Salem's Lot by Stephen King
Callahan took his head gently with both hands. "Let us pray," he said. He could feel Glick's wracking sobs in his thighs.
"Lord, comfort this man and his wife in their sorrow. You cleansed this child in the waters of baptism and gave him new life. May we one day join him and share heaven's joys forever. We ask this in Jesus' name, amen."
He raised his head and saw that Marjorie Glick had fainted.
FOUR
When they were all gone, Mike Ryerson came back and sat down on the edge of the open grave to eat his last half sandwich and wait for Royal Snow to come back.
The funeral had been at four, and it was now almost five o'clock. The shadows were long and the sun was already slanting through the tall western oaks. That frigging Royal had promised to be back by quarter of five at the latest; now where was he?
The sandwich was bologna and cheese, his favorite. All the sandwiches he made were his favorites; that was one of the advantages to being single. He finished up and dusted his hands, spraying a few bread crumbs down on the coffin.
Someone was watching him.
He felt it suddenly and surely. He stared around at the cemetery with wide, startled eyes.
"Royal? You there, Royal?"
No answer. The wind sighed through the trees, making them rustle mysteriously. In the waving shadows of the elms beyond the stone wall, he could see Hubert Marsten's marker, and suddenly he thought of Win's dog, hanging impaled on the iron front gate.
Eyes. Flat and emotionless. Watching.
Dark, don't catch me here.
He started to his feet as if someone had spoken aloud.
"Goddamn you, Royal." He spoke the words aloud, but quietly. He no longer thought Royal was around, or even coming back. He would have to do it by himself, and it would take a long time alone.
Maybe until dark.
He set to work, not trying to understand the dread that had fallen over him, not wondering why this job that had never bothered him before was bothering him terribly now.
Moving with quick, economical gestures, he pulled the strips of fake grass away from the raw earth and folded them neatly. He laid them over his arm and took them out to his truck, parked beyond the gate, and once out of the graveyard, that nasty feeling of being watched slipped away.
He put the grass in the back of the pickup and took out a spade. He started back, then hesitated. He stared at the open grave and it seemed to mock him.
It occurred to him that the feeling of being watched had stopped as soon as he could no longer see the coffin nestled at the bottom of its hole. He had a sudden mental image of Danny Glick lying on that little satin pillow with his eyes open. No--that was stupid. They closed the eyes. He had watched Carl Foreman do it enough times. Course we gum 'em, Carl had said once. Wouldn't want the corpse winkin' at the congregation, would we?
He loaded his shovel with dirt and threw it in. It made a heavy, solid thump on the polished mahogany box, and Mike winced. The sound made him feel a little sick. He straightened up and looked around distractedly at the floral displays. A damn waste. Tomorrow the petals would be scattered all over in red and yellow flakes. Why anybody bothered was beyond him. If you were going to spend money, why not give it to the Cancer Society or the March of Dimes or even the Ladies' Aid? Then it went to some good, at least.
He threw in another shovelful and rested again.
That coffin was another waste. Nice mahogany coffin, worth a thousand bucks at least, and here he was shoveling dirt over it. The Glicks didn't have no more money than anyone else, and who puts burial insurance on kids? They were probably six miles in hock, all for a box to shovel in the ground.
He bent down, got another spadeful of earth, and reluctantly threw it in. Again that horrid, final thump. The top of the coffin was sprayed with dirt now, but the polished mahogany gleamed through, almost reproachfully.
Stop looking at me.
He got another spadeful, not a very big one, and threw it in.
Thump.
The shadows were getting very long now. He paused, looked up, and there was the Marsten House, its shutters closed blankly. The east side, the one that bid good day to the light first, looked directly down on the iron gate of the cemetery, where Doc--
He forced himself to get another spadeful of earth and throw it into the hole.
Thump.
Some of it trickled off the sides, creasing into the brass hinges. Now if anyone opened it, there would be a gritting, grating noise like opening the door to a tomb.
