Skeleton Crew by Stephen King
"They saw nothing but themselves," Spangler said.
Mr. Carlin began to speak, stopped, shook his head, and fumbled above him, craning his neck to fit the key properly into the lock. "Should be replaced," he muttered. "It's--damn!" The lock sprung suddenly and swung out of the hasp. Mr. Carlin made a fumbling grab for it and almost fell off the ladder. Spangler caught it deftly and looked up at him. He was clinging shakily to the top of the stepladder, face white in the brown semidarkness.
"You are nervous about it, aren't you?" Spangler said in a mildly wondering tone.
Mr. Carlin said nothing. He seemed paralyzed.
"Come down," Spangler said. "Please. Before you fall." Carlin descended the ladder slowly, clinging to each rung like a man tottering over a bottomless chasm. When his feet touched the floor he began to babble, as if the floor contained some current that had turned him on, like an electric light.
"A quarter of a million," he said. "A quarter of a million dollars' worth of insurance to take that ... thing from down there to up here. That goddam thing. They had to rig a special block and tackle to get it into the gable storeroom up there. And I was hoping--almost praying--that someone's fingers would be slippery ... that the rope would be the wrong test ... that the thing would fall and be shattered into a million pieces--"
"Facts," Spangler said. "Facts, Carlin. Not cheap paperback novels, not cheap tabloid stories or equally cheap horror movies. Facts. Number one: John DeIver was an English craftsman of Norman descent who made mirrors in what we call the Elizabethan period of England's history. He lived and died uneventfully. No pentacles scrawled on the floor for the housekeeper to rub out, no sulfur-smelling documents with a splotch of blood on the dotted line. Number two: His mirrors have become collector's items due principally to fine craftsmanship and to the fact that a form of crystal was used that has a mildly magnifying and distorting effect upon the eye of the beholder--a rather distinctive trademark. Number three: Only five DeIvers remain in existence to our present knowledge--two of them in America. They are priceless. Number four: This DeIver and one other that was destroyed in the London Blitz have gained a rather spurious reputation due largely to falsehood, exaggeration, and coincidence--"
"Fact number five," Mr. Carlin said. "You're a supercilious bastard, aren't you?"
Spangler looked with mild detestation at the blind-eyed Adonis.
"I was guiding the tour that Sandra Bates's brother was a part of when he got his look into your precious DeIver mirror, Spangler. He was perhaps sixteen, part of a high-school group. I was going through the history of the glass and had just got to the part you would appreciate--extolling the flawless craftsmanship, the perfection of the glass itself--when the boy raised his hand. 'But what about that black splotch in the upper left-hand comer?' he asked. 'That looks like a mistake.'
"And one of his friends asked him what he meant, so the Bates boy started to tell him, then stopped. He looked at the mirror very closely, pushing right up to the red velvet guard-rope around the case--then he looked behind him as if what he had seen had been the reflection of someone--of someone in black--standing at his shoulder. 'It looked like a man,' he said. 'But I couldn't see the face. It's gone now.' And that was all."
"Go on," Spangler said. "You're itching to tell me it was the Reaper--I believe that is the common explanation, isn't it? That occasional chosen people see the Reaper's image in the glass? Get it out of your system, man. The National Enquirer would love it! Tell me about the horrific consequences and defy me to explain it. Was he later hit by a car? Did he jump out of a window? What?"
Mr. Carlin chuckled a forlorn little chuckle. "You should know better, Spangler. Haven't you told me twice that you are ... ah ... conversant with the history of the Delver glass. There were no horrific consequences. There never have been. That's why the DeIver glass isn't Sunday-supplementized like the Koh-i-noor Diamond or the curse on King Tut's tomb. It's mundane compared to those. You think I'm a fool, don't you?"
"Yes," Spangler said. "Can we go up now?"
"Certainly," Mr. Carlin said passionately. He climbed the ladder and pushed the trapdoor. There was a clickety-clacketybump as it was drawn up into the shadows by a counterweight, and then Mr. Carlin disappeared into the shadows. Spangler followed. The blind Adonis stared unknowingly after them.
