The Grapes of Wrath by John Steinbeck
Ma looked closely at her. "I know," she said. "But, Rosasharn--don' shame your folks."
"I don' aim to, Ma."
"Well, don't you shame us. We got too much on us now, without no shame."
The girl's lip quivered. "I--I ain' goin' to the dance. I couldn'--Ma--he'p me!" She sat down and buried her head in her arms.
Ma wiped her hands on the dish towel and she squatted down in front of her daughter, and she put her two hands on Rose of Sharon's hair. "You're a good girl," she said. "You always was a good girl. I'll take care a you. Don't you fret." She put an interest in her tone. "Know what you an' me's gonna do? We're a-goin' to that dance, an' we're a-gonna set there an' watch. If anybody says to come dance--why, I'll say you ain't strong enough. I'll say you're poorly. An' you can hear the music an' all like that."
Rose of Sharon raised her head. "You won't let me dance?"
"No, I won't."
"An' don' let nobody touch me."
"No, I won't."
The girl sighed. She said desperately, "I don' know what I'm a-gonna do, Ma. I jus' don' know. I don' know."
Ma patted her knee. "Look," she said. "Look here at me. I'm a-gonna tell ya. In a little while it ain't gonna be so bad. In a little while. An' that's true. Now come on. We'll go get washed up, an' we'll put on our nice dress an' we'll set by the dance." She led Rose of Sharon toward the sanitary unit.
Pa and Uncle John squatted with a group of men by the porch of the office. "We nearly got work today," Pa said. "We was jus' a few minutes late. They awready got two fellas. An', well, sir, it was a funny thing. They's a straw boss there, an' he says, 'We jus' got some two-bit men. 'Course we could use twenty-cent men. We can use a lot a twenty-cent men. You go to your camp an' say we'll put a lot a fellas on for twenty cents."'
The squatting men moved nervously. A broad-shouldered man, his face completely in the shadow of a black hat, spatted his knee with his palm. "I know it, goddamn it!" he cried. "An' they'll git men. They'll git hungry men. You can't feed your fam'ly on twenty cents an hour, but you'll take anything. They got you goin' an' comin'. They jes' auction a job off. Jesus Christ, pretty soon they're gonna make us pay to work."
"We would of took her," Pa said. "We ain't had no job. We sure would a took her, but they was them guys in there, an' the way they looked, we was scairt to take her."
Black Hat said, "Get crazy thinkin'! I been workin' for a fella, an' he can't pick his crop. Cost more jes' to pick her than he can git for her, an' he don' know what to do."
"Seems to me --" Pa stopped. The circle was silent for him. "Well--I jus' thought, if a fella had a acre. Well, my woman she could raise a little truck an' a couple pigs an' some chickens. An' us men could get out an' find work, an' then go back. Kids could maybe go to school. Never seen sech schools as out here."
"Our kids ain't happy in them schools," Black Hat said.
"Why not? They're pretty nice, them schools."
"Well, a raggedy kid with no shoes, an' them other kids with socks on, an' nice pants, an' them a-yellin''Okie.' My boy went to school. Had a fight evr' day. Done good, too. Tough little bastard. Ever' day he got to fight. Come home with his clothes tore an' his nose bloody. An' his ma'd whale him. Made her stop that. No need ever'body beatin' the hell outa him, poor little fella. Jesus! He give some a them kids a goin'-over, though--them nice-pants sons-a-bitches. I dunno. I dunno."
Pa demanded, "Well, what the hell am I gonna do? We're outa money. One of my boys got a short job, but that won't feed us. I'm a-gonna go an' take twenty cents. I got to."
Black Hat raised his head, and his bristled chin showed in the light, and his stringy neck where the whiskers lay flat like fur. "Yeah!" he said bitterly. "You'll do that. An' I'm a two-bit man. You'll take my job for twenty cents. An' then I'll git hungry an' I'll take my job back for fifteen. Yeah! You go right on an' do her."
"Well, what the hell can I do?" Pa demanded. "I can't starve so's you can get two bits."
Black Hat dipped his head again, and his chin went into the shadow. "I dunno," he said. "I jes' dunno. It's bad enough to work twelve hours a day an' come out jes' a little bit hungry, but we got to figure all a time, too. My kid ain't gettin' enough to eat. I can't think all the time, goddamn it! It drives a man crazy." The circle of men shifted their feet nervously.
