dismount and throw up. He tried to make himself calm. What could happen? Even if Caris proved to have become indifferent to him, he would not die.
He saw several new buildings on the outskirts of the suburb of Newtown. The splendid new home he had built for Dick Brewer was no longer on the edge of Kingsbridge, for the town had grown past it.
He momentarily forgot his apprehension when he saw his bridge. It rose in an elegant curve from the riverbank and landed gracefully on the midstream island. On the far side of the island, the bridge sprang again to span the second channel. Its white stone gleamed in the sun. People and carts were crossing in both directions. The sight made his heart swell with pride. It was everything he had hoped it would be: beautiful, useful, and strong. I did that, he thought, and it's good.
But he suffered a shock when he got closer. The masonry of the nearer span was damaged around the central pier. He could see cracks in the stonework, repaired with iron braces in a clumsy fashion that bore the hallmark of Elfric. He was appalled. Brown dribbles of rust dripped from the nails that fixed the ugly braces in the stonework. The sight took him back eleven years, to Elfric's repairs to the old wooden bridge. Everyone can make mistakes, he thought, but people who don't learn from their mistakes just make the same ones again. "Bloody fools," he said aloud.