Stop looking at me, goddammit.
He began to bend for another spadeful, but the thought seemed too heavy and he rested for a minute. He had read once--in the National Enquirer or someplace--about some Texas oilman dude who had specified in his will that he be buried in a brand-new Cadillac Coupe de Ville. They did it, too. Dug the hole with a payloader and lifted the car in with a crane. People all over the country driving around in old cars held together with spit and baling wire and one of these rich pigs gets himself buried sitting behind the wheel of a ten-thousand-dollar car with all the accessories--
He suddenly jerked and took a step backward, shaking his head warily. He had almost--well--had almost been in a trance, it seemed like. That feeling of being watched was much stronger now. He looked at the sky and was alarmed to see how much light had gone out of it. Only the top story of the Marsten House was in bright sunlight now. His watch said ten past six. Christ, it had been an hour and he hadn't thrown half a dozen shovelfuls of dirt down that hole!
Mike bent to his work, trying not to let himself think. Thump and thump and thump and now the sound of dirt striking wood was muffled; the top of the coffin was covered and dirt was running off the sides in brown rivulets, almost up to the lock and catch.
He threw in another two spadefuls and paused.
Lock and catch?
Now, why in the name of God would anyone put a lock into a coffin? Did they think someone was going to try to get in? That had to be it. Surely they couldn't think someone would be trying to get out--
"Stop staring at me," Mike Ryerson said aloud, and then felt his heart crawl up into his throat. A sudden urge to run from this place, to run straight down the road to town, filled him. He controlled it only with great effort. Just the heebie-jeebies, that's all it was. Working in a graveyard, who wouldn't get them once in a while? It was like a fucking horror movie, having to cover up that kid, only twelve years old and his eyes wide open--
"Christ, stop it!" he cried, and looked wildly up toward the Marsten House. Now only the roof was in sunshine. It was six-fifteen.
After that he began to work more quickly again, bending and shoveling and trying to keep his mind completely blank. But that sense of being watched seemed to grow rather than lessen, and each shovelful of dirt seemed heavier than the last. The top of the coffin was covered now but you could still see the shape, shrouded in earth.
The Catholic prayer for the dead began to run through his mind, the way things like that will for no good reason. He had heard Callahan saying it while he was eating his dinner down by the brook. That, and the father's helpless screaming.
Let us pray for our brother Daniel Glick to our Lord Jesus Christ, who said...
(O my father, favor me now.)
He paused and looked blankly down into the grave. It was deep, very deep. The shadows of coming night had already pooled into it, like something viscid and alive. It was still deep. He would never be able to fill it by dark. Never.
I am the resurrection and the life. The man who believes in me will live even though he dies...
(Lord of Flies, favor me now.)
Yes, the eyes were open. That's why he felt watched. Carl hadn't used enough gum on them and they had flown up just like window shades and the Glick kid was staring at him. Something ought to be done about it.
...and every living person who puts his faith in me will never suffer eternal death...
(Now I bring you spoiled meat and reeking flesh.)
Shovel out the dirt. That was the ticket. Shovel it out and break the lock with the shovel and open the coffin and close those awful staring eyes. He had no mortician's gum, but he had two quarters in his pocket. That would do as well. Silver. Yes, silver was what the boy needed.
The sun was above the roof of the Marsten House now, and only touched the highest and oldest spruces to the west of town. Even with the shutters closed the house seemed to stare at him.
You raised the dead to life; give our brother Daniel eternal life.
(I have made sacrifice for your favor. With my left hand I bring it.)
Mike Ryerson suddenly leaped into the grave and began to shovel madly, throwing dirt up and out in brown explosions. At last the blade of the shovel struck wood and he began to scrape the last of the dirt over the sides and then he was kneeling on the coffin striking at the brass lip of the lock again and again and again.
The frogs down by the brook had begun to thump, a nightjar was singing in the shadows, and somewhere close by a number of whippoorwills had begun to lift their shrilling call.
Six-fifty.