*
Tom stood at the gate and watched the people coming in to the dance. A floodlight shone down into their faces. Willie Eaton said, "Jes' keep your eyes open. I'm sendin' Jule Vitela over. He's half Cherokee. Nice fella. Keep your eyes open. An' see if you can pick out the ones."
"O.K.," said Tom. He watched the farm families come in, the girls with braided hair and the boys polished for the dance. Jule came and stood beside him.
"I'm with you," he said.
Tom looked at the hawk nose and the high brown cheek bones and the slender receding chin. "They says you're half Injun. You look all Injun to me."
"No," said Jule. "Jes' half. Wisht I was a full-blood. I'd have my lan' on the reservation. Them full-bloods got it pretty nice, some of 'em."
"Look a them people," Tom said.
The guests were moving in through the gateway, families from the farms, migrants from the ditch camps. Children straining to be free and quiet parents holding them back.
Jule said, "These here dances done funny things. Our people got nothing, but jes' because they can ast their frien's to come here to the dance, sets 'em up an' makes 'em proud. An' the folks respects 'em 'count of these here dances. Fella got a little place where I was a-workin'. He come to a dance here. I ast him myself, an' he come. Says we got the only decent dance in the county, where a man can take his girls an' his wife. Hey! Look."
Three young men were coming through the gate--young working men in jeans. They walked close together. The guard at the gate questioned them, and they answered and passed through.
"Look at 'em careful," Jule said. He moved to the guard. "Who ast them three?" he asked.
"Fella named Jackson, Unit Four."
Jule came back to Tom. "I think them's our fellas."
"How ya know?"
"I dunno how. Jes' got a feelin'. They're kinda scared. Foller 'em an' tell Willie to look 'em over, an' tell Willie to check with Jackson, Unit Four. Get him to see if they're all right. I'll stay here."
Tom strolled after the three young men. They moved toward the dance floor and took their positions quietly on the edge of the crowd. Tom saw Willie near the band and signaled him.
"What cha want?" Willie asked.
"Them three--see--there?"
"Yeah."
"They say a fella name' Jackson, Unit Four, ast 'em."
Willie craned his neck and saw Huston and called him over. "Them three fellas," he said. "We better get Jackson, Unit Four, an' see if he ast 'em."
Huston turned on his heel and walked away; and in a few moments he was back with a lean and bony Kansan. "This here's Jackson," Huston said. "Look, Jackson, see them three young fellas--?"
"Yeah."
"Well, did you ast 'em?"
"No."
"Ever see 'em before?"
Jackson peered at them. "Sure. Worked at Gregorio's with 'em."
"So they knowed your name."
"Sure. I worked right beside 'em."
"Awright," Huston said. "Don't you go near 'em. We ain't gonna th'ow 'em out if they're nice. Thanks, Mr. Jackson."
"Good work," he said to Tom. "I guess them's the fellas."
"Jule picked 'em out," said Tom.
"Hell, no wonder," said Willie. "His Injun blood smelled 'em. Well, I'll point 'em out to the boys."
A sixteen-year-old boy came running through the crowd. He stopped, panting, in front of Huston. "Mista Huston," he said. "I been like you said. They's a car with six men parked down by the euc'lyptus trees, an' they's one with four men up that north-side road. I ast 'em for a match. They got guns. I seen 'em."
Huston's eyes grew hard and cruel. "Willie," he said, "you sure
Willie grinned happily. "Sure have, Mr. Huston. Ain't gonna be no trouble."
"Well, don't hurt 'em. 'Member now. If you kin, quiet an' nice, I kinda like to see 'em. Be in my tent."
"I'll see what we kin do," said Willie.
Dancing had not formally started, but now Willie climbed onto the platform. "Choose up your squares," he called. The music stopped. Boys and girls, young men and women, ran about until eight squares were ready on the big floor, ready and waiting. The girls held their hands in front of them and squirmed their fingers. The boys tapped their feet restlessly. Around the floor the old folks sat, smiling slightly, holding the children back from the floor. And in the distance the Jesus-lovers sat with hard condemning faces and watched the sin.
Ma and Rose of Sharon sat on a bench and watched. And as each boy asked Rose of Sharon as partner, Ma said, "No, she ain't well." And Rose of Sharon blushed and her eyes were bright.