The gable room was explosively hot, lit only by one cobwebby, many-angled window that filtered the hard outside light into a dirty milky glow. The looking-glass was propped at an angle to the light, catching most of it and reflecting a pearly patch onto the far wall. It had been bolted securely into a wooden frame. Mr. Carlin was not looking at it. Quite studiously not looking at it.
"You haven't even put a dustcloth over it," Spangler said, visibly angered for the first time.
"I think of it as an eye," Mr. Carlin said. His voice was still drained, perfectly empty. "If it's left open, always open, perhaps it will go blind. "
Spangler paid no attention. He took off his jacket, folded the buttons carefully in, and with infinite gentleness he wiped the dust from the convex surface of the glass itself. Then he stood back and looked at it.
It was genuine. There was no doubt about it, never had been, really. It was a perfect example of DeIver's particular genius. The cluttered room behind him, his own reflection, Carlin's half-turned figure--they were all clear, sharp, almost three-dimensional. The faint magnifying effect of the glass gave everything a slightly curved effect that added an almost fourth-dimensional distortion. It was--
His thought broke off, and he felt another wave of anger.
"Carlin."
Carlin said nothing.
"Carlin, you damned fool, I thought you said that girl didn't harm the mirror!"
No answer.
Spangler stared at him icily in the glass. "There is a piece of friction tape in the upper left-hand corner. Did she crack it? For God's sake, man, speak up!"
"You're seeing the Reaper," Carlin said. His voice was deadly and without passion. "There's no friction tape on the mirror. Put your hand over it ... dear God."
Spangler wrapped the upper sleeve of his coat carefully around his hand, reached out, and pressed it gently against the mirror. "You see? Nothing supernatural. It's gone. My hand covers it."
"Covers it? Can you feel the tape? Why don't you pull it off?"
Spangler took his hand away carefully and looked into the glass. Everything in it seemed a little more distorted; the room's odd angles seemed to yaw crazily as if on the verge of sliding off into some unseen eternity. There was no dark spot in the mirror. It was flawless. He felt a sudden unhealthy dread rise in him and despised himself for feeling it.
"It looked like him, didn't it?" Mr. Carlin asked. His face was very pale, and he was looking directly at the floor. A muscle twitched spasmodically in his neck. "Admit it, Spangler. It looked like a hooded figure standing behind you, didn't it?"
"It looked like friction tape masking a short crack," Spangler said very firmly. "Nothing more, nothing less--"
"The Bates boy was very husky," Carlin said rapidly. His words seemed to drop into the hot, still atmosphere like stones into dark water. "Like a football player. He was wearing a letter sweater and dark green chinos. We were halfway to the upper-half exhibits when--"
"The heat is making me feel ill," Spangler said a little unsteadily. He had taken out a handkerchief and was wiping his neck. His eyes searched the convex surface of the mirror in small, jerky movements.
"When he said he wanted a drink of water ... a drink of water, for God's sake!"
Carlin turned and stared wildly at Spangler. "How was I to know? How was I to know?"
"Is there a lavatory? I think I'm going to--"
"His sweater ... I just caught a glimpse of his sweater going down the stairs ... then ..."
"--be sick."
Carlin shook his head, as if to clear it, and looked at the floor again. "Of course. Third door on your left, second floor, as you go toward the stairs." He lo
But Spangler had already stepped down onto the ladder. It rocked under his weight and for a moment Carlin thought--hoped--that he would fall. He didn't. Through the open square in the floor Carlin watched him descend, holding his mouth lightly with one hand.
"Spangler--?"
But he was gone.
Carlin listened to his footfalls fade to echoes, then die away. When they were gone, he shivered violently. He tried to move his own feet to the trapdoor, but they were frozen. Just that last, hurried glimpse of the boy's sweater ... God! ...
It was as if huge invisible hands were pulling his head, forcing it up. Not wanting to look, Carlin stared into the glimmering depths of the Delver looking-glass.