What am I doing? he asked himself. What in God's name am I doing?
He knelt there on top of the coffin and tried to think about it...but something on the underside of his mind was urging him to hurry, hurry, the sun was going down--
Dark, don't catch me here.
He lifted the spade over his shoulder, brought it down on the lock once more, and there was a snapping sound. It was broken.
He looked up for a moment, in a last glimmering of sanity, his face streaked and circled with dirt and sweat, the eyes staring from it in bulging white circles.
Venus glowed against the breast of the sky.
Panting, he pulled himself out of the grave, lay down full length, and fumbled for the catches on the coffin lid. He found them and pulled. The lid swung upward, gritting on its hinges just as he had imagined it would, showing at first only pink satin, and then one dark-clad arm (Danny Glick had been buried in his communion suit), then...then the face.
Mike's breath clogged and stopped in his throat.
The eyes were open. Just as he had known they would be. Wide open and hardly glazed at all. They seemed to sparkle with hideous life in the last, dying light of day. There was no death pallor in that face; the cheeks seemed rosy, almost juicy with vitality.
He tried to drag his eyes away from that glittering, frozen stare and was unable.
He muttered: "Jesus--"
The sun's diminishing arc passed below the horizon.
FIVE
Mark Petrie was working on a model of Frankenstein's monster in his room and listening to his parents down in the living room. His room was on the second floor of the farmhouse they had bought on South Jointner Avenue, and although the house was heated by a modern oil furnace now, the old second-floor grates were still there. Originally, when the house had been heated by a central kitchen stove, the warm-air grates had kept the second floor from becoming too cold--although the woman who had originally lived in this house with her dour Baptist husband from 1873 to 1896 had still taken a hot brick wrapped in flannel to bed with her--but now the grates served another purpose. They conducted sound excellently.
Although his parents were down in the living room, they might as well have been discussing him right outside the door.
Once, when his father had caught him listening at the door in their old house--Mark had only been six then--his father had told him an old English proverb: Never listen at a knothole lest you be vexed. That meant, his father said, that you may hear something about yourself that you don't like.
Well, there was another one, too. Forewarned is forearmed.
At age twelve, Mark Petrie was a little skinnier than the average and slightly delicate-looking. Yet he moved with a grace and litheness that is not the common lot of boys his age, who seem mostly made up of knees and elbows and scabs. His complexion was fair, almost milky, and his features, which would be considered aquiline later in life, now seemed a trifle feminine. It had caused him some trouble even before the Richie Boddin incident in the schoolyard, and he had determined to handle it himself. He had made an analysis of the problem. Most bullies, he had decided, were big and ugly and clumsy. They scared people by being able to hurt them. They fought dirty. Therefore, if you were not afraid of being hurt a little, and if you were willing to fight dirty, a bully might be bested. Richie Boddin had been the first full vindication of his theory. He and the bully at the Kittery Elementary School had come off even (which had been a victory of a kind; the Kittery bully, bloody but unbowed, had proclaimed to the schoolyard community at large that he and Mark Petrie were pals. Mark, who thought the Kittery bully was a dumb piece of shit, did not contradict him. He understood discretion.). Talk did no good with bullies. Hurting was the only language that the Richie Boddins of the world seemed to understand, and Mark supposed that was why the world always had such a hard time getting along. He had been sent from school that day, and his father had been very angry until Mark, resigned to his ritual whipping with a rolled-up magazine, told him that Hitler had just been a Richie Boddin at heart. That had made his father laugh like hell, and even his mother snickered. The whipping had been averted.
Now June Petrie was saying: "Do you think it's affected him, Henry?"
"Hard...to tell." And Mark knew by the pause that his father was lighting his pipe. "He's got a hell of a poker face."
"Still waters run deep, though." She paused. His mother was always saying things like still waters run deep or it's a long, long road that has no turning. He loved them both dearly, but sometimes they seemed just as ponderous as the books in the folio section of the library...and just as dusty.