The caller stepped to the middle of the floor and held up his hands. "All ready? Then let her go!"
The music snarled out "Chicken Reel," shrill and clear, fiddle skirling, harmonicas nasal and sharp, and the guitars booming on the bass strings. The caller named the turns, the squares moved. And they danced forward and back, hands 'round, swing your lady. The caller, in a frenzy, tapped his feet, strutted back and forth, went through the figures as he called them.
"Swing your ladies an' a dol ce do. Join han's roun' an' away we go." The music rose and fell, and the moving shoes beating in time on the platform sounded like drums. "Swing to the right an' a swing to lef'; break, now--break--back to--back," the caller sang the high vibrant monotone. Now the girls' hair lost the careful combing. Now perspiration stood out on the foreheads of the boys. Now the experts showed the tricky inter-steps. And the old people on the edge of the floor took up the rhythm, patted their hands softly, and tapped their feet; and they smiled gently and then caught one another's eyes and nodded.
Ma leaned her head close to Rose of Sharon's ear. "Maybe you wouldn' think it, but your Pa was as nice a dancer as I ever seen, when he was young." And Ma smiled. "Makes me think of ol' times," she said. And on the faces of the watchers the smiles were of old times.
"Up near Muskogee twenty years ago, they was a blin' man with a fiddle----"
"I seen a fella oncet could slap his heels four times in one jump."
"Swedes up in Dakota--know what they do sometimes? Put pepper on the floor. Gits up the ladies' skirts an' makes 'em purty lively--lively as a filly in season. Swedes do that sometimes."
In the distance, the Jesus-lovers watched their restive children. "Look on sin," they said. "Them folks is ridin' to hell on a poker. It's a shame the godly got to see it." And their children were silent and nervous.
"One more roun' an' then a little res'," the caller chanted. "Hit her hard, 'cause we're gonna stop soon." And the girls were damp and flushed, and they danced with open mouths and serious reverent faces, and the boys flung back their long hair and pranced, pointed their toes, and clicked their heels. In and out the squares moved, crossing, backing, whirling, and the music shrilled.
Then suddenly it stopped. The dancers stood still, panting with fatigue. And the children broke from restraint, dashed on the floor, chased one another madly, ran, slid, stole caps, and pulled hair. The dancers sat down, fanning themselves with their hands. The members of the band got up and stretched themselves and sat down again. And the guitar players worked softly over their strings.
Now Willie called, "Choose again for another square, if you can." The dancers scrambled to their feet and new dancers plunged forward for partners. Tom stood near the three young men. He saw them force their way through, out on the floor, toward one of the forming squares. He waved his hand at Willie, and Willie spoke to the fiddler. The fiddler squawked his bow across the strings. Twenty young men lounged slowly across the floor. The three reached the square. And one of them said, "I'll dance with this here."
A blond boy looked up in astonishment. "She's my partner."
"Listen, you little son-of-a-bitch----"
Off in the darkness a shrill whistle sounded. The three were walled in now. And each one felt the grip of hands. And then the wall of men moved slowly off the platform.
Willie yelped, "Le's go!" The music shrilled out, the caller intoned the figures, the feet thudded on the platform.
A touring car drove to the entrance. The driver called, "Open up. We hear you got a riot."
The guard kept his position. "We got no riot. Listen to that music. Who are you?"
"Deputy sheriffs."
"Got a warrant?"
"We don't need a warrant if there's a riot."
"Well, we got no riots here," said the gate guard.
The men in the car listened to the music and the sound of the caller, and then the car pulled slowly away and parked in a crossroad and waited.
In the moving squad each of the three young men was pinioned, and a hand was over each mouth. When they reached the darkness the group opened up.
Tom said, "That sure was did nice." He held both arms of his victim from behind.
Willie ran over to them from the dance floor. "Nice work," he said. "On'y need six now. Huston wants to see these here fellers."
Huston himself emerged from the darkness. "These the ones?"
"Sure," said Jule. "Went right up an' started it. But they didn' even swing once."
"Let's look at 'em." The prisoners were swung around to face him. Their heads were down. Huston put a flashlight beam in each sullen face. "What did you wanta do it for?" he asked. There was no answer. "Who the hell tol' you to do it?"
"Goddarn it, we didn' do nothing. We was jes' gonna dance."
"No, you wasn't," Jule said. "You was gonna sock that kid."