There was nothing there.
The room was reflected back to him faithfully, its dusty confines transmuted into glimmering infinity. A snatch of a half-remembered Tennyson poem occurred to him, and he muttered it aloud: " ' "I am half-sick of shadows," said the Lady of Shalott ...' "
And still he could not look away, and the breathing stillness held him. From around one comer of the mirror a moth-eaten buffalo head peered at him with flat obsidian eyes.
The boy had wanted a drink of water and the fountain was in the first-floor lobby. He had gone downstairs and--
And had never come back.
Ever.
Anywhere.
Like the duchess who had paused after primping before her glass for a soiree and decided to go back into the sitting room for her pearls. Like the rug-merchant who had gone for a carriage ride and had left behind him only an empty carriage and two closemouthed horses.
And the Delver glass had been in New York from 1897 until 1920, had been there when Judge Crater--
Carlin stared as if hypnotized into the shallow depths of the mirror. Below, the blind-eyed Adonis kept watch.
He waited for Spangler much like the Bates family must have waited for their son, much like the duchess's husband must have waited for his wife to return from the sitting room. He stared into the mirror and waited.
And waited.
And waited.
Nona
Do you love?
I hear her voice saying this--sometimes I still hear it. In my dreams.
Do you love?
Yes, I answer. Yes--andtrue love will never die.
Then I wake up screaming.
I don't know how to explain it, even now. I can't tell you why I did those things. I couldn't do it at the trial, either. And there are a lot of people here who ask me about it. There's a psychiatrist who does. But I am silent. My lips are sealed. Except here in my cell. Here I am not silent. I wake up screaming.
In the dream I see her walking toward me. She is wearing a white gown, almost transparent, and her expression is one of mingled desire and triumph. She comes to me across a dark room with a stone floor and I smell dry October roses. Her arms are held open and I go to her with mine out to enfold her.
I feel dread, revulsion, unutterable longing. Dread and revulsion because I know what this place is, longing because I love her. I will always love her. There are times when I wish there were still a death penalty in this state. A short walk down a dim corridor, a straightbacked chair fitted with a steel skullcap, clamps ... then one quick jolt and I would be with her.
As we come together in the dream my fear grows, but it is impossible for me to draw back from her. My hands press against the smooth plane of her back, her skin near under silk. She smiles with those deep, black eyes. Her head tilts up to mine and her lips part, ready to be kissed.
That's when she changes, shrivels. Her hair grows coarse and matted, melting from black to an ugly brown that spills down over the creamy whiteness of her cheeks. The eyes shrink and go beady. The whites disappear and she is glaring at me with tiny eyes like two polished pieces of jet. The mouth becomes a maw through which crooked yellow teeth protrude.
I try to scream. I try to wake up.
I can't. I'm caught again. I'll always be caught.
I am in the grip of a huge, noisome graveyard rat. Lights sway in front of my eyes. October roses. Somewhere a dead bell is chanting.
"Do you love?" this thing whispers. "Do you love?" The smell of roses is its breath as it swoops toward me, dead flowers in a charnel house.
"Yes," I tell the rat-thing. "Yes--and true love will never die." Then I do scream, and I am awake.
They think what we did together drove me crazy. But my mind is still working in some way or other, and I've never stopped looking for the answers. I still want to know how it was, and what it was.
They've let me have paper and a pen with a felt tip. I'm going to write everything down. Maybe I'll answer some of their questions and maybe while I'm doing that I can answer some of my own. And when I'm done, there's something else. Something they don't know I have. Something I took. It's here under my mattress. A knife from the prison dining hall.
I'll have to start by telling you about Augusta.
As I write this it is night, a fine August night poked through with blazing stars. I can see them through the mesh of my window, which overlooks the exercise yard and a slice of sky I can block out with two fingers. It's hot, and I'm naked except for my shorts. I can hear the soft summer sound of frogs and crickets. But I can bring back winter just by closing my eyes. The bitter cold of that night, the bleakness, the hard, unfriendly lights of a city that was not my city. It was the fourteenth of February.