"They were on their way to see Mark," she resumed. "To play with his train set...now one dead and one missing! Don't fool yourself, Henry. The boy feels something."
"He's got his feet pretty solidly planted on the ground," Mr Petrie said. "Whatever his feelings are, I'm sure he's got them in hand."
Mark glued the Frankenstein monster's left arm into the shoulder socket. It was a specially treated Aurora model that glowed green in the dark, just like the plastic Jesus he had gotten for memorizing all of the 119th Psalm in Sunday school class in Kittery.
"I've sometimes thought we should have had another," his father was saying. "Among other things, it would have been good for Mark."
And his mother, in an arch tone: "Not for lack of trying, dear."
His father grunted.
There was a long pause in the conversation. His father, he knew, would be rattling through The Wall Street Journal. His mother would be holding a novel by Jane Austen on her lap, or perhaps Henry James. She read them over and over again, and Mark was darned if he could see the sense in reading a book more than once. You knew how it was going to end.
"D'you think it's safe to let him go in the woods behind the house?" his mother asked presently. "They say there's quicksand somewhere in town--"
"Miles from here."
Mark relaxed a little and glued the monster's other arm on. He had a whole table of Aurora horror monsters, arranged in a scene that he changed each time a new element was added. It was a pretty good set. Danny and Ralphie had really been coming to see that the night when...whatever.
"I think it's okay," his father said. "Not after dark, of course."
"Well, I hope that awful funeral won't give him nightmares."
Mark could almost see his father shrug. "Tony Glick...unfortunate. But death and grief are part of living. Time he got used to the idea."
"Maybe." Another long pause. What was coming now? he wondered. The child is the father of the man, maybe. Or as the twig is bent the tree is shaped. Mark glued the monster onto his base, which was a grave mound with a leaning headstone in the background. "In the midst of life we're in death. But I may have nightmares."
"Oh?"
"That Mr Foreman must be quite an artist, grisly as it sounds. He really l
"Well, it's over."
"Yes, I suppose. He's a good boy, isn't he, Henry?"
"Mark? The best."
Mark smiled.
"Is there anything on TV?"
"I'll look."
Mark turned the rest off; the serious discussion was done. He set his model on the windowsill to dry and harden. In another fifteen minutes his mother would be calling up for him to get ready for bed. He took his pajamas out of the top dresser drawer and began to undress.
In point of fact, his mother was worrying needlessly about his psyche, which was not tender at all. There was no particular reason why it should have been; he was a typical boy in most ways, despite his economy and his gracefulness. His family was upper middle class and still upwardly mobile, and the marriage of his parents was sound. They loved each other firmly, if a little stodgily. There had never been any great trauma in Mark's life. The few school fights had not scarred him. He got along with his peers and in general wanted the same things they wanted.
If there was anything that set him apart, it was a reservoir of remoteness, of cool self-control. No one had inculcated it in him; he seemed to have been born with it. When his pet dog, Chopper, had been hit by a car, he had insisted on going with his mother to the vet's. And when the vet had said, The dog has got to be put to sleep, my boy. Do you understand why? Mark said, You're not going to put him to sleep. You're going to gas him to death, aren't you? The vet said yes. Mark told him to go ahead, but he had kissed Chopper first. He had felt sorry but he hadn't cried and tears had never been close to the surface. His mother had cried but three days later Chopper was in the dim past to her, and he would never be in the dim past for Mark. That was the value in not crying. Crying was like pissing everything out on the ground.
He had been shocked by the disappearance of Ralphie Glick, and shocked again by Danny's death, but he had not been frightened. He had heard one of the men in the store say that probably a sex pervert had gotten Ralphie. Mark knew what perverts were. They did something to you that got their rocks off and when they were done they strangled you (in the comic books, the guy getting strangled always said Arrrgggh) and buried you in a gravel pit or under the boards of a deserted shed. If a sex pervert ever offered him candy, he would kick him in the balls and then run like a split streak.