Tom said, "Mr. Huston, jus' when these here fellas moved in, somebody give a whistle."
"Yeah, I know! The cops come right to the gate." He turned back. "We ain't gonna hurt you. Now who tol' you to come bus' up our dance?" He waited for a reply. "You're our own folks," Huston said sadly. "You belong with us. How'd you happen to come? We know all about it," he added.
"Well, goddamn it, a fella got to eat."
"Well, who sent you? Who paid you to come?"
"We ain't been paid."
"An' you ain't gonna be. No fight, no pay. Ain't that right?"
One of the pinioned men said, "Do what you want. We ain't gonna tell nothing."
Huston's head sank down for a moment, and then he said softly, "O.K. Don't tell. But looka here. Don't knife your own folks. We're tryin' to get along, havin' fun an' keepin' order. Don't tear all that down. Jes' think about it. You're jes' harmin' yourself.
"Awright, boys, put 'em over the back fence. An' don't hurt 'em. They don't know what they're doin'."
The squad moved slowly toward the rear of the camp, and Huston looked after them.
Jule said, "Le's jes' take one good kick at 'em."
"No, you don't!" Willie cried. "I said we wouldn'."
"Jes' one nice little kick," Jule pleaded. "Jes' loft 'em over the fence."
"No, sir," Willie insisted.
"Listen, you," he said, "we're lettin' you off this time. But you take back the word. If 'n ever this here happens again, we'll jes' natcherally kick the hell outa whoever comes; we'll bust ever' bone in their body. Now you tell your boys that. Huston says you're our kinda folks--maybe. I'd hate to think it."
They neared the fence. Two of the seated guards stood up and moved over. "Got some fellas goin' home early," said Willie. The three men climbed over the fence and disappeared into the darkness.
And the squad moved quickly back toward the dance floor. And the music of "Ol' Dan Tucker" skirled and whined from the string band.
Over near the office the men still squatted and talked, and the shrill music came to them.
Pa said, "They's change a-comin'. I don' know what. Maybe we won't live to see her. But she's a-comin'. They's a res'less f
And Black Hat lifted his head up again, and the light fell on his bristly whiskers. He gathered some little rocks from the ground and shot them like marbles, with his thumb. "I don' know. She's a-comin' awright, like you say. Fella tol' me what happened in Akron, Ohio. Rubber companies. They got mountain people in 'cause they'd work cheap. An' these here mountain people up an' joined the union. Well, sir, hell jes' popped. All them storekeepers and legioners an' people like that, they get drillin' an' yellin', 'Red!' An' they're gonna run the union right outa Akron. Preachers git a-preachin' about it, an' papers a-yowlin', an' they's pick handles put out by the rubber companies, an' they're a-buyin' gas. Jesus, you'd think them mountain boys was reg'lar devils!" He stopped and found some more rocks to shoot. "Well, sir--it was las' March, an' one Sunday five thousan' of them mountain men had a turkey shoot outside a town. Five thousan' of 'em jes' marched through town with their rifles. An' they had their turkey shoot, an' then they marched back. An' that's all they done. Well, sir, they ain't been no trouble sence then. These here citizens committees give back the pick handles, an' the storekeepers keep their stores, an' nobody been clubbed nor tarred an' feathered, an' nobody been killed." There was a long silence, and then Black Hat said, "They're gettin' purty mean out here. Burned that camp an' beat up folks. I been thinkin'. All our folks got guns. I been thinkin' maybe we ought to git up a turkey shootin' club an' have meetin's ever' Sunday."
The men looked up at him, and then down at the ground, and their feet moved restlessly and they shifted their weight from one leg to the other.
Chapter 25
The spring is beautiful in California. Valleys in which the fruit blossoms are fragrant pink and white waters in a shallow sea. Then the first tendrils of the grapes, swelling from the old gnarled vines, cascade down to cover the trunks. The full green hills are round and soft as breasts. And on the level vegetable lands are the mile-long rows of pale green lettuce and the spindly little cauliflowers, the gray-green unearthly artichoke plants.
And then the leaves break out on the trees, and the petals drop from the fruit trees and carpet the earth with pink and white. The centers of the blossoms swell and grow and color: cherries and apples, peaches and pears, figs which close the flower in the fruit. All California quickens with produce, and the fruit grows heavy, and the limbs bend gradually under the fruit so that little crutches must be placed under them to support the weight.