See, I remember everything.
And look at my arms--covered with sweat, they've pulled into gooseflesh.
Augusta ...
When I got to Augusta I was more dead than alive, it was that cold. I had picked a fine day to say good-bye to the college scene and hitchhike west; it looked like I might freeze to death before I got out of the state.
A cop had kicked me off the interstate ramp and threatened to bust me if he caught me thumbing there again. I was almost tempted to wisemouth him and let him do it. The flat, four-lane stretch of highway had been like an airport landing strip, the wind whooping and pushing membranes of powdery snow skirling along the concrete. And to the anonymous Them behind their Saf-T-Glas windshields, everyone standing in the breakdown lane on a dark night is either a rapist or a murderer, and if he's got long hair you can throw in child molester and faggot on top.
I tried it awhile on the access road, but it was no good. And along about a quarter of eight I realized that if I didn't get someplace warm quick, I was going to pass out.
I walked a mile and a half before I found a combination diner and diesel stop on 202 just inside the city limits. JOE'S GOOD EATS, the neon said. There were three big rigs parked in the crushed-stone parking lot, and one new sedan. There was a wilted Christmas wreath on the door that nobody had bothered to take down, and next to it a thermometer showing just five degrees of mercury above big zero. I had nothing to cover my ears but my hair, and my rawhide gloves were falling apart. The tips of my fingers felt like pieces of furniture.
I opened the door and went in.
The heat was the first thing that struck me, warm and good. Next a hillbilly song on the juke, the unmistakable voice of Merle Haggard: "We don't let our hair grow long and shaggy, like the hippies out in San Francisco do."
The third thing that struck me was The Eye. You know about The Eye once you let your hair get down below the lobes of your ears. Right then people know you don't belong to the Lions, Elks, or the VFW. You know about The Eye, but you never get used to it.
Right now the people giving me The Eye were four truckers in one booth, two more at the counter, a pair of old ladies wearing cheap fur coats and blue rinses, the short-order cook, and a gawky kid with soapsuds on his hands. There was a girl sitting at the far end of the counter, but all she was looking at was the bottom of her coffee cup.
She was the fourth thing that struck me.
I'm old enough to know there's no such thing as love at first sight. It's just something Rodgers a
But looking at her made me feel something. You can laugh, but you wouldn't have if you'd seen her. She was almost unbearably beautiful. I knew without a doubt that everybody else in Joe's knew that the same as me. Just like I knew she had been getting The Eye before I came in. She had coal-colored hair, so black that it seemed nearly blue under the fluorescents. It fell freely over the shoulders of her scuffed tan coat. Her skin was cream-white, with just the faintest blooded touch lingering beneath the skin--the cold she had brought in with her. Dark, sooty lashes. Solemn eyes that slanted up the tiniest bit at the corners. A full and mobile mouth below a straight, patrician nose. I couldn't tell what her body looked like. I didn't care. You wouldn't, either. All she needed was that face, that hair, that look. She was exquisite. That's the only word we have for her in English.
Nona.
I sat two stools down from her, and the short-order cook came over and looked at me. "What?"
"Black coffee, please."
He went to get it. From behind me someone said: "Well I guess Christ came back, just like my mamma always said He would."
The gawky dishwasher laughed, a quick yuk-yuk sound. The truckers at the counter joined in.
The short-order cook brought me my coffee back, jarred it down on the counter and spilled some on the thawing meat of my hand. I jerked it back.
"Sorry," he said indifferently.
"He's gonna heal it hisself," one of the truckers in the booth called over.
The blue-rinse twins paid their checks and hurried out. One of the knights of the road sauntered over to the juke and put another dime in. Johnny Cash began to sing "A Boy Named Sue." I blew on my coffee.
Someone tugged at my sleeve. I turned my head and there she was--she'd moved over to the empty stool. Looking at that face close up was almost blinding. I spilled some more of my coffee.
"I'm sorry." Her voice was low, almost atonal.